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Collaborations with the Past
Reshaping Shakespeare Across Time and Media
Diana E. Henderson (Author)
9780801444197
Hardback, published 15 June 2006
304 pages, 7 halftones - 7 Halftones, black and white
22.9 x 15.2 x 2.7 cm, 0.907 kg
Collaborations with the Past is a thought-provoking analysis of Shakespeare's role in key periods of English cultural history, from the Romantics, represented by Sir Walter Scott, through to present-day film, television, and stage productions of The Taming of the Shrew and Henry V. The most probing and productive collaborations with Shakespeare, the English past, and the 'woman's part' recorded in these pages are arguably those undertaken by Diana E. Henderson herself, in a performance made the more compelling by the unusual blend of intelligence and sheer scholarly panache with which it is tendered.
"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the Introduction Focusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate. Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.
Shake-shifting: An IntroductionPart One: Novel Transformations1. Bards of the Borders: Scott's Kenilworth, the Nineteenth Century's Shakespeare, and the Tragedy of Othello2. A Fine Romance: Cymbeline, [Jane Eyre], and Mrs. DallowayPart Two: Media Crossings3. The Return of the Shrew: New Media, Old Stories, and Shakespearean Comedy4. What's Past Is Prologue: Shakespeare's History and the Modern Performance of Henry VBibliography
Index