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Classics and the Uses of Reception
Charles Martindale (Edited by), CA Martindale (Author), Richard F. Thomas (Edited by)
9781405131452, Wiley
Paperback / softback, published 31 August 2006
352 pages
24.8 x 17.3 x 2 cm, 0.608 kg
?Classics has a particular stake in critical thought that addresses the problem of our (as classicists and readers) historical alienation from the texts we read.? (Classics Journal Online, September 2009) "In this thought-provoking and pioneering volume, the editors have put together a diverse collection of essays, which amply reflect the range of work currently carried out under the umbrella of classical reception studies. There is refreshingly no 'orthodoxy': instead, we are offered a stimulating series of questions, problems and possible solutions, which will help to provide much needed theoretical rigour to this emergent branch of classical scholarship." "A first-rate collection, with some of the most exciting and most rigorous of modern studies in classical reception." "[A] landmark collection ... The volume as a whole offers readers an enriched theoretical understanding of reception and its uses." "This body of work is not just a coordinated foray into someone else's territory; students of classical reception are writing a collective autobiography and developing a new charter for our discipline."
Fiona Macintosh, University of Oxford
Mary Beard, University of Cambridge
Fabula
Bryn Mawr Classical Review
This landmark collection presents a wide variety of viewpoints on the value and role of reception theory within the modern discipline of classics.
List of Figures Notes on Contributors Introduction: Thinking Through Reception 1 1 Provocation: The Point of Reception Theory 14 Part I Reception in Theory 21 2 Literary History as a Provocation to Reception Studies 23 3 Discipline and Receive; or, Making an Example out of Marsyas 32 4 Text, Theory, and Reception 44 5 Surfing the Third Wave? Postfeminism and the Hermeneutics of Reception 55 6 Allusion as Reception: Virgil, Milton, and the Modern Reader 67 7 Hector and Andromache: Identification and Appropriation 80 8 Passing on the Panpipes: Genre and Reception 92 9 True Histories: Lucian, Bakhtin, and the Pragmatics of Reception 104 10 The Uses of Reception: Derrida and the Historical Imperative 116 11 The Use and Abuse of Antiquity: The Politics and Morality of Appropriation 127 Part II Studies in Reception 139 12 The Homeric Moment? Translation, Historicity, and the Meaning of the Classics 141 13 Looking for Ligurinus: An Italian Poet in the Nineteenth Century 153 14 Foucault’s Antiquity 168 15 Fractured Understandings: Towards a History of Classical Reception among Non-Elite Groups 180 16 Decolonizing the Postcolonial Colonizers: Helen in Derek Walcott’s Omeros 192 17 Remodeling Receptions: Greek Drama as Diaspora in Performance 204 18 Reception, Performance, and the Sacrifice of Iphigenia 216 19 Reception and Ancient Art: The Case of the Venus de Milo 227 20 The Touch of Sappho 250 21 (At) the Visual Point of Reception: Anselm Feuerbach’s Das Gastmahl des Platon; or, Philosophy in Paint 274 22 Afterword: The Uses of “Reception” 288 Bibliography 294 Index 325
Charles Martindale
William W. Batstone
Ralph Hexter
Timothy Saunders Copyrighted Material
Kenneth Haynes
Genevieve Liveley
Craig Kallendorf
Vanda Zajko
Mathilde Skoie
Tim Whitmarsh
Miriam Leonard
Katie Fleming
Alexandra Lianeri
Richard F. Thomas
James I. Porter
Siobhán McElduff
Helen Kaufmann
Lorna Hardwick
Pantelis Michelakis
Elizabeth Prettejohn
Simon Goldhill
John Henderson
Duncan F. Kennedy
Subject Areas: History [HB]
