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Cinema of Pain
On Quebec's Nostalgic Screen

Liz Czach (Edited by), André Loiselle (Edited by)

9781771124331

Paperback / softback, published 30 July 2020

259 pages
22 x 14.7 x 1.5 cm, 0.408 kg

Since the defeat of the pro-sovereigntists in the 1995 Quebec referendum, the loss of a cohesive nationalistic vision in the province has led many Québécois to use their ancestral origins to inject meaning into their everyday lives. A Cinema of Pain argues that this phenomenon is observable in a pervasive sense of nostalgia in Quebec culture and is especially present in the province's vibrant but deeply wistful cinema. In Québécois cinema, nostalgia not only denotes a sentimental longing for the bucolic pleasures of bygone French-Canadian traditions, but, as this edited collection suggests, it evokes the etymological sense of the term, which underscores the element of pain (algos) associated with the longing for a return home (nostos).

Whether it is in grandiloquent historical melodramas such as Séraphin: un homme et son péché (Binamé 2002), intimate realist dramas like Tout ce que tu possèdes (Émond 2012), charming art films like C.R.A.Z.Y. (Vallée 2005), or even gory horror movies like Sur le Seuil (Tessier 2003), the contemporary Québécois screen projects an image of shared suffering that unites the nation through a melancholy search for home.

  • Introduction
  • SECTION I—
    Indigenous Longings
  • 1 Landscape, Trauma, and Identity Le Torrent
  • SECTION II—
    Yearning for a Pre-Modern Quebec
  • 2 The Quebec Heritage Film
  • 3 “
    La Nostalgie de la maison inconnue”
    : The Ethics of Memory in Bernard É
    mond’
    s Recent Work
  • 4 Fingerless (Anti)Christ: A Reminiscence of the Church in 1966 in Denys Arcand’
    s Les Invasions Barbares and É
    ric Tessier’
    s Sur le Seuil
  • SECTION III—
    Gendered Suffering
  • 5 The Dys-comforts of Home in Quebec Gothic Horror Cinema
  • 6 Men in Pain: Home, Nostalgia, and Masculinity in Twenty-First-Century Quebec Film
  • SECTION IV—
    Mé
    tropole and Ré
    gion
  • 7 The Rural (Re)Turns of Young Protagonists in Contemporary Quebec Films
  • 8 Return to Abitibi in Bernard É
    mond’
    s La donation
  • 9 Quebec–
    Montreal: Time, Space, and Memory in Robert Lepage’
    s Le Confessionnal and Bernard É
    mond’
    s La Neuvaine
  • Works Cited
  • About the Contributors
  • Index

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