Catholicism, Controversy and the English Literary Imagination, 1558–1660

Rediscovers a Catholic literary tradition and exposes the anti-Catholicism of mainstream Tudor and Stuart literature.

Alison Shell (Author)

9780521032148, Cambridge University Press

Paperback / softback, published 2 November 2006

324 pages, 1 b/w illus.
22.8 x 15.1 x 1.8 cm, 0.484 kg

'… Shell perceptively unveils a 'critical imperception' in English literary critique …' Laurence Lux-Sterritt, LERMA, Unviersité d'Aix-Marseille I

The Catholic contribution to English literary culture has been widely neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton, those whose presence in the canon has been more fitful, and many who have escaped the attention of literary critics. Among the themes to emerge are the anti-Catholic imagery of revenge tragedy and the definitive contribution made by Southwell and Crashaw to the post-Reformation revival of religious verse in England. Alison Shell offers a fascinating exploration of the rhetorical stratagems by which Catholics sought to demonstrate simultaneous loyalties to the monarch and to their religion, and of the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.

Acknowledgements
List of abbreviations
Note on the text
Introduction
Part I. Catholics and the Canon: 1. The livid flash: decadence, anti-Catholic revenge tragedy and the dehistoricised critic
2. Catholic poetics and the Protestant canon
Part II. Loyalism and Exclusion: 3. Catholic loyalism: I. Elizabethan writers
4. Catholic loyalism: II. Stuart writers
5. The subject of exile: I
6. The subject of exile: II
Conclusion
Notes
List of works frequently cited
Index.

Subject Areas: Literary studies: c 1500 to c 1800 [DSBD]