Arvo Pärt's Resonant Texts
Choral and Organ Music 1956–2015

A systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.

Andrew Shenton (Author)

9781107082458, Cambridge University Press

Hardback, published 10 May 2018

306 pages, 6 b/w illus. 12 tables 68 music examples
25.3 x 17.9 x 1.8 cm, 0.79 kg

'Arvo Pärt's Resonant Texts is a fascinating and deeply engaging conglomeration of cultural musicology and compositional survey. It is a thoroughly engaging read … Highly recommended.' Erik W. Goldstrom, Journal of the Association of Anglican Musicians

Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Pärt's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.

1. Prelude: resonant texts [1]
2. Credo: 1955–76
3. Interlude: audible light
4. Passio: 1976–82
5. Interlude: the numinous encounter
6. Kanon: 1982–97
7. Interlude: performance practice
8. Lamentate: 1997–2003
9. Adam's Lament: 2003–15
10. Postlude.

Subject Areas: Individual composers & musicians, specific bands & groups [AVH], Sacred & religious music [AVGD], Choral music [AVGC8], 20th century & contemporary classical music [AVGC6], Music reviews & criticism [AVC], Music [AV]