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Art and Technology in Early Modern Europe
Richard Taws (Author), Genevieve Warwick (Author)
9781119291688, Wiley
Paperback / softback, published 30 December 2016
248 pages
27.4 x 20.8 x 1.5 cm, 0.885 kg
In 12 essays by a distinguished group of art historians, Art and Technology in Early Modern Europe explores the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution.
6 Notes on Contributors 8 Chapter 1 After Prometheus: Art and Technology in Early Modern Europe 20 Chapter 2 Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project 44 Chapter 3 Works in Progress: Painting and Modelling in Seventeenth-Century Holland 64 Chapter 4 Looking in the Mirror of Renaissance Art 92 Chapter 5 Squaring the Circle: The Telescopic View in Early Modern Landscapes 112 Chapter 6 After Galileo: The Image of Science in Niccolò Tornioli’s Astronomers 128 Chapter 7 The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest 150 Chapter 8 A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson 166 Chapter 9 Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing 186 Chapter 10 Technologies of Illusion: De Loutherbourg’s Eidophusikon in Eighteenth-Century London 210 Chapter 11 Telegraphic Images in Post-Revolutionary France 232 Chapter 12 Seizing Attention: Devices and Desires 239 Index
Genevieve Warwick and Richard Taws
Pamela H. Smith and The Making and Knowing Project
Jan Blanc
Genevieve Warwick
Amy Knight Powell
Giulia Martina Weston
Etienne Jollet
Hanneke Grootenboer
Bryan J. Wolf
Ann Bermingham
Richard Taws
Barbara Maria Stafford
Subject Areas: History of art / art & design styles [AC]
