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Anglo-American
Artistic Exchange between Britain and the USA
David Peters Corbett (Edited by), D Peters Corbett (Author), Sarah Monks (Edited by)
9781444351439, Wiley
Paperback / softback, published 13 July 2012
264 pages
27.4 x 20.6 x 1.8 cm, 0.885 kg
“Summing Up: Recommended. Lower-division undergraduates through researchers/faculty.” (Choice, 1 May 2013)
For the first time, a set of distinguished American and British art historians consider the complex history of Anglo-American relations from the colonial period through to the 1960s
6 Notes on Contributors 8 Chapter 1 Anglo-American: Artistic Exchange between Britain and the USA 30 Chapter 2 The Wolfe Man: Benjamin West’s Anglo-American Accent 52 Chapter 3 Failure to Deliver: Watson and the Shark and the Boston Tea Party 74 Chapter 4 Picturesque Nostalgia as Ironic Dislocation: Joshua Shaw’s Disruptive Visions of the Old New World 92 Chapter 5 Details of Absence: Frederic Church and the Landscape of Post-Emancipation Jamaica 110 Chapter 6 Troubled Abstraction: Whiteness in Charles Dana Gibson and George Du Maurier 132 Chapter 7 ‘In seen and unseen places’: The Henry G. Marquand House and Collections in England and America 152 Chapter 8 Camden Town and Ashcan: Difference, Similarity and the ‘Anglo-American’ in the Work of Walter Sickert and John Sloan 174 Chapter 9 Losing Sight: War, Authority, and Blindness in British and American Visual Cultures, 1914-22 196 Chapter 10 The Madness of Art: Georgia O’Keeffe and Virginia Woolf 216 Chapter 11 ‘Strange Encounters’: Claes Oldenburg’s ‘Proposed Colossal Monuments’ for New York and London 236 Chapter 12 David Hockney: A Taste for Los Angeles 253 Index
David Peters Corbett and Sarah Monks
Sarah Monks
Jennifer L. Roberts
Kenneth Haltman
Jennifer Raab
Jennifer A. Greenhill
Melody Barnett Deusner
David Peters Corbett
David M. Lubin
Alexander Nemerov
Jo Applin
Cécile Whiting
Subject Areas: Art treatments & subjects [AG]
