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About Michael Baxandall
Adrian Rifkin (Author)
9780631211914, Wiley
Paperback / softback, published 1 January 1999
144 pages
24.6 x 17.3 x 0.8 cm, 0.308 kg
A distinguished group of art historians reflect on the work of Michael Baxandall, in terms of its importance for their own formation, its location in the development of a new art history, and its influence on the broader languages and theories of contemporary cultural theory.
1. Patterns in the Shadows: Attention in/to the Writings of Michael Baxandall: Michael Anne Holly (University of Rochester). 2. Aspects of the Critical Reception and Intellectual History of Baxandall's Concept of the Period Eye: Alland Langdale (University of British Columbia). 3. Limewood, Chiromancy and Narratives of Making. Writing about the Materials and Processes of Sculpture: Malcolm Baker (Victoria and Albert Museum). 4. Michael Baxandall and the Shadows in Plato's Cave: Alex Potts (University of Reading). 5. Last Words (Rilke, Wittgenstein)(Duchamp): Molly Nesbit (Vassar University). 6. Women under the Gaze, a Renaissance Genealogy: Paolo Berdini (Stanford University). 7. A Baxandall Bibliography: Allan Langdale (University of California at Santa Barbara).
Subject Areas: Art treatments & subjects [AG]
