A Hundred Acres of America
The Geography of Jewish American Literary History
Michael Hoberman (Author)
9780813589695
Paperback / softback, published 6 December 2018
198 pages
22.9 x 15.2 x 1.5 cm, 0.286 kg
"Michael Hoberman has opened up freshly the pathway in Jewish American writings about the sense of place, how Jewish life in America has come to be and feel at home."
— Jules Chametzky, professor, University of Massachusetts-Amherst; founder and editor of The Massachusetts Review
"At once critically imaginative and rigorously methodological, A Hundred Acres of America is a genuinely exciting, pathbreaking work of breathtaking historical, geographical, and cultural scope."
— Ranen Omer-Sherman, JHFE Endowed Chair in Judaic Studies at the University of Louisville
"Hoberman brilliantly revises notions of how quintessentially American landscapes shaped American Jewish writing. Elegantly written and cogently argued, this study unsettles the stories we think we know about Jewish immigration and territorial belonging in America."
— Rachel Rubinstein, author of Members of the Tribe: Native America in the Jewish Imagination
"A Hundred Acres is a worthy and lucid genealogy of the under-explored Jewish American geographical imagination, presented convincingly as an engagement with as well as departure from certain forms of dominant U.S. spatiality. Hoberman's nimble treatment of key texts captures the Jewish stamp on iconic American places, from 'the frontier' to the city and the 'suburban pastoral' as well as the Americanization of Jewish spaces elsewhere and, importantly, contributes to a shift in Jewish American literary scholarship away from the classic topics of immigration and assimilation toward a multidimensional criticism."
— Dalia Kandiyoti, author of Migrant Sites: America, Place, and Diaspora Literatures
— The Jewish Review of Books
"The book discusses a variety of places important to Americans, including the evolving West of the 19th century, the small towns of the Midwest and 20th-century suburbia. It ends with a landscape that has been significant to the Jewish people for thousands of years: Israel [and] suggests that the works it examines ask questions that aren't easy to answer — but then asking hard questions is a sign of good literature."
— Greenfield Reporter
"Highly recommended."
— Choice
"Hoberman Reads from Book," mention in The Shelburne Falls and West County Independent
— The Shelburne Falls/West County Independent
"Hoberman's study...challenges us to reconsider what the canon of our literature ought to be in a series of original readings of both obscure and major figures whose vision of landscape — above all sites of memory and myth — shaped their vision of America in rich and striking ways."
— Jewish Book Council
"Carefully chosen, sensitively read, historically contextualized, and situated within the broader currents of American literature....An apt reminder that Jews' engagement with place has always been fraught and that the places that we take for granted are always in the midst of being imagined and invented, a process that is almost never innocent."
— Marginalia
"Hoberman engages effectively with many important voices in the study of Jewish American literature today. [A] stimulating study that significantly refigures Jewish American literature."
— American Studies in Scandinavia
"The richness of Hoberman's work is partly a feature of its extensive chronology, which includes 150 years of literary history, and partly due to his careful comparisons that are geographically, literarily, religiously and culturally diverse and bring together an uncommon range of places, authors, texts, and histories. Hoberman offers a fresh perspective on a body of literature."
— MELUS
"Short, smart, and pithy."
— Shofar
""Heterogeneous, well-researched, and well-written."
— American Jewish History
"Hoberman Reads from Book," mention in The Shelburne Falls and West County Independent
— The Shelburne Falls/West County Independent
— The Jewish Review of Books
"Hoberman brilliantly revises notions of how quintessentially American landscapes shaped American Jewish writing. Elegantly written and cogently argued, this study unsettles the stories we think we know about Jewish immigration and territorial belonging in America."
— Rachel Rubinstein, author of Members of the Tribe: Native America in the Jewish Imagination
"Hoberman engages effectively with many important voices in the study of Jewish American literature today. [A] stimulating study that significantly refigures Jewish American literature."
— American Studies in Scandinavia
"A Hundred Acres is a worthy and lucid genealogy of the under-explored Jewish American geographical imagination, presented convincingly as an engagement with as well as departure from certain forms of dominant U.S. spatiality. Hoberman's nimble treatment of key texts captures the Jewish stamp on iconic American places, from 'the frontier' to the city and the 'suburban pastoral' as well as the Americanization of Jewish spaces elsewhere and, importantly, contributes to a shift in Jewish American literary scholarship away from the classic topics of immigration and assimilation toward a multidimensional criticism."
— Dalia Kandiyoti, author of Migrant Sites: America, Place, and Diaspora Literatures
"The book discusses a variety of places important to Americans, including the evolving West of the 19th century, the small towns of the Midwest and 20th-century suburbia. It ends with a landscape that has been significant to the Jewish people for thousands of years: Israel [and] suggests that the works it examines ask questions that aren't easy to answer — but then asking hard questions is a sign of good literature."
— Greenfield Reporter
"Hoberman's study...challenges us to reconsider what the canon of our literature ought to be in a series of original readings of both obscure and major figures whose vision of landscape — above all sites of memory and myth — shaped their vision of America in rich and striking ways."
— Jewish Book Council
"Highly recommended."
— Choice
"Michael Hoberman has opened up freshly the pathway in Jewish American writings about the sense of place, how Jewish life in America has come to be and feel at home."
— Jules Chametzky, professor, University of Massachusetts-Amherst; founder and editor of The Massachusetts Review
"The richness of Hoberman's work is partly a feature of its extensive chronology, which includes 150 years of literary history, and partly due to his careful comparisons that are geographically, literarily, religiously and culturally diverse and bring together an uncommon range of places, authors, texts, and histories. Hoberman offers a fresh perspective on a body of literature."
— MELUS
"Short, smart, and pithy."
— Shofar
"Carefully chosen, sensitively read, historically contextualized, and situated within the broader currents of American literature....An apt reminder that Jews' engagement with place has always been fraught and that the places that we take for granted are always in the midst of being imagined and invented, a process that is almost never innocent."
— Marginalia
""Heterogeneous, well-researched, and well-written."
— American Jewish History
"At once critically imaginative and rigorously methodological, A Hundred Acres of America is a genuinely exciting, pathbreaking work of breathtaking historical, geographical, and cultural scope."
— Ranen Omer-Sherman, JHFE Endowed Chair in Judaic Studies at the University of Louisville
2019 Choice Outstanding Academic Title
Jewish writers have long had a sense of place in the United States, and interpretations of American geography have appeared in Jewish American literature from the colonial era forward. But troublingly, scholarship on Jewish American literary history often limits itself to an immigrant model, situating the Jewish American literary canon firmly and inescapably among the immigrant authors and early environments of the early twentieth century. In A Hundred Acres of America, Michael Hoberman combines literary history and geography to restore Jewish American writers to their roles as critical members of the American literary landscape from the 1850s to the present, and to argue that Jewish history, American literary history, and the inhabitation of American geography are, and always have been, contiguous entities.
Contents
Preface
Introduction.
"A Never Failing Source of Interest to Us": Jewish American Literature and the Sense of Place—1-13
Chapter One.
"In this vestibule of God's holy temple": the frontier accounts of Solomon Carvalho and Israel Joseph Benjamin, 1857-1862—14-55
Chapter Two.
Colonial revival in the immigrant city: the invention of Jewish American urban history, 1870-1910—56-98
Chapter Three.
"A rare good fortune to anyone": Joseph Leiser's and Edna Ferber's reminiscences of small-town Jewish life, 1909-1939—99-144
Chapter Four.
"The longed for pastoral": images of exurban exile in Philip Roth's American Pastoral (1997) and Allegra Goodman's Kaaterskill Falls (1998)—145-186
Chapter Five.
Return to the shtetl: following the "topological turn" in Rebecca Goldstein's Mazel (1995) and Jonathan Safran Foer's Everything is Illuminated (2002)—187-227
Chapter Six.
Turning dreamscapes into landscapes on the "Wild West Bank" frontier: Jon
Papernick's The Ascent of Eli Israel (2002) and Risa Miller's Welcome to Heavenly Heights (2003)—228-266
Conclusion.
Mystical encounters and ordinary places—267-276
Acknowledgements
Notes
Index
