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A Companion to Jane Austen
Claudia L. Johnson (Edited by), C Johnson (Author), Clara Tuite (Edited by)
9781405149099, Wiley
Hardback, published 2 January 2009
560 pages
25.4 x 18 x 3.6 cm, 1.148 kg
"While other companions provide scholarly summary-context and assessment-as a starting place for further research, this companion seems more individualized.... A Companion to Jane Austen offers the useful charms of knowledge, stimulation, judgment." (1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, September 2010) "The advantage is that the chapters tend to be manageable, clear, and focused-perfect, in fact, for assigning to undergraduate and beginning graduate students. I for one certainly plan on doing that. After all, one of the charms of enchantment is that it can be contagious." (Notes and Queries, March 2010) "This book would be a worthy addition to any university, school and even private library in a place where Austen is read and re-read." (Transnational Literature, May 2009) "Austenites should be delighted with this comprehensive survey of contemporary Austen studies. [...] This should become a standard Austen reference. Highly recommended." (Choice, August 2009) "How is it that fresh perspectives on Austen and her writing are still being thought up? Johnson and Tuite answer that the study of Austen today is a "diverse, expansive, excitable and critical life-form", growing and changing with new audiences and approaches to literary criticism. Arranged in five parts, this Companion covers the style and genre of her novels, including the history of manuscripts, editions and illustrations (with 13 black-and-white facsimiles); individual readings of the main texts, looking at how Austen was initially received by critics and readers alike and the success of Pride and Prejudice; Austen's literary style and technique, showing how the author used language and who she was influenced by; the political, social and cultural settings of her novels, discussing the French Revolution and feminism; and how Austen has been "reinvented" by different generations, from the “silver fork” novel of the Victorian era to "sexed-up" television adaptations of our screens today." (Reference Reviews, December 2009)
Reflecting the dynamic and expansive nature of Austen studies, A Companion to Jane Austen provides 42 essays from a distinguished team of literary scholars that examine the full breadth of the English novelist's works and career.
List of Figures ix Notes on Contributors x List of Abbreviations xvii A Note to the Reader xviii Acknowledgments xix Introduction 1 Part I The Life and the Texts 11 1 Jane Austen's Life and Letters 13 2 The Austen Family Writing: Gossip, Parody, and Corporate Personality 31 3 The Literary Marketplace 41 4 Texts and Editions 51 5 Jane Austen, Illustrated 62 Part II Reading the Texts 79 6 Young Jane Austen: Author 81 7 Moving In and Out: The Property of Self in Sense and Sensibility 91 8 The Illusionist: Northanger Abbey and Austen’s Uses of Enchantment 101 9 Re: Reading Pride and Prejudice: "What think you of books?" 112 10 The Missed Opportunities of Mansfi eld Park 123 11 Emma: Word Games and Secret Histories 133 12 Persuasion: The Gradual Dawning 143 13 Sanditon and the Book 153 Part III Literary Genres and Genealogies 163 14 Turns of Speech and Figures of Mind 165 15 Narrative Technique: Austen and Her Contemporaries 185 16 Time and Her Aunt 195 17 Austen's Realist Play 206 18 Dealing in Notions and Facts: Jane Austen and History Writing 216 19 Sentiment and Sensibility: Austen, Feeling, and Print Culture 226 20 The Gothic Austen 237 Part IV Political, Social, and Cultural Worlds 249 21 From Politics to Silence: Jane Austen’s Nonreferential Aesthetic 251 22 The Army, the Navy, and the Napoleonic Wars 261 23 Jane Austen, the 1790s, and the French Revolution 272 24 Feminisms 282 25 Imagining Sameness and Difference: Domestic and Colonial Sisters in Mansfield Park 292 26 Jane Austen and the Nation 304 27 Religion 314 28 Family Matters 323 29 Austen and Masculinity 332 30 The Trouble with Things: Objects and the Commodifi cation of Sociability 343 31 Luxury: Making Sense of Excess in Austen’s Narratives 355 32 Austen's Accomplishment: Music and the Modern Heroine 366 33 Jane Austen and Performance: Theatre, Memory, and Enculturation 377 Part V Reception and Reinvention 389 34 Jane Austen and Genius 391 35 Jane Austen's Periods 402 36 Nostalgia 413 37 Austen's European Reception 422 38 Jane Austen and the Silver Fork Novel 434 39 Jane Austen in the World: New Women, Imperial Vistas 444 40 Sexuality 456 41 Jane Austen and Popular Culture 467 42 Austenian Subcultures 478 Bibliography 488 Index 513
Claudia L. Johnson and Clara Tuite
Kathryn Sutherland
Robert L. Mack
Jan Fergus
Brian Southam
Laura Carroll and John Wiltshire
Juliet McMaster
Susan C. Greenfi eld
Sonia Hofkosh
Susan J. Wolfson
William Galperin
Linda Bree
Fiona Stafford
George Justice
Margaret Anne Doody
Jane Spencer
Michael Wood
Harry E. Shaw
Devoney Looser
Miranda Burgess
Nancy Armstrong
Mary Poovey
Gillian Russell
Mary Spongberg
Vivien Jones
Deirdre Coleman
Claire Lamont
Roger E. Moore
Ruth Perry
E. J. Clery
Barbara M. Benedict
Diego Saglia
Gillen D'Arcy Wood
Daniel O'Quinn
Deidre Lynch
Mary A. Favret
Nicholas Dames
Anthony Mandal
Edward Copeland
Katie Trumpener
Fiona Brideoake
Judy Simons
Mary Ann O'Farrell
Subject Areas: Literature: history & criticism [DS]
