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A Companion to Islamic Art and Architecture, 2 Volume Set
2 Volume Set
Finbarr Barry Flood (Edited by), Gulru Necipoglu (Edited by)
9781119068662, Wiley
Hardback, published 29 August 2017
1456 pages
32.5 x 21.8 x 12.7 cm, 3.289 kg
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field.
Volume I. From the Prophet to the Mongols A. Introduction to the Two Volumes of A Companion to Islamic Art and Architecture 1. Frameworks of Islamic Art and Architecture: Concepts, Approaches and Historiographies B. The Early Caliphates, Umayyads, and end of Late Antiquity (650-750) 2. The Material Culture of pre- and early Islamic Arabia 3. The Formation of Religious and Caliphal Identity in the Umayyad Period: The Evidence of the Coinage 4. The Early Qur’an and the Sacred Art of Late Antiquity 5. Sacred Spaces in Early Islam C. Abbasids and the Universal Caliphate (750-900) 6. The Origins of Islamic Urbanism: The Royal City in the Umayyad and Abbasid Periods 7. Samarra and Abbasid Ornament 8. China among Equals: The China-Abbasid Ceramics Trade D. Fragmentation and the Rival Caliphates of Cordoba, Cairo, and Baghdad (900- 1050) 9. The Three Caliphates, a Comparative Approach 10. Early Islam on the East African Coast 11. Textiles and Identity E. “City States” and the Later Baghdad Caliphate (1050-1250) 12. The Resurgence of the Baghdad Caliphate 13. Turko-Persian Empires between Anatolia and India 14. Bridging Seas of Sand and Water: The Berber Dynasties of the Islamic Far West 15. Sicily and the Staging of Multiculturalism 16. Transculturation in the Eastern Mediterranean 17. Patronage and the Idea of an Urban Bourgeoisie 18. The Social and Economic Life of Metalwork 19. Ceramics and Circulation 20. Figural Ornament in Medieval Islamic Art 21. Medieval Islamic Amulets, Talismans and Magic 22. The Discovery and Rediscovery of the Medieval Islamic Object Volume II: From the Mongols to Modernism A. “Global” Empires and the World-System (1250-1450) 23. Architecture and Court Cultures of the Fourteenth Century 24. Islamic Architecture and Ornament in China 25. Chinese and Turko-Mongol Elements in Ilkhanid and Timurid Arts Part 2. 26. Persianate Arts of the Book in Iran and Central Asia 27. Diversification of Qur’an Manuscripts from Spain to China 28. Locating the Alhambra: A Fourteenth-Century “Islamic” Palace and its “Western” Contexts 29. Architectural Patronage and the Rise of the Ottomans 30. Islam beyond Empires: Mosques and Islamic Landscapes in India and the Indian Ocean 31. The Deccani Sultanates and their Interregional Connections B. Early Modern Empires and their Neighbors (1450-1700) 32. In Search of the Timurid Roots of Mughal Architecture 33. Istanbul, Isfahan, and Delhi: Imperial Designs and Urban Experiences in the Early Modern Era 34. Painting, from Royal to Urban Patronage 35. Objects of Consumption: Mediterranean Interconnections of the Ottomans and Mamluks 36. Safavid Arts and Diplomacy in the Age of the Renaissance and Reformation Part 2 37. Carpets, Textiles, and Trade in the Early Modern Islamic World 38. Trade, Politics, and Sufi Synthesis in the Formation of Southeast Asian Islamic Architecture 39. Mudejar Americano: Iberian Aesthetic Transmission in the New World C. Modernity, Empire, Colony and Nation (1700-1950) 40. Beyond the Taj Mahal: Late Mughal Visual Culture 41. Kings and Traditions in Différance: Antiquity Revisited in Post-Safavid Iran 42. Public Sphere in the Eastern Mediterranean 43. “Jeux de miroir”: Architecture in Istanbul and Cairo from Empire to Modernism 44. Islamic Art in the Islamic Lands: Museums and Architectural Revivalism 45. Islamic Art in the West: Categories of Collecting 46. Islamic Arts and the Crisis of Representation in Modern Europe D. Islam, Art, and the Contemporary (1950-Present) 47. Resonance and Circulation: The Category “Islamic Art and Architecture” 48. Dubai, Anyplace: Histories of Architecture in the Contemporary Middle East 49. Translations of Architecture in West Asia during the Twentieth Century 50. Calligraphic Abstraction 51. Articulating the Contemporary
Finbarr B. Flood and Gülru Necipoğlu
Barbara Finster
Luke Treadwell
Alain George
Mattia Guidetti
Alastair Northedge
Marcus Milwright
Hsueh-man Shen
Glaire D. Anderson and Jennifer Pruitt
Mark Horton
Jochen Sokoly
Yasser Tabbaa
Howard Crane and Lorenz Korn
Abigail Balbale
Lev Kapitaikin
Scott Redford and Eva Hoffman
Anna Contadini
James Allan and Ruba Kana’an
Oliver Watson
Oya Pancaroğlu
Venetia Porter, Liana Saif, and Emilie Savage-Smith
Avinoam Shalem
Bernard O’Kane
Nancy S. Steinhardt
Part 1
Yuka Kadoi
Tomoko Masuya
David J. Roxburgh
Priscilla Soucek
Cynthia Robinson
Zeynep Yurekli
Elizabeth Lambourn
Phillip B. Wagoner and Laura Weinstein
Lisa Golombek and Ebba Koch
Sussan Babaie and Çiğdem Kafescioğlu
Christiane Gruber and Emine Fetvacı
Tülay Artan
Part 1
Massumeh Farhad
Marianna Shreve Simpson
Walter B. Denny
Imran bin Tajudeen
Thomas F.B. Cummins and María Judith Feliciano
Chanchal Dadlani and Yuthika Sharma
Talinn Grigor
Shirine Hamadeh
Nebahat Avcıoğlu and Mercedes Volait
Wendy Shaw
Stephen Vernoit
Rémi Labrusse
Heghnar Watenpaugh
Kishwar Rizvi
Esra Akcan
Iftikhar Dadi
Anneka Lenssen and Sarah Rogers
Subject Areas: History of art / art & design styles [AC]
