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A Companion to Digital Humanities
Susan Schreibman (Edited by), S Schreibman (Author), Ray Siemens (Edited by), John Unsworth (Edited by)
9781405103213, Wiley
Hardback, published 10 November 2004
640 pages
25.4 x 17.8 x 5.1 cm, 1.243 kg
"A Companion to Digital Humanities stands on its own as a post-Revolution snapshot. It shows what happened immediately after computing became both practical, necessary and omnipresent in the Humanities.... Let there be another volume like this to document the next five years." (Classical Journal Online, May 2009) “Offers the best general introduction to this amorphous field.” (Literary Research Guide)
This Companion offers a thorough, concise overview of the emerging field of humanities computing.
Notes on Contributors viii Foreword: Perspectives on the Digital Humanities xvi The Digital Humanities and Humanities Computing: An Introduction xxiii PART I History 1 The History of Humanities Computing 3 2 Computing for Archaeologists 20 3 Art History 31 4 Classics and the Computer: An End of the History 46 5 Computing and the Historical Imagination 56 6 Lexicography 69 7 Linguistics Meets Exact Sciences 79 8 Literary Studies 88 9 Music 97 10 Multimedia 108 11 Performing Arts 121 12 ‘‘Revolution? What Revolution?’’ Successes and Limits of Computing Technologies in Philosophy and Religion 132 PART II Principles 13 How the Computer Works 145 14 Classification and its Structures 161 15 Databases 177 16 Marking Texts of Many Dimensions 198 17 Text Encoding 218 18 Electronic Texts: Audiences and Purposes 240 19 Modeling: A Study in Words and Meanings 254 PART III Applications 20 Stylistic Analysis and Authorship Studies 273 21 Preparation and Analysis of Linguistic Corpora 289 22 Electronic Scholarly Editing 306 23 Textual Analysis 323 24 Thematic Research Collections 348 25 Print Scholarship and Digital Resources 366 26 Digital Media and the Analysis of Film 383 27 Cognitive Stylistics and the Literary Imagination 397 28 Multivariant Narratives 415 29 Speculative Computing: Aesthetic Provocations in Humanities Computing 431 30 Robotic Poetics 448 PART IV Production, Dissemination, Archiving 31 Designing Sustainable Projects and Publications 471 32 Conversion of Primary Sources 488 33 Text Tools 505 34 ‘‘So the Colors Cover the Wires’’: Interface, Aesthetics, and Usability 523 35 Intermediation and its Malcontents: Validating Professionalism in the Age of Raw Dissemination 543 36 The Past, Present, and Future of Digital Libraries 557 37 Preservation 576 Index 592
Roberto A. Busa
Susan Schreibman, Ray Siemens, and John Unsworth
Susan Hockey
Harrison Eiteljorg, II
Michael Greenhalgh
Greg Crane
William G. Thomas, III
Russon Wooldridge
Jan Hajic¡
Thomas Rommel
Ichiro Fujinaga and Susan Forscher Weiss
Geoffrey Rockwell and Andrew Mactavish
David Z. Saltz
Charles Ess
Andrea Laue
C. M. Sperberg-McQueen
Stephen Ramsay
Jerome McGann
Allen H. Renear
Perry Willett
Willard McCarty
Hugh Craig
Nancy Ide
Martha Nell Smith
John Burrows
Carole L. Palmer
Claire Warwick
Robert Kolker
Ian Lancashire
Marie-Laure Ryan
Johanna Drucker (and Bethany Nowviskie)
William Winder
Daniel V. Pitti
Marilyn Deegan and Simon Tanner
John Bradley
Matthew G. Kirschenbaum
Michael Jensen
Howard Besser
Abby Smith
Subject Areas: Language: reference & general [CB]
