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1913
The Cradle of Modernism
"With this book Jean-Michel Rabaté, one of the foremost scholars of literary modernism, serves up a sumptuous intellectual feast. Examining the currents of thought and creative activity that churn through a single year, the 1913 of his title, he achieves an epic overview of early modernism. Music, painting, technology, science, philosophy, mathematics, literature, sexuality--nothing escapes his probing gaze. Telling anecdotes, insightful criticism, and philosophical rigour are combined to produce a work that is both a pleasure to read and a major scholarly synthesis."
–Lawrence Rainey, University of York
Jean-Michel Rabaté (Author)
9781405151177, Wiley
Hardback, published 10 July 2007
256 pages
23.8 x 16.3 x 2.3 cm, 0.526 kg
"While reading Rabatk's book I constantly had in mind Theodor Adorno's remark to Walter Benjamin about the latter's habit of 'occult adjacentism'. Adorno, of course, meant this as a damning criticism of his friend's method in the Arcades project, but it beautifully describes the effect of 1913 and its kaleidoscopic presentation of a world that troublingly-uncannily-intimates our own." (MLR, April 2009) “This book’s clarity and specificity will reward even readers familiar with his topics. Summing Up: Highly recommended.”(Choice)
“Rabate offers scholars and students a new portrait of cosmopolitan modernism to contemplate, making a study of globalization central to his understanding of the period’s literary and artistic endeavors.” (The Review of English Studies, June 2009)
This innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913.
List of Illustrations vi Acknowledgments vii Introduction: Modernism, Crisis, and Early Globalization 1 1 The New in the Arts 18 2 Collective Agencies 46 3 Everyday Life and the New Episteme 72 4 Learning to be Modern in 1913 96 5 Global Culture and the Invention of the Other 118 6 The Splintered Subject of Modernism 141 7 At War with Oneself: The Last Cosmopolitan Travels of German and Austrian Modernism 164 8 Modernism and the End of Nostalgia 185 Conclusion: Antagonisms 208 Notes 217 Index 235
Subject Areas: Literature: history & criticism [DS]
