{"product_id":"theatre-history-studies-2021-volume-40-paperback-softback-9780817371159","title":"Theatre History Studies 2021, Volume 40 (Paperback \/ softback) 9780817371159","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eTheatre History Studies 2021, Volume 40\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eLisa Jackson-Schebetta (Edited by), Angela K. Ahlgren (Contributions by), Jane Barnette (Contributions by), David Bisaha (Contributions by), Chrystyna M. Dail (Contributions by), Rebecca K. Hammonds (Contributions by), Jessica Ann Holt (Contributions by), Lisa Jackson-Schebetta (Contributions by), Odai Johnson (Contributions by), Lindsey Mantoan (Contributions by), Scott Proudfit (Contributions by), Mamata Sengupta (Contributions by), Jonathan Shandell (Contributions by), David Carlyon (Contributions by), Ryan Claycomb (Contributions by), Meredith A. Conti (Contributions by), Jeremy Cornelius (Contributions by), Jennifer Ewing-Pierce (Contributions by), Brice Ezell (Contributions by), Thomas Fish (Contributions by), Paul Gagliardi (Contributions by), Elizabeth Gray (Contributions by), William David Green (Contributions by), Alícia Hernàndez Grande (Contributions by), Alani Hicks-Bartlett (Contributions by), Rose Hilton (Contributions by), Catherine Quick (Contributions by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780817371159\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 11 January 2022\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e256 pages\u003cbr\u003e22.8 x 15.2 x 1.7 cm, 0.412 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eA peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cul\u003e\n\u003cli\u003eIntroduction—\u003cbr\u003eLISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePART I STUDIES IN THEATRE HISTORY\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eUn-Reading Voltaire: The Ghost in the Cupboard of the House of Reason—\u003cbr\u003eODAI JOHNSON\u003c\/li\u003e\n\u003cli\u003eCaricatured, Marginalized,and Erased: African American Artists and Philadelphia’\u003cbr\u003es Negro Unit of the FTP, 1936–\u003cbr\u003e1939—\u003cbr\u003eJONATHAN SHANDELL\u003c\/li\u003e\n\u003cli\u003eStop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’\u003cbr\u003es Appropriate—\u003cbr\u003eSCOTT PROUDFIT\u003c\/li\u003e\n\u003cli\u003eAsia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance—\u003cbr\u003eANGELA K. AHLGREN\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePART II WITCH CHARACTERS AND WITCHY PERFORMANCE\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eEditor’\u003cbr\u003es Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances—\u003cbr\u003eCHRYSTYNA DAIL\u003c\/li\u003e\n\u003cli\u003eTo Wright the Witch: The Case of Joanna Baillie’\u003cbr\u003es Witchcraft—\u003cbr\u003eJANE BARNETTE\u003c\/li\u003e\n\u003cli\u003eNothing Wicked This Way Comes: Shakespeare’\u003cbr\u003es Subversion of Archetypal Witches in The Winter’\u003cbr\u003es Tale—\u003cbr\u003eJESSICA HOLT\u003c\/li\u003e\n\u003cli\u003eOf Women and Witches: Performing the Female Body in Caryl Churchill’\u003cbr\u003es Vinegar Tom—\u003cbr\u003eMAMATA SENGUPTA\u003c\/li\u003e\n\u003cli\u003e(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’\u003cbr\u003es Heroine Journey in Wicked—\u003cbr\u003eREBECCA K. HAMMONDS\u003c\/li\u003e\n\u003cli\u003eImmersive Witches: New York City under the Spell of Sleep No More and Then She Fell—\u003cbr\u003eDAVID BISAHA\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePART III Essay from the Conference\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eThe Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s—\u003cbr\u003eLINDSEY MANTOAN\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"The University of Alabama Press","offers":[{"title":"Brand New","offer_id":52574472405272,"sku":"9780817371159","price":22.89,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/theatre-history-studies-2021-volume-40-paperback-softback-9780817371159","provider":"Freshly Printed Books","version":"1.0","type":"link"}