{"product_id":"the-world-of-the-florentine-renaissance-artist-projects-and-patrons-workshop-and-art-market-paperback-softback-9781442611849","title":"The World of the Florentine Renaissance Artist; Projects and Patrons, Workshop and Art Market (Paperback \/ softback) 9781442611849","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eThe World of the Florentine Renaissance Artist\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eProjects and Patrons, Workshop and Art Market\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eMartin Wackernagel (Author), Alison Luchs (Translated by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781442611849\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 5 March 2011\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e488 pages\u003cbr\u003e23.1 x 15.5 x 3.2 cm, 0.78 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eFirst published in German in 1938 and later translated into English, this classic of Italian Renaissance historiography centres on the relationship between Florentine art and the conditions under which it was created. In rich detail, Martin Wackernagel explores the impact of patronage and function, widespread demand for art, workshop techniques, and businesses practices on artists' lives and the results they achieved\u003c\/p\u003e \u003cp\u003eWackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments. Through this, he highlights the development of major civic and religious artistic complexes such as the Palazzo Vecchio, the Cathedral and Baptistery, and the convent of Santa Maria Novella. This volume also features a biography of the author and an essay on important later publications related to Wackernagel's themes and arguments.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eTranslator's Acknowledgments\u003c\/p\u003e \u003cp\u003eTranslator's Introduction\u003c\/p\u003e \u003cp\u003eAbbreviations\u003c\/p\u003e \u003cp\u003eAuthor's Preface\u003c\/p\u003e \u003cp\u003eAuthor's Introduction\u003c\/p\u003e \u003cp\u003ePART I \u003cem\u003eThe Commissions\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eCHAPTER 1 Great Projects and Work on Them from 1420 to 1530\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eThe Duomo and Baptistery\u003c\/li\u003e\n\u003cli\u003eThe Church and Convent of Santa Maria Novella\u003c\/li\u003e\n\u003cli\u003eThe Palazzo Vecchio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCHAPTER 2 Sculptural Commissions\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eSculpture for Church Buildings\u003c\/li\u003e\n\u003cli\u003eSculpture for Domestic Buildings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCHAPTER 3 Painting Commissions\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eWall Painting and Stained Glass in the Interior of Churches and Convent Buildings\u003c\/li\u003e\n\u003cli\u003ePanel Painting in Sacred Settings\u003c\/li\u003e\n\u003cli\u003eBanners and Vestments\u003c\/li\u003e\n\u003cli\u003ePaintings in Domestic Interiors\u003c\/li\u003e\n\u003cli\u003eHousehold Paintings on Wood and Canvas\u003c\/li\u003e\n\u003cli\u003ePainting on the Exterior of Buildings and Throughout the Cityscape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCHAPTER 4 Artistic Participation in the Staging of Public Festivities and Spectacles\u003c\/p\u003e \u003cp\u003ePART II \u003cem\u003eThe Patrons\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eCHAPTER 5 The City Government and the Guilds\u003c\/p\u003e \u003cp\u003eCHAPTER 6 Private Patronage in the Early and Mid-Quattrocento\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eRepresentatives of the First Stage of the Early Renaissance\u003c\/li\u003e\n\u003cli\u003eGiovanni Rucellai and Cosimo de' Medici\u003c\/li\u003e\n\u003cli\u003eCosimo\u0026amp;#x2019;s Sons, Piero and Giovanni de' Medici\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAttitudes and Forms of Patronage\u003c\/p\u003e \u003cp\u003eCHAPTER 7 Lorenzo Magnifico, Piero di Lorenzo, and Lorenzo di Pierfrancesco de\u0026amp;#x2019; Medici\u003c\/p\u003e \u003cp\u003eCHAPTER 8 Patrons from the Medici Circle in Florence and the Netherlands: the Sassetti, Portinari, Tornabuoni, Filippo Strozzi, and Others\u003c\/p\u003e \u003cp\u003eCHAPTER 9 Patrons of the High Renaissance and Extra-Florentine Commissioners and Collectors\u003c\/p\u003e \u003cp\u003eCHAPTER 10 The General Attitude toward Art: The Public and the Artist\u003c\/p\u003e \u003cp\u003ePART III \u003cem\u003eThe Artist\u0026amp;#x2019;s Workshop and the Art Market\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003eCHAPTER 11 The Artist Class: Its Numerical Strength, Professional Organization, and Occupational Divisions\u003c\/p\u003e \u003cp\u003eCHAPTER 12 Studios and their Working Procedures\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eLiving and Working Places and the Organization of Work: Master, Assistants, and Apprentices\u003c\/li\u003e\n\u003cli\u003eThe Process of Sculpture\u003c\/li\u003e\n\u003cli\u003eThe Painter's Working Procedure: Drawing\u003c\/li\u003e\n\u003cli\u003eExecution of Panel and Wall Paintings\u003c\/li\u003e\n\u003cli\u003eThe New Generation of Artists: Training for Apprentices and Assistants\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCHAPTER 13 Business Practices in the Workshop and Art Market\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003ePrice Formation and Forms of Payment\u003c\/li\u003e\n\u003cli\u003eEconomic Status of Artists\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCHAPTER 14 The Artists\u003c\/p\u003e \u003cul style='\"list-style-type:none;\"'\u003e\n\u003cli\u003eClass Status and Class Consciousness\u003c\/li\u003e\n\u003cli\u003eThe Artist as a Person, his Social Circle, his Way of Life and Work\u003c\/li\u003e\n\u003cli\u003eThe Artistic Temperament and Range of Interests\u003c\/li\u003e\n\u003cli\u003eThe Artistic Type in Contemporary Society\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAuthor's Bibliography\u003c\/p\u003e \u003cp\u003eTranslator's Bibliography\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Toronto Press","offers":[{"title":"Brand New","offer_id":52739278340376,"sku":"9781442611849","price":30.59,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/the-world-of-the-florentine-renaissance-artist-projects-and-patrons-workshop-and-art-market-paperback-softback-9781442611849","provider":"Freshly Printed Books","version":"1.0","type":"link"}