{"product_id":"the-romantic-poets-hardback-9780631229315","title":"The Romantic Poets (Hardback) 9780631229315","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eThe Romantic Poets\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eUttara Natarajan (Edited by), U Natarajan (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780631229315, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 2 July 2007\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e384 pages\u003cbr\u003e23.8 x 16 x 2.8 cm, 0.671 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e“This anthology is not concerned with defining Romanticism, but rather is dedicated to producing a historical narrative that will guide students through the immense number of critical responses to the canonical Romantic poets.” (\u003ci\u003eStudies in English Literature\u003c\/i\u003e, Fall 2008)  \u003cp\u003e\"Authoritatively pithy, lucidly introduced and of great use to undergraduates.\" (\u003ci\u003eBARS Bulletin \u0026amp; Review\u003c\/i\u003e, July 2008)\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThis welcome addition to the \u003ci\u003eBlackwell Guides to Criticism\u003c\/i\u003e series provides students with an invaluable survey of the critical reception of the Romantic poets.\u003cbr\u003e \u003cul\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eGuides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings\u003cbr\u003e \u003c\/li\u003e \u003cli\u003ePresents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eCross-referencing between the different sections highlights continuities and counterpoints\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eAcknowledgements. \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1. William Blake (1757–1827)\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCritical History: From First Responses to Northrop Frye.\u003c\/p\u003e \u003cp\u003eExtract from Northrop Frye, Fearful Symmetry: A Study of William Blake (1947).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Historical and Political Readings.\u003c\/p\u003e \u003cp\u003eExtract from David Erdman, Blake: Prophet against Empire (1954).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from V. A. De Luca, Words of Eternity: Blake and the Poetics of the.\u003c\/p\u003e \u003cp\u003eSublime (1991).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2. William Wordsworth (1770–1850).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: The Contemporary Reception.\u003c\/p\u003e \u003cp\u003eExtract from William Hazlitt, ‘Mr. Wordsworth’, in The Spirit of the Age.\u003c\/p\u003e \u003cp\u003e(1825).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Arnold to Hartman: From ‘Nature’ to ‘Vision’.\u003c\/p\u003e \u003cp\u003eExtract from Geoffrey Hartman, Wordsworth’s Poetry 1787–1814 (1964).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Historicizing Wordsworth.\u003c\/p\u003e \u003cp\u003eExtract from Alan Liu, Wordsworth: The Sense of History (1989).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from David Bromwich, Disowned by Memory: Wordsworth’s Poetry.\u003c\/p\u003e \u003cp\u003eof the 1790s (1998).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3. Samuel Taylor Coleridge (1772–1834\u003c\/b\u003e).\u003c\/p\u003e \u003cp\u003eCritical History: From the 1790s to the 1930s.\u003c\/p\u003e \u003cp\u003eExtract from J. L. Lowes, The Road to Xanadu (1927).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Idealizing Coleridge.\u003c\/p\u003e \u003cp\u003eExtract from John Beer, Coleridge the Visionary (1959).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Deconstructing Coleridge.\u003c\/p\u003e \u003cp\u003eExtract from J. J. McGann, ‘The Ancient Mariner: The Meaning of.\u003c\/p\u003e \u003cp\u003eMeanings’ in The Beauty of Inflections (1985).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: To the Present.\u003c\/p\u003e \u003cp\u003eExtract from Seamus Perry, Coleridge and the Uses of Division (1999).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4. George Gordon, Lord Byron (1788–1824\u003c\/b\u003e).\u003c\/p\u003e \u003cp\u003eCritical History: From Contemporary Responses to Victorian Readings.\u003c\/p\u003e \u003cp\u003eExtract from Joseph Mazzini, ‘On Byron and Goethe’ (1839).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: The Early Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from T. S. Eliot, ‘Byron’ (1937).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Canonical Byron: The 1960s and Onwards.\u003c\/p\u003e \u003cp\u003eExtract from J. J. McGann, Fiery Dust: Byron’s Poetic Development (1968).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Byron and Politics.\u003c\/p\u003e \u003cp\u003eExtract from Jerome Christensen, Lord Byron’s Strength: Romantic.\u003c\/p\u003e \u003cp\u003eWriting and Commercial Society (1993).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5. Percy Bysshe Shelley (1792–1822).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: From Contemporary Responses to the Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from C. E. Pulos, The Deep Truth: A Study of Shelley’s Scepticism.\u003c\/p\u003e \u003cp\u003e(1954).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Shelley, Scepticism and Idealism.\u003c\/p\u003e \u003cp\u003eExtract from Earl Wasserman, Shelley: A Critical Reading (1971).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Shelley and Socialism.\u003c\/p\u003e \u003cp\u003eExtract from Timothy Clark, Embodying Revolution: The Figure of the.\u003c\/p\u003e \u003cp\u003ePoet in Shelley (1989).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6. John Keats (1795–1821).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCritical History: The Contemporary Reception.\u003c\/p\u003e \u003cp\u003eExtract from J. G. Lockhart (‘Z’), ‘The Cockney School of Poetry’ (No. 4) in Blackwood’s Edinburgh Magazine (1818).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Keats Canonized: The Victorian Period to the Twentieth Century.\u003c\/p\u003e \u003cp\u003eExtract from Walter Jackson Bate, John Keats (1963).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: Class, Gender and Politics: Keats’s Anxiety.\u003c\/p\u003e \u003cp\u003eExtract from Marjorie Levinson, Keats’s Life of Allegory: The Origins of a.\u003c\/p\u003e \u003cp\u003eStyle (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eCritical History: History and Politics: Keats’s Radicalism.\u003c\/p\u003e \u003cp\u003eExtract from Nicholas Roe, John Keats and the Culture of Dissent (1997).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7. An Expanding Canon\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eCritical History: John Clare (1793–1864).\u003c\/p\u003e \u003cp\u003eExtract from John Barrell, ‘Being is Perceiving: James Thomson and John.\u003c\/p\u003e \u003cp\u003eClare’ in Poetry, Language, and Politics (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eCritical History: Romantic Women Poets.\u003c\/p\u003e \u003cp\u003eExtract from Stuart Curran, ‘Romantic Poetry: The I Altered’ in Romanticism and Feminism, ed. Anne Mellor (1988).\u003c\/p\u003e \u003cp\u003eFurther reading.\u003c\/p\u003e \u003cp\u003eUseful editions.\u003c\/p\u003e \u003cp\u003eReference material.\u003c\/p\u003e \u003cp\u003eChapter notes.\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Literature: history \u0026amp; criticism [\u003ca title=\"See our other books on Literature: history \u0026amp; criticism\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Literature:%20history%20\u0026amp;%20criticism%20%5BDS%5D%22\"\u003eDS\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52406394716440,"sku":"9780631229315","price":31.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780631229315.jpg?v=1784137774","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/the-romantic-poets-hardback-9780631229315","provider":"Freshly Printed Books","version":"1.0","type":"link"}