{"product_id":"synthesizers-and-subtractive-synthesis-volume-2-application-and-practice-hardback-9781786309259","title":"Synthesizers and Subtractive Synthesis, Volume 2; Application and Practice (Hardback) 9781786309259","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eSynthesizers and Subtractive Synthesis, Volume 2\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eApplication and Practice\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eJean-Michel Réveillac (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781786309259, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 14 June 2024\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e304 pages\u003cbr\u003e23.5 x 15.6 x 2 cm, 0.703 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eSubtractive sound synthesis is one of the most widely used techniques in electronic music and in many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation is complex, involving many parameters. It can be enhanced by a variety of effects that give the sound its authenticity, and does not simply imitate musical instruments, but can also transcribe noises present in natural soundscapes or generate entirely synthetic sounds.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSynthesizers and Subtractive Sound Synthesis 2\u003c\/i\u003e presents practical exercises, ranging from the fundamentals to advanced functionalities. Most of the sound effects applicable to subtractive synthesis are covered: vibrato, phaser, reverb, etc. The final chapters deal with polyphony and arpeggiator-sequences.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003ePreface ix\u003c\/p\u003e \u003cp\u003eIntroduction xiii\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1 Subtractive Synthesis: The Beginning 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1.1 Exercise 1 -- generate sound with a single oscillator 2\u003c\/p\u003e \u003cp\u003e1.1.1 Behringer Neutron 2\u003c\/p\u003e \u003cp\u003e1.1.2 Behringer 2600 (ARP 2600) 4\u003c\/p\u003e \u003cp\u003e1.1.3 Max\/MSP 6\u003c\/p\u003e \u003cp\u003e1.1.4 Pure Data 8\u003c\/p\u003e \u003cp\u003e1.1.5 VCV Rack 10\u003c\/p\u003e \u003cp\u003e1.2 Exercise 2 -- associate an envelope 12\u003c\/p\u003e \u003cp\u003e1.2.1 Behringer Neutron 12\u003c\/p\u003e \u003cp\u003e1.2.2 Behringer 2600 (ARP 2600) 13\u003c\/p\u003e \u003cp\u003e1.2.3 Max\/MSP 15\u003c\/p\u003e \u003cp\u003e1.2.4 Pure Data 16\u003c\/p\u003e \u003cp\u003e1.2.5 VCV Rack 18\u003c\/p\u003e \u003cp\u003e1.3 Exercise 3 -- add a filter 18\u003c\/p\u003e \u003cp\u003e1.3.1 Behringer Neutron 19\u003c\/p\u003e \u003cp\u003e1.3.2 Max\/MSP 20\u003c\/p\u003e \u003cp\u003e1.3.3 Pure Data 21\u003c\/p\u003e \u003cp\u003e1.3.4 VCV Rack 23\u003c\/p\u003e \u003cp\u003e1.4 A little further with Max\/MSP, Pure Data and VCV Rack 24\u003c\/p\u003e \u003cp\u003e1.4.1 ADSR with Max\/MSP 24\u003c\/p\u003e \u003cp\u003e1.4.2 Filter with Max\/MSP 25\u003c\/p\u003e \u003cp\u003e1.4.3 Configurable filter with Max\/MSP 26\u003c\/p\u003e \u003cp\u003e1.4.4 Custom waveforms with Pure Data 28\u003c\/p\u003e \u003cp\u003e1.4.5 ADSR with Pure Data 30\u003c\/p\u003e \u003cp\u003e1.4.6 Signals and filters with Pure Data 32\u003c\/p\u003e \u003cp\u003e1.4.7 Additional modules with the VCV Rack 35\u003c\/p\u003e \u003cp\u003e1.5 Final remarks 36\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2 Subtractive Synthesis: The Fundamentals 37\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2.1 Exercise 4 -- adding an envelope to the filter 38\u003c\/p\u003e \u003cp\u003e2.1.1 Minimoog 39\u003c\/p\u003e \u003cp\u003e2.1.2 Behringer 2600 (ARP 2600) 41\u003c\/p\u003e \u003cp\u003e2.1.3 Max\/MSP 42\u003c\/p\u003e \u003cp\u003e2.1.4 Pure Data 46\u003c\/p\u003e \u003cp\u003e2.1.5 VCV Rack 49\u003c\/p\u003e \u003cp\u003e2.2 Exercise 5 -- integrating an LFO 50\u003c\/p\u003e \u003cp\u003e2.2.1 Minimoog 52\u003c\/p\u003e \u003cp\u003e2.2.2 Novation Bass Station II 56\u003c\/p\u003e \u003cp\u003e2.2.3 Max\/MSP 58\u003c\/p\u003e \u003cp\u003e2.2.4 Pure Data 62\u003c\/p\u003e \u003cp\u003e2.2.5 VCV Rack 64\u003c\/p\u003e \u003cp\u003e2.2.6 Reaktor 67\u003c\/p\u003e \u003cp\u003e2.3 Exercise 6 -- multiple oscillators 71\u003c\/p\u003e \u003cp\u003e2.3.1 Minimoog (or clones) 71\u003c\/p\u003e \u003cp\u003e2.3.2 Novation Bass Station II 75\u003c\/p\u003e \u003cp\u003e2.3.3 Max\/MSP 76\u003c\/p\u003e \u003cp\u003e2.3.4 Pure Data 80\u003c\/p\u003e \u003cp\u003e2.3.5 VCV Rack 82\u003c\/p\u003e \u003cp\u003e2.3.6 Reaktor 83\u003c\/p\u003e \u003cp\u003e2.4 Exercise 7 -- noise generator 86\u003c\/p\u003e \u003cp\u003e2.4.1 Minimoog 86\u003c\/p\u003e \u003cp\u003e2.4.2 Behringer 2600 (ARP 2600) 89\u003c\/p\u003e \u003cp\u003e2.4.3 Novation Bass Station II 90\u003c\/p\u003e \u003cp\u003e2.4.4 Max\/MSP 91\u003c\/p\u003e \u003cp\u003e2.4.5 Pure Data 95\u003c\/p\u003e \u003cp\u003e2.5 To conclude classic synthesis 97\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3 Advanced Subtractive Synthesis 99\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e3.1 Exercise 8 -- ring modulation 100\u003c\/p\u003e \u003cp\u003e3.1.1 Behringer 2600 (ARP 2600) 102\u003c\/p\u003e \u003cp\u003e3.1.2 Arturia MatrixBrute 103\u003c\/p\u003e \u003cp\u003e3.1.3 Novation Bass Station II 104\u003c\/p\u003e \u003cp\u003e3.1.4 Max\/MSP 106\u003c\/p\u003e \u003cp\u003e3.1.5 Pure Data 107\u003c\/p\u003e \u003cp\u003e3.1.6 VCV Rack 110\u003c\/p\u003e \u003cp\u003e3.1.7 Reaktor 111\u003c\/p\u003e \u003cp\u003e3.2 Exercise 9 -- sample and hold 113\u003c\/p\u003e \u003cp\u003e3.2.1 Behringer 2600 (ARP 2600) 114\u003c\/p\u003e \u003cp\u003e3.2.2 Arturia MatrixBrute 115\u003c\/p\u003e \u003cp\u003e3.2.3 Max\/MSP 116\u003c\/p\u003e \u003cp\u003e3.2.4 Pure Data 119\u003c\/p\u003e \u003cp\u003e3.2.5 VCV Rack 121\u003c\/p\u003e \u003cp\u003e3.2.6 Reaktor 122\u003c\/p\u003e \u003cp\u003e3.3 Sound effects 125\u003c\/p\u003e \u003cp\u003e3.3.1 Exercise 10 -- reverberation 126\u003c\/p\u003e \u003cp\u003e3.3.2 Exercise 11 -- chorus 141\u003c\/p\u003e \u003cp\u003e3.3.3 Exercise 12 -- flanger 149\u003c\/p\u003e \u003cp\u003e3.3.4 Exercise 13 -- phaser 157\u003c\/p\u003e \u003cp\u003e3.4 Conclusion 164\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4 Duophony, Paraphony and Polyphony 165\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e4.1 Exercise 14 -- duophony and paraphony 166\u003c\/p\u003e \u003cp\u003e4.1.1 Behringer 2600 (ARP 2600) 166\u003c\/p\u003e \u003cp\u003e4.1.2 Novation Bass Station II 168\u003c\/p\u003e \u003cp\u003e4.1.3 Behringer Neutron 170\u003c\/p\u003e \u003cp\u003e4.1.4 Arturia MatrixBrute 172\u003c\/p\u003e \u003cp\u003e4.2 Exercise 15 -- polyphony 173\u003c\/p\u003e \u003cp\u003e4.2.1 Max\/MSP 174\u003c\/p\u003e \u003cp\u003e4.2.2 Pure Data 181\u003c\/p\u003e \u003cp\u003e4.2.3 VCV Rack 186\u003c\/p\u003e \u003cp\u003e4.2.4 Reaktor 190\u003c\/p\u003e \u003cp\u003e4.3 Conclusion 193\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5 Sequencers and Arpeggiators 195\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e5.1 Exercise 16 -- sequencers and arpeggiators 197\u003c\/p\u003e \u003cp\u003e5.1.1 VCV Rack 197\u003c\/p\u003e \u003cp\u003e5.1.2 Reaktor 203\u003c\/p\u003e \u003cp\u003e5.1.3 Max\/MSP 211\u003c\/p\u003e \u003cp\u003e5.1.4 Pure Data 223\u003c\/p\u003e \u003cp\u003e5.2 Conclusion 230\u003c\/p\u003e \u003cp\u003eConclusion 233\u003c\/p\u003e \u003cp\u003eAppendix 1 USB Connectivity 237\u003c\/p\u003e \u003cp\u003eAppendix 2 Pure Data Extensions 239\u003c\/p\u003e \u003cp\u003eAppendix 3 Keyboards and Interfaces 249\u003c\/p\u003e \u003cp\u003eAppendix 4 MIDI Notes, Numbers and Frequencies 253\u003c\/p\u003e \u003cp\u003eGlossary 257\u003c\/p\u003e \u003cp\u003eReferences 265\u003c\/p\u003e \u003cp\u003eIndex 275\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Chemistry [\u003ca title=\"See our other books on Chemistry\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Chemistry%20%5BPN%5D%22\"\u003ePN\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-ISTE","offers":[{"title":"Brand New","offer_id":52446793269528,"sku":"9781786309259","price":111.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781786309259.jpg?v=1785113840","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/synthesizers-and-subtractive-synthesis-volume-2-application-and-practice-hardback-9781786309259","provider":"Freshly Printed Books","version":"1.0","type":"link"}