{"product_id":"sixteenth-century-poetry-an-annotated-anthology-hardback-9781405101158","title":"Sixteenth-Century Poetry; An Annotated Anthology (Hardback) 9781405101158","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eSixteenth-Century Poetry\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eAn Annotated Anthology\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eGordon Braden (Edited by), G Braden (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781405101158, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 3 November 2004\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e604 pages\u003cbr\u003e25.4 x 17.5 x 3.8 cm, 1.184 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThis fully-annotated anthology of sixteenth-century English verse features generous selections from the canonical poets, alongside judicious selections from lesser-known authors.\u003cbr\u003e \u003cul\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eIncludes complete works or substantial extracts of longer poems wherever possible, including Book III of the ‘Faerie Queene’ and the whole of ‘Astrophil and Stella’.\u003c\/li\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eCovers a range of genres, including the love lyric, mythological narrative, sacred poetry and political poetry.\u003c\/li\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eEncourages readers to discover unusual and interesting connections and contrasts between poems and poets.\u003c\/li\u003e \u003cli style=\"list-style: none\"\u003e\n\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eDetailed annotations facilitate close reading of the poems.\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSelected Contents by Theme. \u003cp\u003eAlphabetical list of authors.\u003c\/p\u003e \u003cp\u003eChronology of Poems and Historical Events.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eAnonymous.\u003c\/p\u003e \u003cp\u003e“Western wind, when will thou blow,”.\u003c\/p\u003e \u003cp\u003e“In a goodly night, as in my bed I lay”.\u003c\/p\u003e \u003cp\u003e“O lusty lily, the lantern of all gentleness,”.\u003c\/p\u003e \u003cp\u003eJohn Skelton (1460?-1529).\u003c\/p\u003e \u003cp\u003e“Skelton laureate…”.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eDivers Ballads and Ditties Solacious.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“The ancient acquaintance, madam, between us twain”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePhilip Sparrow.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFrom\u003ci\u003eGarland\u003c\/i\u003e \u003ci\u003eor Chaplet of\u003c\/i\u003e \u003ci\u003eLaurel\u003c\/i\u003e\u003ci\u003e.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eSir Thomas More (1477-1535).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLouis, the Lost Lover\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003eHenry VIII (1491-1547).\u003c\/p\u003e \u003cp\u003e“Pastime with good company”.\u003c\/p\u003e \u003cp\u003eSir Thomas Wyatt (1503-42).\u003c\/p\u003e \u003cp\u003e“What vaileth truth, or by it to take pain?”.\u003c\/p\u003e \u003cp\u003etranslation of \u003ci\u003eCanzoniere\u003c\/i\u003e 140.\u003c\/p\u003e \u003cp\u003eadaptation of \u003ci\u003eCanzoniere\u003c\/i\u003e 190.\u003c\/p\u003e \u003cp\u003e“Each man me telleth I change most my device”.\u003c\/p\u003e \u003cp\u003etranslation of \u003ci\u003eCanzoniere\u003c\/i\u003e 224.\u003c\/p\u003e \u003cp\u003e“Farewell, love, and all thy laws forever”.\u003c\/p\u003e \u003cp\u003e“It may be good, like it who list,”.\u003c\/p\u003e \u003cp\u003etranslation of \u003ci\u003eCanzoniere\u003c\/i\u003e 134.\u003c\/p\u003e \u003cp\u003etranslation of \u003ci\u003eCanzoniere\u003c\/i\u003e 189.\u003c\/p\u003e \u003cp\u003etranslation of an Italian madrigal by Dragonetto Bonifacio.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAnswer.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Ye old mule, that think yourself so fair,”.\u003c\/p\u003e \u003cp\u003e“They flee from me that sometime did me seek,”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe lover showeth how he is forsaken of such as he sometime enjoyed.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“There was never nothing more me pained”.\u003c\/p\u003e \u003cp\u003e“Who hath heard of such cruelty before?”.\u003c\/p\u003e \u003cp\u003e“If Fancy would favor”.\u003c\/p\u003e \u003cp\u003e“Sometime I fled the fire that me brent”.\u003c\/p\u003e \u003cp\u003e“My lute, awake! Perform the last”.\u003c\/p\u003e \u003cp\u003e“To cause accord or to agree”.\u003c\/p\u003e \u003cp\u003e“Unstable dream, according to the place,”.\u003c\/p\u003e \u003cp\u003e“You that in love find luck and abundance”.\u003c\/p\u003e \u003cp\u003e“If waker care, if sudden pale color,”.\u003c\/p\u003e \u003cp\u003e“Tagus, farewell, that westward with thy streams”.\u003c\/p\u003e \u003cp\u003e“Mine own John Poins, since ye delight to know”.\u003c\/p\u003e \u003cp\u003e“My mother’s maids, when they did sew and spin,”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eV. innocentia\/Veritas Viat Fides\/Circumdederunt me inimici mei.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“It was my choice, it was no chance”.\u003c\/p\u003e \u003cp\u003e“Blame not my lute, for he must sound”.\u003c\/p\u003e \u003cp\u003e“What should I say,”.\u003c\/p\u003e \u003cp\u003eAdaptation of \u003ci\u003eCanzoniere\u003c\/i\u003e 269.\u003c\/p\u003e \u003cp\u003eTranslation of \u003ci\u003eThyestes\u003c\/i\u003e 391-403.\u003c\/p\u003e \u003cp\u003e“Lucks, my fair falcon, and your fellows all”.\u003c\/p\u003e \u003cp\u003e“Sighs are my food, drink are my tears”.\u003c\/p\u003e \u003cp\u003eThomas Vaux, Baron Vaux (1510-56).\u003c\/p\u003e \u003cp\u003e“Brittle beauty that nature made so frail,”.\u003c\/p\u003e \u003cp\u003e“I loathe that I did love”.\u003c\/p\u003e \u003cp\u003eHenry Howard, Earl of Surrey (1517-47).\u003c\/p\u003e \u003cp\u003e“From Tuscan came my lady’s worthy race;”.\u003c\/p\u003e \u003cp\u003etranslation of \u003ci\u003eCanzoniere 140.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eImitation of \u003ci\u003eCanzoniere 310.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAdaptation of \u003ci\u003eCanzoniere 164.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eVersion of \u003ci\u003eCanzoniere 145.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“In Cyprus’s springs (whereas dame Venus dwelt).\u003c\/p\u003e \u003cp\u003e“Such wayward ways hath Love that most part in discord”.\u003c\/p\u003e \u003cp\u003e“Although I had a check”.\u003c\/p\u003e \u003cp\u003e“When Windsor walls sustained my wearied arm,”.\u003c\/p\u003e \u003cp\u003e“So cruel prison, how could betide, alas,”.\u003c\/p\u003e \u003cp\u003e“The Assyrians’ king, in peace with foul desire”.\u003c\/p\u003e \u003cp\u003e“London, has thou accusèd me”.\u003c\/p\u003e \u003cp\u003e“Divers thy death do diversely bemoan”.\u003c\/p\u003e \u003cp\u003e“Wyatt resteth here, that quick could never rest;”.\u003c\/p\u003e \u003cp\u003e“O happy dames that may embrace”.\u003c\/p\u003e \u003cp\u003e“My Radcliffe, when thy reckless youth offends,”.\u003c\/p\u003e \u003cp\u003eAnne Askew (1521-46).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe ballad which Anne Askew made and sang when she was in Newgate.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003ePsalm 130.\u003c\/p\u003e \u003cp\u003eSir Thomas Wyatt.\u003c\/p\u003e \u003cp\u003eThe Geneva Bible.\u003c\/p\u003e \u003cp\u003eWilliam Whittingham.\u003c\/p\u003e \u003cp\u003eGeorge Gascoigne.\u003c\/p\u003e \u003cp\u003eMary Sidney, Countess of Pembroke.\u003c\/p\u003e \u003cp\u003eSir John Harington.\u003c\/p\u003e \u003cp\u003eGeorge Gascoigne (1525?-77).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Hundred Sundry Flowers (1).\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Hundred Sundry Flowers (2).\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Passion.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Praise of his Mistress.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Lullaby.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSat cito si sat bene.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Good Morrow.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Good Night.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGascoigne’s Woodmanship.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eThe Posies.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Complaint of the Green Knight.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Continuance of the Author, upon the Fruit of Fetters.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Green Knight’s Farewell to Fancy.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eEpilogismus.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eElizabeth I (1533-1603).\u003c\/p\u003e \u003cp\u003e“The doubt of future foes exiles my present joy,”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOn Monsier’s Departure.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eThomas Sackville, Earl of Dorset (1536-1608).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Mirror for Magistrates: The Induction.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eBarnabe Googe (1540-94) and George Turberville (1544?-97?).\u003c\/p\u003e \u003cp\u003eOculi augent dolorem\/\u003ci\u003eOut of sight, out of mind.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Master Googe, his sonnet Out of sight, out of thought\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOf Money.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Master Googe’s fancy that begins, Give money me, take friendship whoso list\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eSir Edward Dyer (1543-1606).\u003c\/p\u003e \u003cp\u003e“My mind to me a kingdom is;”.\u003c\/p\u003e \u003cp\u003eEdward de Vere, Earl of Oxford (1550-1604).\u003c\/p\u003e \u003cp\u003e“If women could be fair and yet not fond,”.\u003c\/p\u003e \u003cp\u003eEdmund Spenser (1552?-99).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Third book of the Faery Queen.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCantos I–XII.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAlternate ending for Canto XII from the 1590 edition.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTwo Cantos of Mutability.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCanto VI.\u003c\/p\u003e \u003cp\u003eCanto VII.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eAmoretti.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6.\u003c\/p\u003e \u003cp\u003e10.\u003c\/p\u003e \u003cp\u003e35.\u003c\/p\u003e \u003cp\u003e37.\u003c\/p\u003e \u003cp\u003e45.\u003c\/p\u003e \u003cp\u003e56.\u003c\/p\u003e \u003cp\u003e64.\u003c\/p\u003e \u003cp\u003e67.\u003c\/p\u003e \u003cp\u003e68.\u003c\/p\u003e \u003cp\u003e75.\u003c\/p\u003e \u003cp\u003eSir Walter Ralegh (1554?-1618).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA vision upon this conceit of the Faery Queen.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Would I were changed into that golden shower”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Advice.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“What is our life? The play of passion,”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Lie.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his love when he had obtained her.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Our passions are most like to floods and streams”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBooks of the Ocean’s love to Cynthia.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Nature, that washed her hands in milk”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Passionate Man’s Pilgrimage.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSir Walter Ralegh, his verses written in his Bible a little before his death.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eWalter Ralegh and Elizabeth I.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Sonnet.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Answer.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eFulke Greville, Lord Brooke (1554-1628).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCaelica.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e12.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e38.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e40.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e42.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e45.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e56.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e84.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e100.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e109.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eSir Philip Sidney (1554-86).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAstrophil and Stella.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eAnonymous.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA New Courtly Sonnet of the Lady Greensleeves\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e“When Venus first did see”.\u003c\/p\u003e \u003cp\u003eRobert Greene (1558-1592).\u003c\/p\u003e \u003cp\u003e“Deceiving world, that with alluring toys”.\u003c\/p\u003e \u003cp\u003eChidiock Tichborne (1558?-86).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTichborne’s Lament.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eThomas Lodge (1558?-1625).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eScylla’s Metamorphosis, interlaced with the unfortunate love of Glaucus.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eGeorge Chapman (1559-1634).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOvid’s Banquet of Sense.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Argument.\u003c\/p\u003e \u003cp\u003eNarratio.\u003c\/p\u003e \u003cp\u003eMary Herbert, Countess of Pembroke (1561-1621).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo the Angel Spirit of the Most Excellent Sir Philip Sidney.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eRobert Southwell (1561-95).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Burning Babe.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eSamuel Daniel (1562-1619).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eDelia.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Ode.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eMichael Drayton (1563-1631).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eIdea’s Mirror.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“See, chaste Diana, where my harmless heart,”.\u003c\/p\u003e \u003cp\u003e“Sweet Secrecy, what tongue can tell thy worth?”.\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eIdea.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTo the Reader of his Poems.\u003c\/p\u003e \u003cp\u003e“Whilst thus my pen strives to eternize thee,”.\u003c\/p\u003e \u003cp\u003e“There’s nothing grieves me but that age should haste”.\u003c\/p\u003e \u003cp\u003e“Since there’s no help, come, let us kiss and part.”.\u003c\/p\u003e \u003cp\u003eRobert Sidney, Earl of Leicester (1563-1626).\u003c\/p\u003e \u003cp\u003e“You that take pleasure in your cruelty”.\u003c\/p\u003e \u003cp\u003eChristopher Marlowe (1564-93).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eElegia 5: Corinnae concubitus.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eElegia 13: Ad Auroram, ne properet.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHero and Leander.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eChristopher Marlowe and Sir Walter Ralegh.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Passionate Shepherd to his Love.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Nymph’s Reply to the Shepherd.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eThomas Nashe (1567-1601).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eSummer’s Last Will and Testament.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eSir John Davies (1569-1626).\u003c\/p\u003e \u003cp\u003e“Faith (wench), I cannot court thy sprightly eyes”.\u003c\/p\u003e \u003cp\u003e“The sacred Muse that first made Love divine”.\u003c\/p\u003e \u003cp\u003eBarnabe Barnes (1571-1609).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eParthenophil and Parthenophe\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eJohn Donne (1572-1631).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSatires I and III.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Perfume.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Nature’s lay idiot, I taught thee to love,”.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo his Mistress Going to Bed.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChange.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Good Morrow.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSong.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWoman’s Constancy.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Sun Rising.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Indifferent.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Canonization.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Triple Fool.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAir and Angels.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBreak of Day.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Anniversary.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTwickenham\u003c\/i\u003e\u003ci\u003eGarden.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove’s Growth.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eConfined Love.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Dream.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Flea.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Nocturnal upon St. Lucy’s Day, Being the Shortest Day.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Bait.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Apparition.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Valediction: Forbidding Mourning.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Ecstasy.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove’s Deity.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLove’s Diet.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Funeral.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Blossom.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Relic.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Lecture upon the Shadow.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eRichard Barnfield (1574-1627).\u003c\/p\u003e \u003cp\u003eFrom \u003ci\u003eCynthia.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e“Sweet coral lips where Nature’s treasure lies,”.\u003c\/p\u003e \u003cp\u003e“Thus was my love, thus was my Ganymede”.\u003c\/p\u003e \u003cp\u003e“Sighing and sadly sitting by my love,”.\u003c\/p\u003e \u003cp\u003e“Cherry-lipped Adonis in his snowy shape”.\u003c\/p\u003e \u003cp\u003eJohn Marston (1576-1634).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Metamorphosis of Pygmalion’s Image.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSatire VI: Hem nosti’n.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e.\u003c\/p\u003e \u003cp\u003eAnonymous.\u003c\/p\u003e \u003cp\u003e“Those whose kind hearts sweet pity did attaint”.\u003c\/p\u003e \u003cp\u003e“Come away, come, sweet love”.\u003c\/p\u003e \u003cp\u003e“Absence, hear thou my protestation”.\u003c\/p\u003e \u003cp\u003eIndex of Titles and First Lines.\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Literature: history \u0026amp; criticism [\u003ca title=\"See our other books on Literature: history \u0026amp; criticism\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Literature:%20history%20\u0026amp;%20criticism%20%5BDS%5D%22\"\u003eDS\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52433837654296,"sku":"9781405101158","price":114.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781405101158.jpg?v=1784855177","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/sixteenth-century-poetry-an-annotated-anthology-hardback-9781405101158","provider":"Freshly Printed Books","version":"1.0","type":"link"}