{"product_id":"shakespearean-intersections-language-contexts-critical-keywords-paperback-softback-9781512825558","title":"Shakespearean Intersections; Language, Contexts, Critical Keywords (Paperback \/ softback) 9781512825558","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eShakespearean Intersections\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eLanguage, Contexts, Critical Keywords\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003ePatricia Parker (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781512825558\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 24 October 2023\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e424 pages, 12 illus.\u003cbr\u003e22.9 x 15.2 x 3.1 cm, 0.556 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"By honing a feminist philological practice attuned to the intersections of language, class, gender, sexuality, and race, Parker illuminates how single words and their discursive networks firm up or challenge hierarchies of self and other in early modern English culture....Working across historical periods, geographies, discourses, and languages, Parker traces how single words range far afield to mate, drawing other terms into the orbit of the self-same in subtle, queer, and preposterous ways. As one has come to expect from Parker, delight is in the details....\u003ci\u003eShakespearean Intersections\u003c\/i\u003e delivers on the promises of philologically attuned intersectional analysis, revealing the critical, historical, ontological, and epistemological insights that arise when we delve deeply and patiently into the world of words.\" (Shakespeare Quarterly) \"The conclusion one draws from Shakespearean Intersections is that a lifetime of study in classical and early modern literature, multiple languages, philosophy, and world history might foster a critical perspective that invigorates our most familiar texts and makes them speak to the pressing issues of our time. This is the true promise of creative, inspiring literary criticism. It is a promise made good in \u003ci\u003eShakespearean Intersections.\u003c\/i\u003e\" (\u003ci\u003eRenaissance Quarterly\u003c\/i\u003e) \"Parker has always been one of the most trenchant and dazzling observers of word behaviour and her command of the almost incorrigible and mischievous elements of Shakespeare's language is an art in itself. The vibrant way in which she conjures contexts and allusions, recalls, suppositions, bends, behinds and breaches draws out the spectacular ways in which meanings are networked across the plays, but also the audiences and how the word becomes a powerful token or gift through which we can explore the rich complexities of belonging to Shakespeare's play worlds.\" (\u003ci\u003eShakespeare Survey\u003c\/i\u003e) \"Providing a rather prolific response to the age-old question, 'what's in a name?' this book's methodological approach to words (including nominal) as uniquely rewarding vehicles for exploring the language, contexts, and preoccupations of a period's literature and drama-together with oft-overlooked issues and historical intersections-testifies to the rich dividends paid by the meticulously close scholarly readings at which Parker is so adept.\" (\u003ci\u003eRenaissance and Reformation\u003c\/i\u003e) \"\u003ci\u003eShakespearean Intersections\u003c\/i\u003e offers a stunningly creative and illuminating method for reading Shakespeare's words as nodes in densely linked webs of religious, racial, political, and sexual meanings. No word is safe from Patricia Parker's eagle-eyed attention to the polyglot resonances, inferences, and figurations that unexpectedly connect Shakespeare's language to contemporary discourses as diverse as sodomy, military science, biblical teleology, and orthography. \u003ci\u003eShakespearean Intersections\u003c\/i\u003e shows us how much we have overlooked in Shakespeare's language, and how much richer and more inventive our readings of even his most familiar texts might be.\" (Mario DiGangi, The Graduate Center, City University of New York) \"Our editorial and critical endeavors have always (and perhaps necessarily) underestimated the activity of words-which is why we need Patricia Parker's extraordinary readings of Shakespeare.\" (Margreta de Grazia, University of Pennsylvania) \"In \u003ci\u003eShakespearean Intersections\u003c\/i\u003e, Patricia Parker identifies a wide range of especially resonant keywords and cultural contexts for early modern drama. Her readings of Shakespearean drama are a joy to encounter: immensely learned; acutely sensitive to rhetorical complexity; and deeply thoughtful about the politics of language.\" (Patricia Cahill, Emory University)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eWhat does the keyword \"continence\" in \u003ci\u003eLove's Labor's Lost\u003c\/i\u003e reveal about geopolitical boundaries and their breaching? What can we learn from the contemporary identification of the \"quince\" with weddings that is crucial for \u003ci\u003eA Midsummer Night's Dream\u003c\/i\u003e? How does the evocation of Spanish-occupied \"Brabant\" in \u003ci\u003eOthello\u003c\/i\u003e resonate with contemporary geopolitical contexts, wordplay on \"Low Countries,\" and fears of sexual\/territorial \"occupation\"? How does \"supposes\" connote not only sexual submission in \u003ci\u003eThe Taming of the Shrew\u003c\/i\u003e but also the transvestite practice of boys playing women, and what does it mean for the dramatic recognition scene in \u003ci\u003eCymbeline\u003c\/i\u003e?\u003cbr\u003e With dazzling wit and erudition, Patricia Parker explores these and other critical keywords to reveal how they provide a lens for interpreting the language, contexts, and preoccupations of Shakespeare's plays. In doing so, she probes classical and historical sources, theatrical performance practices, geopolitical interrelations, hierarchies of race, gender, and class, and the multiple significances of \"preposterousness,\" including reversals of high and low, male and female, Latinate and vulgar, \"sinister\" or backward writing, and latter ends both bodily and dramatic.\u003cbr\u003e Providing innovative and interdisciplinary perspectives on Shakespeare, from early to late and across dramatic genres, Parker's deeply evocative readings demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Brand New","offer_id":52716601835800,"sku":"9781512825558","price":21.29,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/shakespearean-intersections-language-contexts-critical-keywords-paperback-softback-9781512825558","provider":"Freshly Printed Books","version":"1.0","type":"link"}