{"product_id":"reading-typographically-immersed-in-print-in-early-modern-france-hardback-9781503637214","title":"Reading Typographically; Immersed in Print in Early Modern France (Hardback) 9781503637214","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eReading Typographically\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eImmersed in Print in Early Modern France\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eGeoffrey Turnovsky (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781503637214\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 18 June 2024\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e328 pages, 16 halftones\u003cbr\u003e22.9 x 15.2 x 2.1 cm, 0.541 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"This book will shift discussions of the public sphere, imagined communities, and the role of the public intellectual. In the looming controversies surrounding AI in education, this book makes the case against fetishizing one historically specific kind of reading.\"\u003cbr\u003e  —George Hoffmann, University of Michigan \"This is a fascinating study. \u003ci\u003eReading Typographically\u003c\/i\u003e is an important contribution to our histories of reading, and essential for students and historians of reading.\"\u003cbr\u003e  —Jennifer Richards, University of Cambridge \"This provocative and exciting book considers how typographical devices were used for erasing the perception of the materiality of the text and create an unmediated relationship between the reader and characters' voices or the writer's heart. Important and innovative.\"\u003cbr\u003e  —Roger Chartier, Collège de France \"Brilliantly joining literary criticism with book history, this superbly researched study explores the emergence in the 18th century 'reading revolution' of a new kind of 'immersive' reading, abetted by new kinds of page layout and typography.... Highly recommended.\"—D. L. Patey, \u003ci\u003eCHOICE\u003c\/i\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eAnxieties about the fate of reading in the digital age reveal how deeply our views of the moral and intellectual benefits of reading are tied to print. These views take root in a conception of reading as an immersive activity, exemplified by the experience of \"losing oneself in a book.\" Against the backdrop of digital distraction and fragmentation, such immersion leads readers to become more focused, collected, and empathetic.\u003c\/p\u003e \u003cp\u003eHow did we come to see the printed book as especially suited to deliver this experience? Print-based reading practices have historically included a wide range of modes, not least the disjointed scanning we associate today with electronic text. In the context of religious practice, literacy's benefits were presumed to lie in such random-access retrieval, facilitated by indexical tools like the numbering of Biblical chapters and verses. It was this didactic, hunt-and-peck reading that bound readers to communities.\u003c\/p\u003e \u003cp\u003eExploring key evolutions in print in 17th- and 18th-century France, from typeface, print runs, and format to punctuation and the editorial adaptation of manuscript and oral forms in print, this book argues that typographic developments upholding the transparency of the printed medium were decisive for the ascendancy of immersive reading as a dominant paradigm that shaped modern perspectives on reading and literacy.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eAcknowledgments\u003cbr\u003e  Introduction: The Benefits of Reading\u003cbr\u003e  1. Typeface: Disappearing Letters from the \u003ci\u003eRomain du Roi\u003ci\u003e to Didot\u003cbr\u003e  2. Print Runs: Tender Maps in the Marketplace\u003cbr\u003e  3. Format: Appropriations of the Book\u003cbr\u003e  4. Editorial Labors: The Typography of Intimate Texts\u003cbr\u003e  5. Punctuation Marks: Bringing Speech to Life on the Printed Page\u003cbr\u003e  Conclusion: Hybridity and Text Technologies\u003cbr\u003e  Notes\u003cbr\u003e  Selected Bibliography\u003cbr\u003e  Index\u003cbr\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Stanford University Press","offers":[{"title":"Brand New","offer_id":52739370025240,"sku":"9781503637214","price":45.49,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/reading-typographically-immersed-in-print-in-early-modern-france-hardback-9781503637214","provider":"Freshly Printed Books","version":"1.0","type":"link"}