{"product_id":"nineteenth-century-american-women-poets-an-anthology-paperback-softback-9780631203995","title":"Nineteenth Century American Women Poets; An Anthology (Paperback \/ softback) 9780631203995","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eNineteenth Century American Women Poets\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eAn Anthology\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003ePaula Bernat Bennett (Edited by), PB Bennett (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780631203995, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 18 December 1997\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e576 pages\u003cbr\u003e22.9 x 15.3 x 3 cm, 0.807 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"By far the most comprehensive work if its kind, this collection provides welsome evidence of just how far the vitality of premodern American poetry extended beyond the work of Dickinson and Whitman.\" \u003ci\u003eLawrence Bewell, Harvard University\u003c\/i\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003ePaula Bernat's anthology, based on seven years of pioneering archival research, establishes nineteenth-century American women's poetry as a major field in American literature and American women's history.\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eAlphabetical List of Authors in Section II. \u003cp\u003eAcknowledgements.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection I: Principle Poets:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e1. Lydia Huntley Sigourney (1791-1865):.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1827):The Alpine Flowers, The Suttee, Death of an Infant.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherokee Phoenix\u003c\/i\u003e (1831): The Cherokee Mother.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1834): Flora's Party, Indian Names.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eFamily Magazine\u003c\/i\u003e (1834): The Western Emigrant.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eZinzendorff, and Other Poems\u003c\/i\u003e (1836): The Indian's Welcome to the Pilgrim Fathers.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSelect Poems\u003c\/i\u003e (1842): The Volunteer.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChristian Parlor Magazine\u003c\/i\u003e (1844): A Scene at Sea.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMother's Assistant and Young Lady's Friend\u003c\/i\u003e (1849): Morning.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Western Home, and Other Poems\u003c\/i\u003e (1854): Fallen Forests (Scenes in My Native Land 1845), Bell of the Wreck.\u003c\/p\u003e \u003cp\u003e2. Maria Gowen Brooks (1794?-1845).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eZóphië, or the Bride of Seven\u003c\/i\u003e (1833).\u003c\/p\u003e \u003cp\u003eCanto First: \"Grove of Acacias,\" Sections L-XCVII.\u003c\/p\u003e \u003cp\u003e3. Elizabeth Oakes Smith (1806).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSouthern Literary Messenger\u003c\/i\u003e (1842).\u003c\/p\u003e \u003cp\u003eThe Sinless Child: A Poem in Seven Parts: Part VI, Part VII.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Poetical Writings of Elizabeth Oakes Smith\u003c\/i\u003e (1845): The Drowned Mariner.\u003c\/p\u003e \u003cp\u003e4. Frances Anne Butler Kemble (1809-1893).\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1844): Sonnet: \"There's not a fibre in my trembling frame\".\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1859): Lines: On Reading with Difficulty Some of Schiller's Early Love Poems, Noonday: By the Seaside, Sonnet: \"What is my lady like? thou fain would'st know -\", A Noonday Vision.\u003c\/p\u003e \u003cp\u003e5. Sarah Margaret Fuller (1810-1850).\u003c\/p\u003e \u003cp\u003eManuscript Poem (1836; Steele, 1992): To A. H. B.\u003c\/p\u003e \u003cp\u003eManuscript Poem (1835; Steele, 1992): To the same {A. H. B.}: A Feverish Vision.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eFrom Summer on the Lakes, in 1843\u003c\/i\u003e (1844): \"Summer days of busy leisure\", To Friend, Governor Everett Receiving the Indian Chiefs.\u003c\/p\u003e \u003cp\u003eManuscript Poem (1844; Steele, 1992): Double Triangle, Serpent and Rays.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGriswold\u003c\/i\u003e (1849): Mozart.\u003c\/p\u003e \u003cp\u003e6. Frances Sargent Locke Osgood (1811-1850).\u003c\/p\u003e \u003cp\u003eThree Manuscript Poems (c. 1845? Dobson, 1993): \"won't you die and be a spirit\", The Wrath of the Rose, The Lady's Mistake.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1846): The Lily's Delusion, The Daisy's Mistake, A Flight of Fancy, To Sybil, A Mother's Prayer in Illness.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNorth America Daily\u003c\/i\u003e (1848): Fanny Fay's Baby Jumper.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1850): Women: A Fragment.\u003c\/p\u003e \u003cp\u003e7. Sarah Louisa Forten (\"ADA\") (1814-1883).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLiberator\u003c\/i\u003e (1831): The Grave of the Slave, Past Joys, Prayer, The Slave.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLiberator\u003c\/i\u003e (1834): My Country, An Appeal to Women.\u003c\/p\u003e \u003cp\u003eManuscript Poem (1837): \"Look! 'Tis a woman's streaming eye\".\u003c\/p\u003e \u003cp\u003e8. Julia Ward Howe (1819-1910).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGriswold\u003c\/i\u003e (1849): Woman.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePassion Flowers\u003c\/i\u003e (1854): My Last Dance.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1862): Battle-Hymn of the Republic (MS 1861).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLater Lyrics\u003c\/i\u003e (1866): The Soul-Hunter, Night Musings, Rouge Gagne, Remembrance.\u003c\/p\u003e \u003cp\u003e9. Alice Cary (1820-1871).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGriswold\u003c\/i\u003e (1849): Pictures of Memory.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBeadle's Monthly\u003c\/i\u003e (1866): Summer and Winter.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Poetical Works of Alice and Phoebe Cary\u003c\/i\u003e (1877): The Seal Fisher's Wife, A Fragment, Maid and Man.\u003c\/p\u003e \u003cp\u003e10. Phoebe Cary (1824-1871).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGriswold\u003c\/i\u003e (1849): The Christian Women.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems and Parodies\u003c\/i\u003e (1854): Samuel Brown, \"The Day is Done\", The City Life, Jacob, The Wife, Shakespearian Readings.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNational Anti-Slavery Standard\u003c\/i\u003e (1861): Dead Love.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBeadle's Monthly\u003c\/i\u003e (1866): The Hunter and the Doe.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGalaxy\u003c\/i\u003e (1866): In Absence.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's Bazar\u003c\/i\u003e (1896): Dorothy's Dower: In Three Parts.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWoodhull \u0026amp; Claflin's Weekly\u003c\/i\u003e (1873): Was He Henpecked?.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Poetical Works of Alice and Phoebe Cary\u003c\/i\u003e (1877): The Rose, Disenchanted, Hidden Sorrow.\u003c\/p\u003e \u003cp\u003e11. Lucy Larcom (1824-1893).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Crayon\u003c\/i\u003e (1857): Hannah Binding Shoes: A Rhyme of the Bay State.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1869): Weaving.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1870): Black Mountain in Bearcamp Lake.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGood Company\u003c\/i\u003e (1879): The Water Lily.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWild Roses of Cape Ann\u003c\/i\u003e (1881): Wild Roses of Cape Ann, In Vision.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1882): Fallow.\u003c\/p\u003e \u003cp\u003e12. Adeline D. T. Whitney (1824-1906).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMother Goose for Grown Folks\u003c\/i\u003e (1860): Brahmic, Jack Horner, Solomon Grundy, Bowls, Missions, Cobwebs and Brooms.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePansies\u003c\/i\u003e (1873): \"Under the Cloud and Through the Sea\" (1861), Released, A Rhyme of Monday Morning.\u003c\/p\u003e \u003cp\u003e13. Frances Ellen Watkins Harper (1825-1911).\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems on Miscellaneous Subjects\u003c\/i\u003e (1854): Bible Defence of Slavery.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLiberator\u003c\/i\u003e (1861): To the Cleveland Union Savers.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSketches of Southern Life\u003c\/i\u003e (1872): Aunt Chloe, The Deliverance, Aunt Chloe's Politics, Learning to Read, Church Building, The Reunion.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlanta Offering: Poems\u003c\/i\u003e (1895): A Double Standard.\u003c\/p\u003e \u003cp\u003e14. Rose Terry Cooke (1827-1892).\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1861): Truths, La Coquette, Blue-Beard's Closet, The Suttee, \"Che Sara Sara\", Midnight.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGalaxy\u003c\/i\u003e (1866): In the Hammock.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eScribner's Monthly\u003c\/i\u003e (1879): Saint Symphorien.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1881): Arachne.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1888): Margaritas Ante Porcos.\u003c\/p\u003e \u003cp\u003e15. Rosa Vertner Johnson Jeffery (1828-1894).\u003c\/p\u003e \u003cp\u003e15.1. \u003ci\u003eWomen of the South\u003c\/i\u003e (1861): Hasheesh Visions.\u003c\/p\u003e \u003cp\u003e16. Helen Hunt Jackson (1830-1885).\u003c\/p\u003e \u003cp\u003e16.1. \u003ci\u003eIndependent\u003c\/i\u003e (1869): Her Eyes, My Bees: An Allegory.\u003c\/p\u003e \u003cp\u003e16.2. \u003ci\u003eIndependent\u003c\/i\u003e (1876): Burnt Offering.\u003c\/p\u003e \u003cp\u003e16.3. \u003ci\u003ePoems\u003c\/i\u003e (1892): A Dream (MS 1877).\u003c\/p\u003e \u003cp\u003e16.4. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1881): Tidal Waves.\u003c\/p\u003e \u003cp\u003e16.5. \u003ci\u003eIndependent\u003c\/i\u003e (1884): \"Too Much Wheat\".\u003c\/p\u003e \u003cp\u003e16.6. \u003ci\u003eCentury\u003c\/i\u003e (1885): Habeas Corpus.\u003c\/p\u003e \u003cp\u003e17. Emily Dickinson (1830-1886).\u003c\/p\u003e \u003cp\u003e{How many times these low feet staggered} (c.1860).\u003c\/p\u003e \u003cp\u003e{Come slowly - Eden!} (c. 1860).\u003c\/p\u003e \u003cp\u003e{\"Heaven\" - is what I cannot reach!} (c. 1861).\u003c\/p\u003e \u003cp\u003e{Over the fence} (c. 1861).\u003c\/p\u003e \u003cp\u003e{I felt a Funeral, in my Brain} (c. 1861).\u003c\/p\u003e \u003cp\u003e{How the old mountains drip with sunset} (c. 1861).\u003c\/p\u003e \u003cp\u003e{All the letters I can write} (1862).\u003c\/p\u003e \u003cp\u003e{I tend my flowers for thee} (c. 1862).\u003c\/p\u003e \u003cp\u003e{A Visitor in Marl} (c. 1862).\u003c\/p\u003e \u003cp\u003e{What Soft - Cherubic Creatures} (c. 1862).\u003c\/p\u003e \u003cp\u003e{I heard a Fly buzz - when I died} (c. 1862).\u003c\/p\u003e \u003cp\u003e{She dealt her pretty words like Blades} (c. 1862).\u003c\/p\u003e \u003cp\u003e{Civilization - spurns - the Leopard!} (c. 1862).\u003c\/p\u003e \u003cp\u003e{Her sweet Weight on my Heart a Night} (c. 1862).\u003c\/p\u003e \u003cp\u003e{I started Early - Took my Dog} (c. 1862).\u003c\/p\u003e \u003cp\u003e{I had been hungry, all the Years} (c. 1862).\u003c\/p\u003e \u003cp\u003e{I think I was enchanted} (c. 1862).\u003c\/p\u003e \u003cp\u003e{A still -Volcanic- Life} (c.1862).\u003c\/p\u003e \u003cp\u003e{the Spider holds a Silver Ball} (c. 1862).\u003c\/p\u003e \u003cp\u003e{They shut me up in Prose} (c. 1862).\u003c\/p\u003e \u003cp\u003e{Glee - The great storm is over} (c.1862).\u003c\/p\u003e \u003cp\u003e{Essential Oils are wrung} (c. 1863).\u003c\/p\u003e \u003cp\u003e{On the Bleakness of my Lot} (c. 1863).\u003c\/p\u003e \u003cp\u003e{Publication - is the Auction} (c. 1863).\u003c\/p\u003e \u003cp\u003e{Behind Me - dips Eternity} (c. 1863).\u003c\/p\u003e \u003cp\u003e{Sweet Mountains - Ye tell me no lie} (c. 1863).\u003c\/p\u003e \u003cp\u003e{She rose to His Requirement - dropt} (c.1863).\u003c\/p\u003e \u003cp\u003e{Four Trees - upon a solitary Acre} (c.1863).\u003c\/p\u003e \u003cp\u003e{My Life had stood - a Loaded Gun} (c. 1863).\u003c\/p\u003e \u003cp\u003e{This consciousness that is aware} (c. 1864).\u003c\/p\u003e \u003cp\u003e{As the Starved Maelstrom laps the Navies} (c. 1864).\u003c\/p\u003e \u003cp\u003e{I felt a cleaving in my Mind} (c. 1864).\u003c\/p\u003e \u003cp\u003e{Sang from the Heart, Sire} (c. 1865).\u003c\/p\u003e \u003cp\u003e{The Frost of Death was on the Pane} (c. 1869).\u003c\/p\u003e \u003cp\u003e{A Spider sewed at Night} (c. 1869).\u003c\/p\u003e \u003cp\u003e{Alone and in a Circumstance} (1870).\u003c\/p\u003e \u003cp\u003e{So I pull my Stockings off} (c. 1871).\u003c\/p\u003e \u003cp\u003e{Its' Hour with itself} (c.1872).\u003c\/p\u003e \u003cp\u003e{Forbidden Fruit a flavour has} (c. 1876).\u003c\/p\u003e \u003cp\u003e{The bible is an antique Volume} (c. 1882).\u003c\/p\u003e \u003cp\u003e{Pass to thy Rendezvous of Light} (c. 1883).\u003c\/p\u003e \u003cp\u003e{In Winter in my Room} (date unknown).\u003c\/p\u003e \u003cp\u003e{On my volcano grows the Grass} (date unknown).\u003c\/p\u003e \u003cp\u003e{Her face was in a bed of hair (date unknown).\u003c\/p\u003e \u003cp\u003e18. Adah Isaacs Menken (1835-1868).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eInfelicia\u003c\/i\u003e (1868): Judith, Working and Waiting, Answer Me.\u003c\/p\u003e \u003cp\u003e19. Celia Thaxter (1835-1894).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1861): Land-Locked.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1874): In Kittery Churchyard, Wherefore.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1874): At the Breakers' Edge.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1877): Mutation.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLippincott's Magazine\u003c\/i\u003e (1878): Alone.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Cruise of the Mystery and Other Poems\u003c\/i\u003e (1886): Berothed.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1896): Two Sonnets.\u003c\/p\u003e \u003cp\u003e20. Harriet Prescott Spofford (1835-1921).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1861): Pomegranate-Flowers.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1867): The Price.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1869): Magdalen.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1872): Reprieve.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1880): Intermezzo.\u003c\/p\u003e \u003cp\u003e21. Louise Chandler Moulton (1835-1908).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIn the Garden of Dreams\u003c\/i\u003e (1891): A Girl's Funeral in Milan, Laus Veneris: A Picture by Burne Jones, When Day was Done, A Parabel, Love's Ghost, The Shadow Dance.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChap-Book\u003c\/i\u003e (1895): Where the Night's Pale Roses Blow.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAt the Wind's Will\u003c\/i\u003e (1900): When You Are Dead, At Night's High Noon.\u003c\/p\u003e \u003cp\u003e22. Sarah Morgan Bryan Piatt (1836-1919).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGalaxy\u003c\/i\u003e (1867): Giving Back the Flower, Shapes of a Soul.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eGalaxy\u003c\/i\u003e (1870): A Hundred Years Ago.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOverland Monthly\u003c\/i\u003e (1871): Beatrice Cenci.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCapital\u003c\/i\u003e (1872): The Funeral of a Doll, The Grave at Frankfort, Mock Diamonds.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1872): Over in Kentucky, The Black Princess, The Palace-Burner.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1872): There was a Rose.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCapital\u003c\/i\u003e (1873): A Ghost at the Opera.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1873): Her Blindness in Grief.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1874): We Too.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1880): His Mother's Way.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1881): A Neighborhood Incident.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWide-Awake\u003c\/i\u003e (1883): A Child's Party.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1884): The Christening.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAn Enchanted Castle\u003c\/i\u003e (1893): In the Round Tower at Cloyne.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChild's World Ballards\u003c\/i\u003e (1895): A Sea-Gull Wounded.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCentury\u003c\/i\u003e (1898): A Mistake in the Bird-Market.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1899): Heart's-Ease over Henry Heine.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1910): A New Thanksgiving.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1911): A Daffodil.\u003c\/p\u003e \u003cp\u003e23. Christine Rutledge\/The Carolina Singers (fl. 1870).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSpirituelles (Unwritten Songs of South Carolina)\u003c\/i\u003e (1873?): The Gospel Train, Steal Away, Soul Says to the Body, Where Shall I Go?, Going to Write to Master Jesus, Rise Christians, Shout Independent, Keep Me From Sinking Down, O Sinner Man, Swing Low Sweet Chariot, Roll Jordan Roll, No More Horn Blow Here, Sweet Turtle Dove, Didn't My Lord Deliver Daniel, Go Down Moses, Resurrection Morning.\u003c\/p\u003e \u003cp\u003e24. Elizabeth Stuart Phelps (1844-1911).\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoetic Studies\u003c\/i\u003e (1875): Divided.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSunday Afternoon\u003c\/i\u003e (1879): The Room's Width.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1879): Song.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1881): George Eliot: Her Jury.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSongs of the Silent World and Other Poems\u003c\/i\u003e (1885): New Neighbors, Won.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1892): The Stone Woman of Eastern Point.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHarper's Bazar\u003c\/i\u003e (1911): The Twain of Her.\u003c\/p\u003e \u003cp\u003e25. Emma Lazarus (1849-1887).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eScribner's Monthly\u003c\/i\u003e (1877): Off Rough Point.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eLippincott's Magazine\u003c\/i\u003e (1878): The South.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSongs of a Semite\u003c\/i\u003e (1882): Love Song of a Alcharisi.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCentury\u003c\/i\u003e (1887): \"By the Waters of Babylon: Little Poems in Prose,\" IV. The Test.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Poems of Emma Lazarus\u003c\/i\u003e (1889): The New Colossus (1883), Venus of the Louvre.\u003c\/p\u003e \u003cp\u003eManuscript Poem (date unknown; Vogel, 1980): Assurance.\u003c\/p\u003e \u003cp\u003e26. Henrietta Cordelia Ray (1849-1916).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA. M. E. Church Review\u003c\/i\u003e (1893): Niobe.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePoems\u003c\/i\u003e (1910): Noonday Thought, At the Cascade, The Vision of Eve, My Spirit's Complement, To My Father, Toussaint L'Ouverture.\u003c\/p\u003e \u003cp\u003e27. Edith M. Thomas (1854-1925).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eScribner's Monthly\u003c\/i\u003e (1881): Frost.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1881): Harvest Noon.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCentury\u003c\/i\u003e (1891): Ad Astra: (A. C. L. B.).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eFair Shadow Land\u003c\/i\u003e (1893): The Torches of the Dawn, Losers.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Dancers and Other Legends and Lyrics\u003c\/i\u003e (1903): The Deep-Sea Pearl.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Guest at the Gate\u003c\/i\u003e (1909): Eden-Memory.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSelected Poems of Edith M. Thomas\u003c\/i\u003e (1926): \"Frost To-Night\", Evoe!, The Waters of Dirce, The Etherical Hunger, To Walk Invisible.\u003c\/p\u003e \u003cp\u003e28. Lizette Woodworth Reese (1856-1935).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Branch of May\u003c\/i\u003e (1887): Early September, August.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Quiet Road\u003c\/i\u003e (1896): Telling the Bees, In Time of Grief.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSpicewood\u003c\/i\u003e (1920): A War Memory (1865), Drought.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWild Cherry\u003c\/i\u003e (1923): Thrift, White Flags, Emily, The Roman Road, A Puritan Lady, Spring Ecstasy.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSelected Poems\u003c\/i\u003e (1926): A Flower of Mullein.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eWhite April and Other Poems\u003c\/i\u003e (1930): Crows, White April, Nina.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePastures and Other Poems\u003c\/i\u003e (1933): The Widower, To a Young Poet.\u003c\/p\u003e \u003cp\u003e29.Charlotte Perkins Gilman (1860-1935).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIn This Our World\u003c\/i\u003e (1893): A Nevada Desert, False Play, Baby Love.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIn This Our World\u003c\/i\u003e (1898): Homes: A Sestina, The Beds of Fleur-de-Lys, The Hills, The Mother's Charge.\u003c\/p\u003e \u003cp\u003e30. Louise Imogen Guiney (1861-1920).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Roadside Harp: A Book of Verses\u003c\/i\u003e (1893): Florentin, Hylas.\u003c\/p\u003e \u003cp\u003eAlexandriana: VII: \"Here lies one in the earth who scarce of the earth was moulded\", XII: \"Cows in the narrowing August marches\", XIII: \"Praise though the Mighty Mother for what is wrought, not me\".\u003c\/p\u003e \u003cp\u003e\u003ci\u003eChap-book\u003c\/i\u003e (1896): Emily Bronté, Monochrome.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Martyrs' Idyl, and Shorter Poems\u003c\/i\u003e (1899): Deo Optimo Maximo, Christina Musing.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHappy Ending: The Collected Lyrics of Louise Imogen Guiney\u003c\/i\u003e (1909): Romans in Dorset.\u003c\/p\u003e \u003cp\u003eLondon: IX. Sunday Chimes in the City.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eHappy Ending: The Collected Lyrics of Louise Imogen Guinsey\u003c\/i\u003e (1917): Despotisisms, I. The Motor: 1905, II. The War: 1915.\u003c\/p\u003e \u003cp\u003e31. E. Pauline Johnson (Tekahionwake) (1861-1913).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe White Wampum\u003c\/i\u003e (1895): A Cry form an Indian Wife, The Camper, Marshlands, The Idlers.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eFlint and Feather\u003c\/i\u003e (1912): The Corn Husker (Canadian Born 1903), Silhouette (Canadian Born 1903), Lullaby of the Iroquois (Canadian Born 1903), The City, and the Sea (Canadian Born 1903), The Train Dogs, The Indian Corn Planter.\u003c\/p\u003e \u003cp\u003e32. Sophie Jewette (1861-1909).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Poems of Sophie Jewett\u003c\/i\u003e (1910): Entre Nous (MS 1882), Separation (MS 1885), A Dream (Scribner's Magazine 1888), Metempsychosis (MS 1891), Armistice (MS 1891), I Speak Your Name (MS 1892), \"If Spirits Walk\" (Century 1893), Song: \"O Love, thou art winged and swift\" (MS 1893), Song: Lady mine, so passing fair\" (The Pilgrim and Other Poems 1896), With a Daffodil (MS 1900), With a copy of Wharton's \"Sappho\" (MS 1904), A Song of Summer (Persephone and Other Poems 1905).\u003c\/p\u003e \u003cp\u003e33. Edith Warton (1862-1937).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArtemis to Actoeon and Other Verse\u003c\/i\u003e (1909):.\u003c\/p\u003e \u003cp\u003eThe Mortal Lease: I. \"Because the currents of our love are poured\", II. \"Because our kiss is the moon to draw\", III. \"All, all is sweet in that commingled draught\", IV. \"'Sad Immortality is dead,' you say\", V. \"Yet for one rounded moment I will be\", VI. \"The Moment came, with sacramental cup\", VII. \"Shall I not know? I, that could always catch\", VIII. \"Strive we no more. Some hearts are like the bright\".\u003c\/p\u003e \u003cp\u003eChartres: I. \"Immense, august, like some Titanic bloom\", II. \"The crimson panes like blood-drops stigmatise\".\u003c\/p\u003e \u003cp\u003e34. Elaine Goodale Eastman (1863-1953).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eScribner's Monthly\u003c\/i\u003e (1879): Indian Pipe.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eOverland Monthly\u003c\/i\u003e (1883): The Wood-Chopper to his Ax.\u003c\/p\u003e \u003cp\u003eFrank Leslie's Popular Monthly (1896): The Master of the House.\u003c\/p\u003e \u003cp\u003eIndependent (1912): The Cross and the Pagan.\u003c\/p\u003e \u003cp\u003eThe Voice at Eve (1930): The End of the Hunt.\u003c\/p\u003e \u003cp\u003e35. Dora Read Goodale (1866-1953).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eApple Blossoms: Verses of Two Children\u003c\/i\u003e (1878): Our Chickens.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndependent\u003c\/i\u003e (1884): A Workingwoman.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCentury\u003c\/i\u003e (1893): Moonrise from the Cliff.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMountain Dooryards\u003c\/i\u003e (2nd edn 1958): Of Frosts in May (1941), Mountain Dooryard (1941), Splint Baskets, Mast in the Woods, The Portraits, The Bleeding Heart.\u003c\/p\u003e \u003cp\u003e36. Frances Densmore (1867-1957) \/ Owl Woman (Juana Manwell) (fl. 1880).\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePapago Music\u003c\/i\u003e (1929): Songs for Treating Sickness, Sung During the Four Parts of the Night:.\u003c\/p\u003e \u003cp\u003eParts One and Two: Beginning Songs and Songs Sung before Midnight:.\u003c\/p\u003e \u003cp\u003eNo. 72 \"Brown Owls\", No. 73 \"In the Blue Night\", No. 74 \"The Owl Feather\", No. 75 \"They Come Hooting\", No. 76 \"In the Dark I Enter\", No. 77 \"His Heart is Almost Covered with Night\", No. 78 \"I See Spirit-Tufts of White Feathers\", No. 79 \"Yonder Lies the Spirit Land\", No. 80 \"Song of a Spirit\", No. 81 \"We Will Join Them\", No. 82 \"My Feathers\", No. 83 \"The Women are Singing\", NN\/NT {\"In the great night my heart will go out\"}, NN\/NT {\"On the west side they are singing, the women hear it\"}, No. 84 \"I Am Going to See the Land\", No. 85 \"I Run Toward Ashes Hill\", No. 86 \"The Waters of the Spirits\".\u003c\/p\u003e \u003cp\u003eParts Three and Four: Songs Sung between Midnight and Early Morning:.\u003c\/p\u003e \u003cp\u003eNo. 87 \"There Will I See the Dawn\", No. 88 \"I Run Toward the East\", No. 89 \"I Die Here\", No. 90 \"I Could See the Daylight Coming\", No. 91 \"The Dawn Approaches\", No. 92 \"The Owl Feather is Looking for the Dawn\", No. 93 \"The Morning Star\", No. 94 \"Song of a Medicine Woman on Seeing that a Sick Person will Die\".\u003c\/p\u003e \u003cp\u003e37. Mary Hunter Austin (1868-1934).\u003c\/p\u003e \u003cp\u003eThe American Rhythm (1923):.\u003c\/p\u003e \u003cp\u003eAmerindian Songs:.\u003c\/p\u003e \u003cp\u003eSong of the Basket Dancers (San Ildefonso Pueblo).\u003c\/p\u003e \u003cp\u003eLament of a Man for his Son.\u003c\/p\u003e \u003cp\u003ePapago Love Songs: I. \"Early I rose\", II. \"Do you long, my Maiden\".\u003c\/p\u003e \u003cp\u003eGlyphs (from the Washoe-Paiute): I. \"A girl wearing a green ribbon\", II. \"Your face is strange\", III. \"Truly buzzards\".\u003c\/p\u003e \u003cp\u003eNeither Spirit nor Bird (from the Shoshone).\u003c\/p\u003e \u003cp\u003eSongs of the Seasons.\u003c\/p\u003e \u003cp\u003eBlack Prayers.\u003c\/p\u003e \u003cp\u003eSongs in the American Manner:.\u003c\/p\u003e \u003cp\u003eOn Hearing Vachel Lindsay Chant his Verse.\u003c\/p\u003e \u003cp\u003e38. Alice Ruth Moore Dunbar-Nelson (1875-1935).\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Works of Alice Dunbar-Nelson\u003c\/i\u003e (1988): Violets (Crisis 1917), I Sit and Sew (The Dunbar Speaker and Entertainer 1920), You! Inez! (MS 1921), The Prolateriat Speaks (Crisis 1929), Harlem John Henry Views the Airmada (Crisis 1932).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSection II: Poems from Regional, National, and Special Interest Newspapers and Periodicals, arranged chronologically:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e1. \u003ci\u003eWeekly Museum\u003c\/i\u003e (1800): \"Deborah,\" Sonnet to a Mop-Stick; By a Lady, Woman's Hard Fate.\u003c\/p\u003e \u003cp\u003e2. \u003ci\u003eLadies Monitor\u003c\/i\u003e (1801): \"Maria,\" By a Lady Whose Infant Lay Sleeping in the Cradle.\u003c\/p\u003e \u003cp\u003e3. \u003ci\u003eLady's Magazine and Musical Repository\u003c\/i\u003e (1801): Anonymous, Epitaph on a Bird, Anonymous, The Old Maid's Apology.\u003c\/p\u003e \u003cp\u003e4. \u003ci\u003eBoston Gazette\u003c\/i\u003e (1801): \"Constantina\" (Judith Sargent Murray), Cacoethes Scribendi.\u003c\/p\u003e \u003cp\u003e5. \u003ci\u003eBoston Gazette\u003c\/i\u003e (1802): Anonymous, An Unfortunate Mother, to Her Infant at the Breast.\u003c\/p\u003e \u003cp\u003e6. \u003ci\u003eBoston Gazette\u003c\/i\u003e (1804): Sappho, The Tiger Hunter.\u003c\/p\u003e \u003cp\u003e7. \u003ci\u003eBoston Gazette\u003c\/i\u003e (1805): Anonymous, The Hot-House Rose.\u003c\/p\u003e \u003cp\u003e8. \u003ci\u003eWeekly Inspector\u003c\/i\u003e (1806): \"Volina,\" \"You say we're fond of fops, -why not?\".\u003c\/p\u003e \u003cp\u003e9. \u003ci\u003eA Broadside\u003c\/i\u003e (between 1810-1814): Anonymous, The Young Girl's Resolution.\u003c\/p\u003e \u003cp\u003e10. \u003ci\u003eNew York Weekly Museum\u003c\/i\u003e (1814): Anonymous, The First Ideal of Beauty.\u003c\/p\u003e \u003cp\u003e11. \u003ci\u003eIntellectual Regale or Ladies' Tea Tray\u003c\/i\u003e (1815): Anonymous, The Wild Gazelle.\u003c\/p\u003e \u003cp\u003e12. \u003ci\u003eThe Literary Voyager\u003c\/i\u003e (1827): \"Rosa\" (Jane Johnson Schoolcraft), Invocation to My Maternal Grandfather On Hearing His Descent from Chippewa Ancestors Misrepresented (MS 1823); J{ane} S{hoolcraft}, Sonnet.\u003c\/p\u003e \u003cp\u003e13. \u003ci\u003eLadies' Garland\u003c\/i\u003e (1827): \"Estelle,\" The Broken Promise.\u003c\/p\u003e \u003cp\u003e14. \u003ci\u003eLadies' Magazine\u003c\/i\u003e (1833): Hannah Gould, The Child on the Beach.\u003c\/p\u003e \u003cp\u003e15. \u003ci\u003eKnickerbocker\u003c\/i\u003e (1834): Anonymous, My Head; Anonymous {From a Lady's Album}, A Belle's Philosophy.\u003c\/p\u003e \u003cp\u003e16. \u003ci\u003eKnickerbocker\u003c\/i\u003e (1834): E{lizabeth} F. E{llet}, The Witches' Revel.\u003c\/p\u003e \u003cp\u003e17. \u003ci\u003eNational Enquirer\u003c\/i\u003e (1836): Ella (Sarah Mapps Douglass), The Stranger in America.\u003c\/p\u003e \u003cp\u003e18. \u003ci\u003eLiberator\u003c\/i\u003e (1836): Ada (Eliza Earle?), Lines Suggested on reading \"An Appeal to Christian Women of the South,\" by A. E. Grimke.\u003c\/p\u003e \u003cp\u003e19. \u003ci\u003eLiberator\u003c\/i\u003e (1837): Ada (Eliza Earle), {Petitioning Congress}.\u003c\/p\u003e \u003cp\u003e20. \u003ci\u003eNational Enquirer\u003c\/i\u003e (1837): Ella (Sarah Mapps Douglass), The Boast of Americans.\u003c\/p\u003e \u003cp\u003e21. \u003ci\u003eKnickerbocker\u003c\/i\u003e (1837): Mary E. Hewitt, To a Bride.\u003c\/p\u003e \u003cp\u003e22. \u003ci\u003eColored American\u003c\/i\u003e (1840): Ann Plato, Lines, Written on visiting the grave of a venerated friend.\u003c\/p\u003e \u003cp\u003e23. \u003ci\u003eSouthern Literary Messenger\u003c\/i\u003e (1842): Lydia Jane {Pierson}, My Muse.\u003c\/p\u003e \u003cp\u003e24. \u003ci\u003eSouthern Literary Messenger\u003c\/i\u003e (1845): E{lizabeth} J. E{ames}, Love and Flowers.\u003c\/p\u003e \u003cp\u003e25. \u003ci\u003eLowell Offering\u003c\/i\u003e (1845): A. M. S. (Mary Ann Spalding?), Home.\u003c\/p\u003e \u003cp\u003e26. \u003ci\u003eNorth Star\u003c\/i\u003e (1848): {Maria W. Chapman}, The Times that Try Men's Souls.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCherokee Advocate\u003c\/i\u003e (1850): The Cherokee Poetess, Misspent Life.\u003c\/p\u003e \u003cp\u003e27. \u003ci\u003eLouisville Weekly Journal\u003c\/i\u003e (1850): S., To My Child.\u003c\/p\u003e \u003cp\u003e28. \u003ci\u003eOccident\u003c\/i\u003e (1850): Mrs R{ebekah} Hyneman, Huldah the Prophetess, from Female Scriptural Characters, No. IX.\u003c\/p\u003e \u003cp\u003e29. \u003ci\u003eFrederick Douglass's Newspaper\u003c\/i\u003e (1852): Annie Parker, Story Telling.\u003c\/p\u003e \u003cp\u003e30. \u003ci\u003eLouisville Daily Journal\u003c\/i\u003e (1854): Anonymous (\"By an Old One\"), A Warning.\u003c\/p\u003e \u003cp\u003e31. \u003ci\u003eA Wreath of Cherokee Rose Buds\u003c\/i\u003e (1855): Lily Lee, Literary Day Among the Birds.\u003c\/p\u003e \u003cp\u003e32. \u003ci\u003eNational Anti-Slavery Standard\u003c\/i\u003e (1856): Maria Weston Chapman, trans., Souvenir of the Night of the Fourth of December, 1851, from the French of Victor Hugo.\u003c\/p\u003e \u003cp\u003e33. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1858): Elizabeth Stroddard, Mercedes.\u003c\/p\u003e \u003cp\u003e34. \u003ci\u003eKnickerbocker\u003c\/i\u003e (1859): Annie Keeley?, \"The Beautiful Snow\".\u003c\/p\u003e \u003cp\u003e35. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1859): Emily S. Forman, Bloodroot.\u003c\/p\u003e \u003cp\u003e36. \u003ci\u003eCincinnati Israelite\u003c\/i\u003e (1859): Magga Kilmer, The Grave of Rachel.\u003c\/p\u003e \u003cp\u003e37. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1860): Frances Sophia Stoughton Pratt, The \"Cattle\" to the \"Poet\".\u003c\/p\u003e \u003cp\u003e38. \u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1860): Elizabeth Drew Stoddard, Before the Mirror.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eSaturday Evening Post\u003c\/i\u003e (1860): Alice Browne, (Enone: A Statute by Miss H. Hosmer); Florence Percy (Elizabeth Akers Allen), Rock Me To Sleep.\u003c\/p\u003e \u003cp\u003e39. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1861): Annie Fields, The Wilde Endive.\u003c\/p\u003e \u003cp\u003e40. \u003ci\u003eNational Anti-Slavery Standard\u003c\/i\u003e (1861): Mrs James Neall, The Harvest-Field of 1861.\u003c\/p\u003e \u003cp\u003e41. \u003ci\u003eIndependent\u003c\/i\u003e (1861): Caroline Cheseboro (Caroline Cheseborough), Church and State.\u003c\/p\u003e \u003cp\u003e42. \u003ci\u003eSouthern Literary Messenger\u003c\/i\u003e (1862): E. A. C. The Snow Storm.\u003c\/p\u003e \u003cp\u003e43. \u003ci\u003eGalaxy\u003c\/i\u003e (1867): Mrs W. H. Palmer, Her Answer.\u003c\/p\u003e \u003cp\u003e44. \u003ci\u003eColored American\u003c\/i\u003e (1865): Sarah E. Shuften, Ethiopia's Dead.\u003c\/p\u003e \u003cp\u003e45. \u003ci\u003eOverland Monthly\u003c\/i\u003e (1868): Ina Coolbirth, Longing.\u003c\/p\u003e \u003cp\u003e46. \u003ci\u003eThe Land We Love\u003c\/i\u003e (1869): L. Virginia French, \"Mammy\" (A Home Picture of 1860).\u003c\/p\u003e \u003cp\u003e47. \u003ci\u003eHearth and Home\u003c\/i\u003e (1870): Mignonette, trans., The Accepted (from Heine's Song of the Oceanides).\u003c\/p\u003e \u003cp\u003e48. \u003ci\u003eGolden Age\u003c\/i\u003e (1871): Grace Greenwood (Sara Jane Clarke Lippincott), In Italy.\u003c\/p\u003e \u003cp\u003e49. \u003ci\u003eGalaxy\u003c\/i\u003e (1872): Constance Fenimore Woolson, The Heart of June.\u003c\/p\u003e \u003cp\u003e50. \u003ci\u003eVindicator\u003c\/i\u003e (1872): Ethel Lynn (Ethelinda Beers), The Baggage Waggon.\u003c\/p\u003e \u003cp\u003e51. \u003ci\u003eOverland Monthly\u003c\/i\u003e (1873): Ina D. Coolbrith, The Sea-Shell.\u003c\/p\u003e \u003cp\u003e52. \u003ci\u003eIrish Nationalist\u003c\/i\u003e (1873): By a Lady from Cork, Adieu to Innisfail.\u003c\/p\u003e \u003cp\u003e53. \u003ci\u003eWoodhull \u0026amp; Clafin's Weekly\u003c\/i\u003e (1874): Anonymous, My Fashionable Mother.\u003c\/p\u003e \u003cp\u003e54. \u003ci\u003eGalaxy\u003c\/i\u003e (1875): Lillie Devereux Blake, The Sea People.\u003c\/p\u003e \u003cp\u003e55. \u003ci\u003eScribner's Monthly\u003c\/i\u003e (1875): Harriet McKewen Kimball, White Azaleas.\u003c\/p\u003e \u003cp\u003e56. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1875): Mary B. Cummings, Possession.\u003c\/p\u003e \u003cp\u003e57. \u003ci\u003eShaker and Shakress\u003c\/i\u003e (1876): Anna White, Spirit Voices.\u003c\/p\u003e \u003cp\u003e58. \u003ci\u003eNew Century for Women\u003c\/i\u003e (1876): Constance Fenimore Woolson, To George Eliot.\u003c\/p\u003e \u003cp\u003e59. \u003ci\u003eSunday Afternoon\u003c\/i\u003e (1879): Sarah Orne Jewett, At Home from Church.\u003c\/p\u003e \u003cp\u003e60. \u003ci\u003ePilot\u003c\/i\u003e (1880): Lizzie Ward O'Reilly: The Work-Girl's Rest.\u003c\/p\u003e \u003cp\u003e61. \u003ci\u003eCalifornian\u003c\/i\u003e (1880): Milicent W. Shinn, In a New England Graveyard.\u003c\/p\u003e \u003cp\u003e62. \u003ci\u003eDaily Easter Argus\u003c\/i\u003e (1880): Olive Harper (Mrs Helen Burrel D'Apery), My Antony's Away.\u003c\/p\u003e \u003cp\u003e63. \u003ci\u003eScribner's Monthly\u003c\/i\u003e (1881): Mary L. Ritter, Irrevocable.\u003c\/p\u003e \u003cp\u003e64. \u003ci\u003ePilot\u003c\/i\u003e (1882): Fanny Parnell, After Death.\u003c\/p\u003e \u003cp\u003e65. \u003ci\u003eCalifornian\u003c\/i\u003e (1882): Mrs Henrietta R. Eliot, Waiting for Day.\u003c\/p\u003e \u003cp\u003e66. \u003ci\u003eCentury\u003c\/i\u003e (1884): Mary Ainge De Vere, A Marriage.\u003c\/p\u003e \u003cp\u003e67. \u003ci\u003eCentury\u003c\/i\u003e (1886): Winifred Howells, Past.\u003c\/p\u003e \u003cp\u003e68. \u003ci\u003eSouthern Workman\u003c\/i\u003e (1886): M{ary} E. Ashe Lee, Afmerica.\u003c\/p\u003e \u003cp\u003e69. \u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1887): Margaret Deland, Noon in a New England Pasture.\u003c\/p\u003e \u003cp\u003e70. \u003ci\u003eLippencott's Magazine\u003c\/i\u003e (1887): Rose Elizabeth Cleveland, from \"The Dilemma of the nineteenth century\".\u003c\/p\u003e \u003cp\u003e71. \u003ci\u003eCentury\u003c\/i\u003e (1887): Julie M. Lippmann, Solace.\u003c\/p\u003e \u003cp\u003e72. \u003ci\u003eA. M. E. Church Review\u003c\/i\u003e (1888): Mrs N. F. Mossell (Gertrude E. H. Bustill), Good Night; Sarah C. Bierce Scarborough, trans., from Lamartine's \"Toussaint Louverture\".\u003c\/p\u003e \u003cp\u003e73. \u003ci\u003eOverland Monthly\u003c\/i\u003e (1889): Mary Leland Adams, The Path to the Sea.\u003c\/p\u003e \u003cp\u003e74. \u003ci\u003eHarper's Bazar\u003c\/i\u003e (1889): Anonymous, The Child that Gave Trouble.\u003c\/p\u003e \u003cp\u003e75. \u003ci\u003eChautauquan\u003c\/i\u003e (1890): Lucy E. Tilley, The Touch of the Frost.\u003c\/p\u003e \u003cp\u003e76. \u003ci\u003eCentury\u003c\/i\u003e (1890): Margaret Preston, A Damascus Garden.\u003c\/p\u003e \u003cp\u003e77. \u003ci\u003eCentury\u003c\/i\u003e (1891): Mary E. Wilkins {Freeman}, Love and the Witches.\u003c\/p\u003e \u003cp\u003e78. \u003ci\u003eFar and Near\u003c\/i\u003e (1891): Ruth Huntington Sessions, Sunset After a Rainy Work-Day.\u003c\/p\u003e \u003cp\u003e79. \u003ci\u003eJournal of American Folk-Lore\u003c\/i\u003e (1891): Harriet Maxwell Converse, trans., The Thanksgiving (Iroquois).\u003c\/p\u003e \u003cp\u003e80. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1891): Julie M. Lippmann, Sweet Peas; Katherine T. Prescott, A November Prairie.\u003c\/p\u003e \u003cp\u003e81. \u003ci\u003eArena\u003c\/i\u003e (1892): Julia Anna Wolcott, A Prayer of the Heart.\u003c\/p\u003e \u003cp\u003e82. \u003ci\u003eOverland Monthly\u003c\/i\u003e (1892): Ella Higginson, In a Valley of Peace; Virna Woods, Point Lobos.\u003c\/p\u003e \u003cp\u003e83. \u003ci\u003eCentury\u003c\/i\u003e (1892): Annie Fields, Comatas.\u003c\/p\u003e \u003cp\u003e84. \u003ci\u003eHarper's New Monthly Magazine\u003c\/i\u003e (1893): Rose Hawthorne Lathrop, The Cadet.\u003c\/p\u003e \u003cp\u003e85. \u003ci\u003eOverland Monthly\u003c\/i\u003e (1893): Lillian Shuey, Rhododendron Californican.\u003c\/p\u003e \u003cp\u003e86. \u003ci\u003eIndependent\u003c\/i\u003e (1895): Irene Putnam, The Sea-Birds.\u003c\/p\u003e \u003cp\u003e87. \u003ci\u003eCentury\u003c\/i\u003e (1895): Elizabeth C. Cardozo, Spring Song.\u003c\/p\u003e \u003cp\u003e88. \u003ci\u003eSymposium\u003c\/i\u003e (1896): Maud Louise Fuller, Lace.\u003c\/p\u003e \u003cp\u003e89. \u003ci\u003eChap Book\u003c\/i\u003e (1896): Alice Katherine Fallows, \"Of the Earth\"; Dorothy Lummis Moore, Evolution; Eleanor B. Caldwell, Creation; Ella Wheeler Wilcox, Illusion, Ethel Balton, An Impressionist Picture.\u003c\/p\u003e \u003cp\u003e90. \u003ci\u003eFrank Leslie's Popular Monthly\u003c\/i\u003e (1896): Ella Higginson, Two Prayers.\u003c\/p\u003e \u003cp\u003e91. \u003ci\u003ePhilistine\u003c\/i\u003e (1896): Sarah Norcliffe Cleghorn, Behold the Lilies.\u003c\/p\u003e \u003cp\u003e92. \u003ci\u003eTime and the Hour\u003c\/i\u003e (1896): Anne Throop, The Sinner.\u003c\/p\u003e \u003cp\u003e93. \u003ci\u003eQuartier Latin\u003c\/i\u003e (1897): Mary Kent Davey, trans., The Little Deaf Leaf, from Songs of the Forest Beautiful, frome the French of Catulle Mendès.\u003c\/p\u003e \u003cp\u003e94. \u003ci\u003eCentury\u003c\/i\u003e (1897): Grace Denio Litchfield, Ennui.\u003c\/p\u003e \u003cp\u003e95. \u003ci\u003eChap-book\u003c\/i\u003e (1897): Ann Devoore, An Electric-Light Pole; Ellen Glasgow, A Vidion.\u003c\/p\u003e \u003cp\u003e96. \u003ci\u003eTime and the Hour\u003c\/i\u003e (1897): Anne Throop, The Shadow Song of the Hyper-Borean.\u003c\/p\u003e \u003cp\u003e97. \u003ci\u003eMidland Monthly\u003c\/i\u003e (1897): Maude Morrison Huey, A Wintry Night.\u003c\/p\u003e \u003cp\u003e98. \u003ci\u003eScribner's Magazine\u003c\/i\u003e (1897): Lilla Cabot Perry, With a Bit of Gorse for Carnac.\u003c\/p\u003e \u003cp\u003e99. \u003ci\u003eChap-book\u003c\/i\u003e (1898): Ella Wheeler Wilcox, Goddess of Liberty, Answer.\u003c\/p\u003e \u003cp\u003e100. \u003ci\u003eJournal of American Folk-Lore\u003c\/i\u003e (1898): Alice Fletcher, trans., \"The Mother's Vow to the Thunder Gods\".\u003c\/p\u003e \u003cp\u003e101. \u003ci\u003ePoet-Lore\u003c\/i\u003e (1898): Florence Earle Coates, Longing.\u003c\/p\u003e \u003cp\u003e102. \u003ci\u003eAtlantic Monthly\u003c\/i\u003e (1898): Maude Caldwell Perry, Summer Died Last Night.\u003c\/p\u003e \u003cp\u003e103. \u003ci\u003eCentury\u003c\/i\u003e (1899): Muriel Campbell Dyar, \"When Loud My Lilac-Bush With Bees\".\u003c\/p\u003e \u003cp\u003eList of Serials.\u003c\/p\u003e \u003cp\u003eIndex of Titles and First Lines.\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Literature: history \u0026amp; criticism [\u003ca title=\"See our other books on Literature: history \u0026amp; criticism\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Literature:%20history%20\u0026amp;%20criticism%20%5BDS%5D%22\"\u003eDS\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52316784591128,"sku":"9780631203995","price":46.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780631203995.jpg?v=1781825407","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/nineteenth-century-american-women-poets-an-anthology-paperback-softback-9780631203995","provider":"Freshly Printed Books","version":"1.0","type":"link"}