{"product_id":"music-analysis-in-the-nineteenth-century-volume-1-fugue-form-and-style-paperback-9780521611909","title":"Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style (Paperback) 9780521611909","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eMusic Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music.\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eIan Bent (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780521611909, Cambridge University Press\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback, published 11 November 2004\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e392 pages, 204 music examples\u003cbr\u003e24.7 x 19 x 2.3 cm, 0.7 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThis book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eGeneral introduction\u003cbr\u003e Part I. Analysis of Fugue: Introduction: 1. J.-J. de Momigny: 'Double Fugue [Handel: Fugue from Harpsichord Suite No. 6 in F# minor]' (1805)\u003cbr\u003e 2. A. Reicha: 'Fruitful Method of Analysing a Piece of Music with Respect to Harmony' (?1816–18)\u003cbr\u003e 3. M. Hauptmann: Elucidations of Johann Sebastian Bach's 'Art of Fugue' (1841)\u003cbr\u003e 4. S. Sechter: 'Analysis of the Finale of Mozart's Symphony No. [41] in C [K551 ('Jupiter')] [1843]\u003cbr\u003e 5. S. W. Dehn: 'Three-part Fugue [Bk I No. 6 in D minor] from J. S. Bach's Well-tempered Clavier' (1858)\u003cbr\u003e 6. H. Riemann: 'Prelude and Fugue in Bb minor, Bk II No. 22 [from J. S. Bach's Well-tempered clavier]' (1890)\u003cbr\u003e Part II. Technical Analysis of Form and Style: Introduction: 7. G. J. Vogler: '[prelude] No. 8 [in D minor from Vogler's Thirty-two Preludes]' (1806)\u003cbr\u003e 8. A . Reicha: 'Aria ['Non so più'] from Mozart's The Marriage of Figaro' (1814)\u003cbr\u003e 9. A. Reicha: 'Analysis [of Reicha?: Andante for Wind Quintet in G] with Respect to Thematic Development' (1826)\u003cbr\u003e 10. G. Weber: 'A Particularly Remarkable Passage in a String Quartet in C by Mozart [K465 ('dissonance')]' (1832)\u003cbr\u003e 11. C. Czerny: 'Harmonic Groundwork of Beethoven's Sonata [No. 21 in C] Op. 53 [('Waldstein')]' (c. 1832–4)\u003cbr\u003e 12. J. C. Lobe: 'First-movement Form in the String Quartet [: Beethoven: Op. 18 no. 2 in G: Allegro]' (1850)\u003cbr\u003e 13. K. Mayrberger: The Harmonic Style of Richard Wagner, Elucidated with Respect to the Leitmotifs of 'Tristan and Isolde' (1881)\u003cbr\u003e Part III. The Classification of Personal Style: Introduction: 14. G. Baini: [The ten styles of Palestrina] (1828)\u003cbr\u003e 15. A. D. Ulïbïshev: '[Mozart's] String Quarters dedicated to Haydn' (1843)\u003cbr\u003e 16. Four essays on the styles of Beethoven's music: (a) J. A. Schlosser: 'Critical Assessment of Beethoven's Works' (1828)\u003cbr\u003e (b) F.-J. Fétis: [The three periods of Beethoven's music] (1837)\u003cbr\u003e (c) W. von Lenz: 'Beethoven's Three Styles' (1852)\u003cbr\u003e (d) A. D. Ulïbïshev: 'Beethoven's Three Manners' (1857)\u003cbr\u003e Appendix. (a) Hanel: Suite No. 6: 3. Allegro (Fugue)\u003cbr\u003e (b) G. J. Vogler: Prelude no. 8\u003cbr\u003e (c) Reicha: Andante for Wind Quintet (keyboard reduction).\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Theory of music \u0026amp; musicology [\u003ca title=\"See our other books on Theory of music \u0026amp; musicology\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Theory%20of%20music%20\u0026amp;%20musicology%20%5BAVA%5D%22\"\u003eAVA\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Cambridge University Press","offers":[{"title":"Default Title","offer_id":46129240277272,"sku":"9780521611909","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/products\/9780521611909i.jpg?v=1691666425","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/music-analysis-in-the-nineteenth-century-volume-1-fugue-form-and-style-paperback-9780521611909","provider":"Freshly Printed Books","version":"1.0","type":"link"}