{"product_id":"locating-the-moving-image-new-approaches-to-film-and-place-paperback-softback-9780253011053","title":"Locating the Moving Image; New Approaches to Film and Place (Paperback \/ softback) 9780253011053","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eLocating the Moving Image\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eNew Approaches to Film and Place\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eJulia Hallam (Edited by), Les Roberts (Edited by), Sébastien Caquard (Contributions by), Benjamin Wright (Contributions by), Daniel Naud (Contributions by), Elisa Ravazzoli (Contributions by), Jeffrey Klenotic (Contributions by), Daniel Biltereyst (Contributions by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780253011053\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 7 November 2013\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e320 pages, 40 b\u0026amp;w illus.\u003cbr\u003e22.9 x 15.2 x 1.5 cm, 0.386 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\"Introduces some of the concrete ways practical mapping and GIS technologies help elaborate historical film projects. . . . The scope of many of these projects is breathtaking in scale. . . . Others embrace ethnographic methods that tell poignant individual stories. Still others deftly merge qualitative and quantitative approaches. . . . As a whole, the volume brings together disparate fields of study in interesting ways.\"—James Craine, \u003ci\u003eCalifornia State University, Northridge\u003c\/i\u003e\u003cbr\u003e \"This collection breaks new ground for cinema history. Hallam and Roberts have gathered some of the foremost scholars who are mapping spatial histories of the moving image and the geographies of film production, distribution and consumption. Introducing new interdisciplinary methods and asking new questions, Locating the Moving Image takes film studies into new territory, beyond the boundaries of the text and its interpretation, towards an understanding of the relationship between culture, spatiality and place.\"—Richard Maltby, \u003ci\u003eMatthew Flinders Distinguished Professor of Screen Studies, Flinders University\u003c\/i\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eLeading scholars in the interdisciplinary field of geo-spatial visual studies examine the social experience of cinema and the different ways in which film production developed as a commercial enterprise, as a leisure activity, and as modes of expression and communication. Their research charts new pathways in mapping the relationship between film production and local film practices, theatrical exhibition circuits and cinema going, creating new forms of spatial anthropology. Topics include cinematic practices in rural and urban communities, development of cinema by amateur filmmakers, and use of GIS in mapping the spatial development of film production and cinema going as social practices.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e1. Film and Spatiality: Outline of a New Empiricism\u003cbr\u003e Les Roberts and Julia Hallam\u003cbr\u003e 2. Getting to \"Going to the Show\"\u003cbr\u003e Robert C. Allen\u003cbr\u003e 3. Space, Place and the Female Film Exhibitor: The Transformation of Cinema in Small Town New Hampshire during the 1910s\u003cbr\u003e Jeffrey Klenotic\u003cbr\u003e 4. Mapping Film Exhibition in Flanders (1920-1990): A Diachronic Analysis of Cinema Culture Combined with Demographic and Geographic Data\u003cbr\u003e Daniel Biltereyst and Philippe Meers \u003cbr\u003e 5. Mapping the Ill-disciplined? Spatial Analyses and Historical Change in the Post-War Film Industry\u003cbr\u003e Deb Verhoeven and Colin Arrowsmith\u003cbr\u003e 6. Mapping Film Audiences in Multicultural Canada: Examples from the Cybercartographic Atlas of Canadian Cinema\u003cbr\u003e Sébastien Caquard, Daniel Naud, and Benjamin Wright\u003cbr\u003e 7. The Geography of Film Production in Italy: a Spatial Analysis Using GIS\u003cbr\u003e Eliza Ravazzoli\u003cbr\u003e 8. Mapping the \"City\" Film 1930-1980\u003cbr\u003e Julia Hallam\u003cbr\u003e 9. Retracing the Local: Amateur Cine Culture and Oral Histories\u003cbr\u003e Ryan Shand\u003cbr\u003e 10. Beyond the Boundary: Vernacular Mapping and the Sharing of Historical Authority\u003cbr\u003e Kate Bowles\u003cbr\u003e 11. Afterword: Towards a Spatial History of the Moving-Image\u003cbr\u003e Julia Hallam and Les Roberts\u003cbr\u003e Index\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Indiana University Press","offers":[{"title":"Brand New","offer_id":52523888836888,"sku":"9780253011053","price":22.26,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/locating-the-moving-image-new-approaches-to-film-and-place-paperback-softback-9780253011053","provider":"Freshly Printed Books","version":"1.0","type":"link"}