{"product_id":"intimus-interior-design-theory-reader-paperback-softback-9780470015711","title":"INTIMUS; Interior Design Theory Reader (Paperback \/ softback) 9780470015711","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eINTIMUS\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eInterior Design Theory Reader\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eMark Taylor (Edited by), M Taylor (Author), Julieanna Preston (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780470015711, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 23 June 2006\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e416 pages\u003cbr\u003e24.6 x 17 x 2.2 cm, 0.68 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eWalter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right.  \u003cp\u003eWithin the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of the twentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eAcknowledgements.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eProximities.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMark Taylor and Julieanna Preston.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Partition of Space.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShirley Ardener.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Dialectics of Outside and Inside.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGaston Bachelard.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Sterility of Perfection + The Rule Breaker’s Success.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBilly Baldwin.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChromophobia.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDavid Batchelor.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eStructures of Atmosphere.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJean Baudrillard.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA Christian House.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCatharine E. Beecher and Harriet Beecher Stowe.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThick Edge: Architectural Boundaries and Spatial Flows.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIain Borden.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA Wall of Books: The Gender of Natural Colors in Modern Architecture.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWilliam W. Braham.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA House for Josephine Baker.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKaren Burns.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBodies and Mirrors.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAnn C. Colley.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMovement and Myth: the Schröder House and Transformable Living.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCatherine Croft.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSpatial Stories.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMichel de Certeau.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSuitability, Simplicity and Proportion.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eElsie de Wolfe.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOn the Means by which Repose is Attainable in Decoration.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChristopher Dresser.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVolatile Architectures.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJim Drobnick.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThing-Shapes.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWinka Dubbeldam.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Dining Room.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCharles L. Eastlake.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMen’s Room.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLee Edelman.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e‘Decorators May be Compared to Doctors’.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEmma Ferry.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBerggasse 19: Inside Freud’s Office.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDiana Fuss and Joel Sanders.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eToward a Feminist Poetics: Infection in the Sentence.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSandra M. Gilbert and Susan Gubar.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWoman’s Domestic Body.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBeverly Gordon.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eNotes on Digital Nesting: a Poetics of Evolutionary Form.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMark Goulthorpe.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFaith and Virtuality: A Brief History of Virtual Reality.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChristian Groothuizen.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThinking of Gadamer’s Floor.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJacques Herzog.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBuildings and their Genotypes.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBill Hillier and Julienne Hanson.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHousehold Furniture and Interior Decoration.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThomas Hope.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFrom Wiener Kunst im Hause to the Wiener Werkstätte.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRebecca Houze.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWherever I Lay My Girlfriend, That’s My Home.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLynda Johnston and Gill Valentine.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eInteriors: Nineteenth-Century Essays on the ‘Masculine’ and the ‘Feminine’ Room.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJuliet Kinchin.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTables, Chairs, and Other Machines for Thinking.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMark Kingwell.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOn the Loss of (Dark) Inside Space.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eConstanze Kreiser.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSocial, Spatial and Temporal Factors.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRoderick J. Lawrence.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eWiener Wohnkultur: Interior Design in Vienna, 1910–1930.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChristopher Long.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e(Re)presenting Shopping Centres and Bodies: Questions of Pregnancy.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRobyn Longhurst.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Tyranny of Taste.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJules Lubbock.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eStreamlining: The Aesthetics of Waste.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEllen Lupton and J. Abbott Miller.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Architecture of Manners: Henry James, Edith Wharton and The Mount.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSarah Luria.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e‘House Beautiful’: Style and Consumption in the Home.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRuth Madigan and Moira Munro.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLiving in Glass Houses.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKevin Melchionne.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDust.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCeleste Olalquiaga.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eColour and Method.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAmédée Ozenfant.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOrdering the World: Perceptions of Architecture, Space and Time.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMichael Parker Pearson and Colin Richards.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA World of Unmentionable Suffering.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBarbara Penner.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Apartment.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGeorges Perec.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA Kitchen as a Place to Be.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eNorman Potter.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMaking Charleston (1916–17).\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChristopher Reed.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Clubs of St. James’s: Places of Public Patriarchy.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJane Rendell.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eRethinking Histories of the Interior.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eCharles Rice.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDesigning the Dinner Party.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRachel Rich.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e‘Hi Honey, I’m Home’.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e  Joyce Henri Robinson.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCurtain Wars.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJoel Sanders.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eProductions of Incarceration: The Architecture of Daniel Paul Schreber.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFelicity D. Scott.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eOrnament and Order.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJacques Soulillou.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e‘The Things that Surround One’.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePenny Sparke.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDecorating Culture.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eXiaobing Tang.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIn Praise of Shadows.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJun′ichirō Tanizaki.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eArchitecture and Interior: A Roam of One’s Own.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMark Taylor.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBoredom and Bedroom: The Suppression of the Habitual.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGeorges Teyssot.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVisitors.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eHenry David Thoreau.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Chic Interior and the Feminine Modern.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLisa Tiersten.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eInside Fear: Secret Places and Hidden Spaces in Dwellings.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAnne Troutman.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Pleasure of Architecture.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eBernard Tschumi.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDomestic Doyennes: Purveyors of Atmospheres Spoken and Visual.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJohn C. Turpin.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Lair of the Bachelor.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGeorge Wagner.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eUltrasuede.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGeorge Wagner.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Historical Tradition.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eEdith Wharton and Ogden Codman Jr..\u003c\/p\u003e \u003cp\u003e\u003cb\u003eHome: Territory and Identity.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eJ. Macgregor Wise.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eThe Material Value of Color: The Estate Agent’s Tale.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eD. J. B. Young.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIndex.\u003c\/b\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Architecture [\u003ca title=\"See our other books on Architecture\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Architecture%20%5BAM%5D%22\"\u003eAM\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Academy Press","offers":[{"title":"Brand New","offer_id":52173802340632,"sku":"9780470015711","price":40.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780470015711.jpg?v=1781172577","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/intimus-interior-design-theory-reader-paperback-softback-9780470015711","provider":"Freshly Printed Books","version":"1.0","type":"link"}