{"product_id":"infinite-variety-literary-invention-theology-and-the-disorder-of-kinds-1688-1730-hardback-9780812253290","title":"Infinite Variety; Literary Invention, Theology, and the Disorder of Kinds, 1688-1730 (Hardback) 9780812253290","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eInfinite Variety\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eLiterary Invention, Theology, and the Disorder of Kinds, 1688-1730\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eWolfram Schmidgen (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780812253290\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 13 August 2021\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e288 pages\u003cbr\u003e22.9 x 15.2 x 2.6 cm, 0.562 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"This book is a striking achievement, confident in its abstractions and their utility in illuminating a shared intellectual and aesthetic preoccupation.\" (Modern Philology) \"Infinite Variety makes for an interesting conversation with science studies where the influence of Francis Bacon and Newton create the assumption of a more ordered world (with its epistemologies richly described in Michel Foucault's still useful \u003ci\u003eThe Order of Things\u003c\/i\u003e. The book opens up ways of seeing, thinking, inventing, and writing that the history of science and epistemology has not addressed. In reading this book, one realizes that the paradigm of inherent meaning in the natural world comes with contested shadow views and contrasts. The conversation, then, between works such as Powell's and Schmidgen's shows that ontology and epistemology remain robust fields for scholars of eighteenth-century literature and culture.\" (SEL Studies in English Literature 1500-1900) \"Part of the recent movement in eighteenth-century studies to resist the teleological secularization narrative that has governed much of the literary and cultural criticism in the field, \u003ci\u003eInfinite Variety\u003c\/i\u003e is also one of the most stimulating, original, and erudite books I've read in some time. Wolfram Schmidgen makes a cogent, compelling, and historically grounded case for the imaginative power of literature at a moment of epistemological crisis.\" (Helen Deutsch, University of California Los Angeles) \"In \u003ci\u003eInfinite Variety, \u003c\/i\u003eWolfram Schmidgen offers a fresh perspective on literary invention in late seventeenth- and early eighteenth-century England...[T]he perspective of this book is generous and valuable and...readers of all persuasions interested in the early modern history of literature, culture and ideas will be thankful to it for its fertile insights and provocations.\" (The Seventeenth Century)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eUnnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In \u003ci\u003eInfinite Variety\u003c\/i\u003e, he reconstructs this voluntarist tradition of literary invention.\u003cbr\u003e Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.\u003cbr\u003e In reclaiming ontology as an explanatory context for literary invention, \u003ci\u003eInfinite Variety\u003c\/i\u003e offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eIntroduction\u003cbr\u003e Chapter 1. Toward a Voluntarist Aesthetic\u003cbr\u003e Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety\u003cbr\u003e Chapter 3. Energy and Structure: Remaking the Given in Blackmore and Pope\u003cbr\u003e Chapter 4. Embarrassed Invention: Stillingfleet, Locke, and the Style of Voluntarism\u003cbr\u003e Chapter 5. The Constructive Swift: Between the Hope and Fear of Decomposition\u003cbr\u003e Chapter 6. The Providence of Gathering and Scattering: Dynamic Variety in Defoe\u003cbr\u003e Conclusion\u003cbr\u003e Notes\u003cbr\u003e Index\u003cbr\u003e Acknowledgments\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Brand New","offer_id":52559245541656,"sku":"9780812253290","price":38.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/infinite-variety-literary-invention-theology-and-the-disorder-of-kinds-1688-1730-hardback-9780812253290","provider":"Freshly Printed Books","version":"1.0","type":"link"}