{"product_id":"horrible-white-people-gender-genre-and-televisions-precarious-whiteness-hardback-9781479885459","title":"Horrible White People; Gender, Genre, and Television's Precarious Whiteness (Hardback) 9781479885459","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eHorrible White People\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eGender, Genre, and Television's Precarious Whiteness\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eTaylor Nygaard (Author), Jorie Lagerwey (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781479885459\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 24 November 2020\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e272 pages\u003cbr\u003e22.9 x 15.2 x 2.4 cm, 0.544 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003ci\u003eHorrible White People\u003c\/i\u003e examines contemporary TV's preoccupation with White people's anxieties and fears. Taylor Nygaard and Jorie Lagerway define what they call the Horrible White People cycle as a group of shows that emerged after the Great Recession between 2014 and 2016, mostly starring White actors in 30 minute comedies or satires. (Ethnic and Racial Studies) Makes an important contribution to television and media studies, which is in the beginning stages of grappling with its own Whiteness. Cannily, Nygaard and Lagerwey focus on series that appear less nakedly racist, even liberal, to show how White supremacy is more common and insidious than most scholarship recognizes. Yet they never forget to attend to the nuances of representation, how race intersects with other indices of identity -- class, gender, etc. -- and how representationally groundbreaking series can simultaneously reinforce norms and obfuscate systemic privilege. This book fills a much-needed gap in media studies and will find a place in my syllabi for the foreseeable future. (Aymar Jean Christian, author of \u003ci\u003eOpen TV: Innovation Beyond Hollywood and the Rise of Web Television\u003c\/i\u003e) A bold, insightful analysis of what Nygaard and Lagerwey identify as a key cycle of sitcoms: 'horrible White people' shows. With an insistently anti-racist and feminist lens, they connect this cycle to shifts in the contemporary media industry and U.S. culture in order to show how Whiteness, yet again, reinvents itself. (Sarah Projansky, author of \u003ci\u003eSpectacular Girls: Media Fascination and Celebrity Culture\u003c\/i\u003e)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eExamines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and suffering\u003c\/b\u003e\u003cbr\u003e At the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people—such as \u003ci\u003eBroad City\u003c\/i\u003e,\u003ci\u003e Casual\u003c\/i\u003e,\u003ci\u003e You're the Worst\u003c\/i\u003e,\u003ci\u003e Catastrophe\u003c\/i\u003e, \u003ci\u003eFleabag\u003c\/i\u003e, and \u003ci\u003eTransparent\u003c\/i\u003e—proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right—particularly in the mobilization, representation, and sustenance of structural white supremacy on television.\u003cbr\u003e Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are \"horrible white people,\" by putting them in conversation with similar upmarket comedies from creators and casts of color like \u003ci\u003eInsecure\u003c\/i\u003e, \u003ci\u003eAtlanta\u003c\/i\u003e,\u003ci\u003e Dear White People\u003c\/i\u003e, and \u003ci\u003eMaster of None\u003c\/i\u003e. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.\u003cbr\u003e Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption—and the political, cultural, and social repercussions of these \"horrible white people\" shows, both on- and off-screen.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"NYU Press","offers":[{"title":"Brand New","offer_id":52595422789912,"sku":"9781479885459","price":57.69,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/horrible-white-people-gender-genre-and-televisions-precarious-whiteness-hardback-9781479885459","provider":"Freshly Printed Books","version":"1.0","type":"link"}