{"product_id":"hollywood-at-the-intersection-of-race-and-identity-hardback-9780813599328","title":"Hollywood at the Intersection of Race and Identity (Hardback) 9780813599328","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eHollywood at the Intersection of Race and Identity\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eDelia Malia Caparoso Konzett (Edited by), Ruth Mayer (Contributions by), Alice Maurice (Contributions by), Ellen C. Scott (Contributions by), Delia Malia Caparoso Konzett (Contributions by), Jonna Eagle (Contributions by), Ryan Jay Friedman (Contributions by), Charlene Regester (Contributions by), Matthias Konzett (Contributions by), Chris Cagle (Contributions by), Dean Itsuji Saranillio (Contributions by), Graham Cassano (Contributions by), Priscilla Peña Ovalle (Contributions by), Ernesto R Acevedo-Muñoz (Contributions by), Mary Beltrán (Contributions by), Jun Okada (Contributions by), Louise Wallenberg (Contributions by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780813599328\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 15 November 2019\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e370 pages, 32 b-w photographs\u003cbr\u003e22.9 x 15.2 x 2.8 cm, 0.626 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\"Wide ranging and critically deep, \u003ci\u003eHollywood at the Intersection of Race and Identity\u003c\/i\u003e addresses the persistence of race in Hollywood film with considerable implications for the intersection of racism, misogyny, and identity we see today on big and small screens alike.\"\u003cbr\u003e  \u003c\/div\u003e - Daniel Bernardi (editor of Race in American Film: Voices and Visions that Shaped a Nation) \u003cdiv\u003e\"This is a timely collection - forthright, expansive, and right up to date. Commonly situated at the margins of discussions of race and identity, intersectionality here is placed at the center, crucial to understanding Hollywood's uneven engagement with race, social justice, and ethics. These rigorous and generous readings of key moments across cinema history reveal Hollywood encountering and marking more fluid senses of identity than usually credited to popular film. In all this book shows how, in bell hooks's terms, Hollywood can 'make culture' in problematic, revealing, and surprisingly anticipatory ways.\"\u003c\/div\u003e - Jeffrey Geiger (author of American Documentary Film: Projecting the Nation) \u003cdiv\u003e\"Konzett deserves thanks for curating another must-have book on cinema studies. Highly recommended.\"\u003c\/div\u003e (Choice) \u003cdiv\u003e\"Those interested in identity politics and representation in film and media would find this helpful.\" \u003c\/div\u003e (Communication Booknotes Quarterly) \u003cdiv\u003e\"Those interested in identity politics and representation in film and media would find this helpful.\"\u003c\/div\u003e (Communication Booknotes Quarterly)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\n\u003ci\u003eHollywood at the Intersection of Race and Identity\u003c\/i\u003e explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities?  The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?\u003cbr\u003e  \u003c\/div\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003eIntroduction\u003cbr\u003e  \u003cbr\u003e\u003cb\u003eHollywood Formulas: Codes, Masks, Genre, and Minstrelsy\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e\u003ci\u003eDaydreams of Society\u003c\/i\u003e: Class and Gender Performances in the Cinema of the Late 1910s\u003cbr\u003e Ruth Mayer\u003cbr\u003e The Death of Lon Chaney:  Masculinity, Race, and the Authenticity of Disguise\u003cbr\u003e Alice Maurice\u003cbr\u003e MGM’\u003cbr\u003es Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in \u003ci\u003eThe Gorgeous Hussy\u003c\/i\u003e (1936)\u003cbr\u003e Ellen C. Scott\u003cbr\u003e Yellowface, Minstrelsy, and Hollywood Happy Endings: \u003ci\u003eThe Black Camel\u003c\/i\u003e (1931), \u003ci\u003eCharlie Chan in Egypt\u003c\/i\u003e (1935), and \u003ci\u003eCharlie Chan at the Olympics\u003c\/i\u003e (1937)\u003cbr\u003e Delia Malia Konzett\u003cbr\u003e\u003cb\u003eGenre and Race in Classical Hollywood\u003c\/b\u003e\u003cbr\u003e “\u003cbr\u003eA Queer, Strangled Look”\u003cbr\u003e: Race, Gender, and Morality in \u003ci\u003eThe Ox-Bow Incident\u003c\/i\u003e\u003cbr\u003e Jonna Eagle\u003cbr\u003e By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell\u003cbr\u003e Ryan Jay Friedman\u003cbr\u003e Disruptive Mother-Daughter Relationships: Peola’\u003cbr\u003es Racial Masquerade in \u003ci\u003eImitation of Life\u003c\/i\u003e (1934) and Stella’\u003cbr\u003es Class Masquerade in \u003ci\u003eStella Dallas\u003c\/i\u003e (1937)\u003cbr\u003e Charlene Regester\u003cbr\u003e  \u003cbr\u003e The Egotistical Sublime: Film Noir and Whiteness\u003cbr\u003e Matthias Konzett\u003cbr\u003e\u003cb\u003eRace and Ethnicity in Post-World War II Hollywood\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e Women and Class Mobility in Classical Hollywood’\u003cbr\u003es Immigrant Dramas\u003cbr\u003e Chris Cagle\u003cbr\u003e Orientalism, Diaspora, and Indigeneity in \u003ci\u003eGo for Broke!\u003c\/i\u003e (1951)\u003cbr\u003e Dean Itsuji Saranillio\u003cbr\u003e Savage Whiteness:  The dialectic of racial desire in \u003ci\u003eThe Young Savages\u003c\/i\u003e (1961)\u003cbr\u003e Graham Cassano\u003cbr\u003e Rita Moreno’\u003cbr\u003es Hair\u003cbr\u003e Priscilla PeÑ\u003cbr\u003ea Ovalle\u003cbr\u003e\u003cb\u003eIntersectionality, Hollywood, and Contemporary Popular Culture\u003c\/b\u003e\u003cbr\u003e “\u003cbr\u003eEverything \u003ci\u003eGlee\u003c\/i\u003e in ‘\u003cbr\u003eAmerica’\u003cbr\u003e”\u003cbr\u003e: Context, Race, and Identity Politics in the\u003ci\u003e Glee\u003c\/i\u003e Appropriation of\u003ci\u003e West Side Story\u003c\/i\u003e\u003cbr\u003e Ernesto R. Acevedo-MuÑ\u003cbr\u003eoz\u003cbr\u003e Hip Hop “\u003cbr\u003eHearts”\u003cbr\u003e Ballet:  Utopic Multiculturalism and the \u003ci\u003eStep Up \u003c\/i\u003eDance Films\u003cbr\u003e Mary BeltrÁ\u003cbr\u003en\u003cbr\u003e\u003ci\u003eFakin da Funk\u003c\/i\u003e (1997) and \u003ci\u003eGook\u003c\/i\u003e (2017): Exploring Black\/Asian Relations in the Asian American Hood Film\u003cbr\u003e Jun Okada\u003cbr\u003e “\u003cbr\u003eLet Us Roam the Night Together”\u003cbr\u003e: On Articulation and Representation in\u003ci\u003e Moonlight\u003c\/i\u003e (2016) and\u003ci\u003e Tongues Untied\u003c\/i\u003e (1989)\u003cbr\u003e Louise Wallenberg\u003cbr\u003e  \u003cbr\u003e Acknowledgments\u003cbr\u003e Selected Bibliography\u003cbr\u003e Contributors\u003cbr\u003e Index\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003c\/div\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Rutgers University Press","offers":[{"title":"Brand New","offer_id":52563732758808,"sku":"9780813599328","price":92.29,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/hollywood-at-the-intersection-of-race-and-identity-hardback-9780813599328","provider":"Freshly Printed Books","version":"1.0","type":"link"}