{"product_id":"holderlins-hymn-remembrance-hardback-9780253035813","title":"Hölderlin's Hymn \"Remembrance\" (Hardback) 9780253035813","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eHölderlin's Hymn \"Remembrance\"\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eMartin Heidegger (Author), William McNeill (Translated by), Julia Ireland (Translated by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780253035813\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 28 September 2018\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e210 pages\u003cbr\u003e22.9 x 15.2 x 1.4 cm, 0.472 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\"This faithful and readable translation by William McNeill and Julia Ireland serves as a critical orientation to interpreting Heidegger's later thought, which has become the focus of a great deal of scholarly interest. In Heidegger's own words, Hölderlin's poetry is 'absolutely essential' to understanding his later thought.\"—Christopher D. Merwin, Emory University\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eMartin Heidegger's 1941–1942 lecture course on Friedrich Hölderlin's hymn, \"Remembrance,\" delivered immediately following his confrontation with Nietzsche, lays out a detailed plan for the interpretation of Hölderlin's poetry in which remembrance is a central concern. With its emphasis on the \"free use of the national\" and the \"holy of the fatherland,\" the course marks an important progression in Heidegger's political thought. In addition to its startlingly innovative analyses of greeting, the festive, and the dream, the text provides Heidegger's fullest elaboration of the structure of commemorative thinking in relationship to time and the possibility of an \"other beginning.\" This English translation by William McNeill and Julia Ireland completes the series of Heidegger's major lecture courses on Hölderlin.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eTranslators' Foreword\u003cbr\u003e PRELIMINARY CONSIDERATIONS\u003cbr\u003e Preparation for Hearing the Word of the Poetizing\u003cbr\u003e 1. What the Lecture Course Does Not Intend. On Literary-Historiographical Research and the Arbitrary Interpretation of Poetry\u003cbr\u003e 2. The Attempt to Think the Word Poetized by Hölderlin\u003cbr\u003e 3. That Which is Poetized in the Word of Essential Poetizing 'Poetizes Over and Beyond' the Poet and Those Who Hear this Word\u003cbr\u003e 4. The Essential Singularity of Hölderlin's Poetizing is Not Subject to Any Demand for Proof\u003cbr\u003e 5. The Poetizing Word and Language as Means of Communication. Planetary Alienation in Relation to the Word\u003cbr\u003e Review \u003cbr\u003e 1) 'Thinking' That Which is Poetized\u003cbr\u003e 2) Hearing That Which is Poetized is Hearkening: Waiting for the Coming of the Inceptual Word\u003cbr\u003e 6. The Univocity of 'Logic' and the Wealth of the Genuine Word Out of the Inexhaustibility of the Commencement\u003cbr\u003e 7. Remark on the Editions of Hölderlin's Works\u003cbr\u003e MAIN PART\u003cbr\u003e \"Remembrance\"\u003cbr\u003e 8. A Word of Warning about Merely Admiring the Beauty of the Poem\u003cbr\u003e 9. Establishing a Preliminary Understanding About 'Content' and What is Poetized in the Poem\u003cbr\u003e Review\u003cbr\u003e 1) The Wealth of the Poetizing Word\u003cbr\u003e 2) Poetizing and Thinking as Historical Action\u003cbr\u003e 3) The Transformation of the Biographical in That Which is Poetized\u003cbr\u003e 10. That Which is Poetized in the Poetizing and the 'Content' of the Poem are Not the Same\u003cbr\u003e Part One\u003cbr\u003e Entry into the Realm of the Poem as Word\u003cbr\u003e 11. The Beginning and Conclusion of the Poem\u003cbr\u003e 12. Concerning Language: The Poetizing Word and Sounding Words\u003cbr\u003e 13. Language in Our Historical Moment\u003cbr\u003e 14. Preliminary Consideration of the Unity of the Poem\u003cbr\u003e Review\u003cbr\u003e 15. Poetizing and the Explanation of Nature in Modernity. On the Theory of 'Image' and 'Metaphor'\u003cbr\u003e 16. \"The Northeasterly blows.\" The Favor of Belonging to the Vocation of Poet\u003cbr\u003e 17. The \"Greeting.\" On the Dangerous Addiction to Psychological-Biographical Explanation\u003cbr\u003e 18. Norbert von Hellingrath on \"Hölderlin's Madness.\" Commemoration of von Hellingrath\u003cbr\u003e 19. Hölderlin's De-rangement as Entering the Range of a Different Essential Locale\u003cbr\u003e 20. The \"Going\" of the Northeasterly. The \"Greeting\" of the Poet's Going with It\u003cbr\u003e Review\u003cbr\u003e 21. Transition From the First to the Second Strophe. The Greeting Thinking-in-the-Direction-Of as the Letting Be of the Greeted. The Greeted Thinks Its Way To the Poet\u003cbr\u003e 22. In the Unity of That Which is Greeted, Gathered by the Poet's Greeting, the Day's Work and Stead of Human Dwelling Arise\u003cbr\u003e Part Two\u003cbr\u003e \"Holidays\" and \"Festival\" in Hölderlin's Poetizing\u003cbr\u003e 23. Preliminary Hints From Citing 'Passages' In the Poetry\u003cbr\u003e Review\u003cbr\u003e 24. Celebrating as Pausing From Work and Passing Over into Reflection upon the Essential\u003cbr\u003e 25. The Radiance of the Essential Within Celebration. Play and Dance\u003cbr\u003e 26. The Essential Relation Between Festival and History. The \"Bridal Festival\" of Humans and Gods\u003cbr\u003e 27. The Festive as Origin of Attunements. Joy and Mournfulness: The Epigram \"Sophocles\"\u003cbr\u003e Review\u003cbr\u003e 1) Celebration as Becoming Free in Belonging to the Inhabitual\u003cbr\u003e 2) Improbable Celebration in the Echo of What is 'Habitual' in a Day: The First Strophe of the Elegy \"Bread and Wine\"\u003cbr\u003e 3) \"The Festival\" and the Appropriative Event. The Festival of the Day of History in Greece. Hölderlin and Nietzsche\u003cbr\u003e 28. The Greeting of the Women. Their Role in Preparing the Festival. The Women of Southern France and the Festival that Once Was in Greece\u003cbr\u003e Review\u003cbr\u003e 29. Transition as Reconciliation and Equalization\u003cbr\u003e 30. \"Night\": Time-Space of a Thinking Remembering the Gods that Once Were Transition in Receiving the Downgoing and Preparing the Dawn\u003cbr\u003e 31. Gods and Humans as Fitting Themselves to What is Fitting. That Which is Fitting and Fate\u003cbr\u003e 32. How Fate is Viewed Within the Calculative Thinking of Metaphysics, and \"Fate\" in Hölderlin's Sense\u003cbr\u003e 33. The Festival as Equalizing the While for Fate\u003cbr\u003e 34. The Transition from What Once Was in Greece into That Which is to Come: The Veiled Truth of the Hymnal Poetizing\u003cbr\u003e Review\u003cbr\u003e 1) The Provenance of the Poetized Transition. The \"Demigods\" Called into the Transition. Hegel and Hölderlin\u003cbr\u003e 2) What is Fitting for Humans and Gods is the Holy. The Fitting of the Jointure as Letting-be\u003cbr\u003e 3) Fitting as Releasing into the Search for Essence and the Loss of Essence. Errancy and Evil\u003cbr\u003e 4) The Temporal Character of the \"While,\" and the Metaphysical Concept of Time\u003cbr\u003e 35. \"Lulling Breezes\": Sheltering in the Origin, the Ownmost of Humans and Gods. \"Golden Dreams\"\u003cbr\u003e 36. Interim Remark Concerning Scientific Explanations of Dreams\u003cbr\u003e 37. The Dream. That Which Is Dreamlike as the Unreal or Nonexistent\u003cbr\u003e 38. Greek Thought on the Dream. Pindar\u003cbr\u003e Review\u003cbr\u003e 39. The Dream as Shadow-like Appearing of Vanishing into the Lightless. Presencing and Absencing\u003cbr\u003e 40. The Possible as Presencing of Vanishing from, and as Appearing of Arrival Within 'Reality' (Beyng)\u003cbr\u003e 41. Hölderlin's Treatise \"Becoming in Dissolution.\" Dream as Bringing the Possible and Preserving the Transfigured Actual\u003cbr\u003e Part Three\u003cbr\u003e The Search for the Free Use of One's Own\u003cbr\u003e 42. Hesitant Awe Before the Transition onto \"Slow Footbridges\"\u003cbr\u003e Review\u003cbr\u003e 43. Greece and Germania: The Banks and Sides of the Transition Toward Learning What is Historically One's Own\u003cbr\u003e 44. One's Own as the Holy of the Fatherland, Inaccessible to Theologies and Historiographical Sciences. The \"Highest\"\u003cbr\u003e 45. The Transition From the Second to the Third Strophe. Grounding in the Homely\u003cbr\u003e 46. Interim Remark Concerning Three Misinterpretations of Hölderlin's Turn to the \"Fatherland\"\u003cbr\u003e 47. Learning the Appropriation of One's Own\u003cbr\u003e 48. What is Their Own for the Germans: \"The Clarity of Presentation\"\u003cbr\u003e 49. The Drunkenness of Higher Reflection and Soberness of Presentation in the Word\u003cbr\u003e 50. \"Dark Light\": That Which is to be Presented in the Free Use of One's Own\u003cbr\u003e 51. The Danger of Slumber Among Shadows. \"Soulful\" Reflection Upon the Holy in the Festival\u003cbr\u003e Part Four\u003cbr\u003e The Dialogue with the Friends as Fitting Preparation for the Festival\u003cbr\u003e 52. \"Dialogue\" in the Commonplace Understanding and in Hölderlin's Poetic Word Usage\u003cbr\u003e 53. The \"Opinion\" of the \"Heart\" in the Dialogue: The Holy\u003cbr\u003e 54. Listening in the Dialogue to Love and Deed, which, as Celebration, Ground the Festival in Advance\u003cbr\u003e 55. The Endangering of the Poetic Dialogue of Love and Deeds by Chatter\u003cbr\u003e 56. The Poetic Dialogue as \"Remembrance\"\u003cbr\u003e 57. The Question of Where the Friends Are, and the Essence of Future Friendship\u003cbr\u003e 58. The Friends' Being Shy to Go to the Source\u003cbr\u003e 59. \"Source\" and \"River.\" The Wealth of the Origin\u003cbr\u003e 60. The Initial Appropriation of \"Wealth\" on the Poets' Voyage Across the Ocean into the Foreign\u003cbr\u003e 61. The \"Year Long\" Learning of the Foreign on the Ocean Voyage of a Long Time Without Festival\u003cbr\u003e 62. The Singular Remembrance of the Locale of the Friends and of the Fitting that is to be Poetized\u003cbr\u003e 63. The Word Regarding the River that Goes Backwards: The Shy Intimation of the Essence of Commencement and History\u003cbr\u003e 64. The Passage to the Foreign, \"Bold Forgetting\" of One's Own, and the Return Home\u003cbr\u003e 65. The Founding of the Coming Holy in the Word\u003cbr\u003e APPENDIX\u003cbr\u003e The Interpretive Structure for the Said Poems\u003cbr\u003e Editor's Epilogue\u003cbr\u003e Translators' Notes\u003cbr\u003e German—English Glossary\u003cbr\u003e English—German Glossary\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Indiana University Press","offers":[{"title":"Brand New","offer_id":52670809669912,"sku":"9780253035813","price":33.49,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/holderlins-hymn-remembrance-hardback-9780253035813","provider":"Freshly Printed Books","version":"1.0","type":"link"}