{"product_id":"globalization-and-contemporary-art-hardback-9781405179515","title":"Globalization and Contemporary Art (Hardback) 9781405179515","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eGlobalization and Contemporary Art\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eJonathan Harris (Edited by), J Harris (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781405179515, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 25 March 2011\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e560 pages\u003cbr\u003e25.4 x 19.8 x 3.1 cm, 1.325 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"Summing Up: Highly recommended. Upper-level undergraduates and above.\" (Choice, 1 November 2011)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eIn a series of newly commissioned essays by both established and emerging scholars, \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e probes the effects of internationalist culture and politics on art across a variety of media. \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e is the first anthology to consider the role and impact of art and artist in an increasingly borderless world.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFirst major anthology of essays concerned with the impact of globalization on contemporary art\u003c\/li\u003e \u003cli\u003eExtensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization\u003c\/li\u003e \u003cli\u003eUnique analysis of the contemporary art market and its operation in a globalized economy\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eList of Illustrations.  \u003cp\u003eNotes on Contributors.\u003c\/p\u003e \u003cp\u003eIntroduction: Globalization and Contemporary Art: A Convergence of Peoples and Ideas (\u003ci\u003eJonathan Harris\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1: Institutions.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e1 \u003ci\u003eReal Time\u003c\/i\u003e and Real Time at The Israel Museum, Jerusalem (\u003ci\u003eVivianne Barsky\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2 Peddling Time When Standing Still: Art Remains in Lebanon and the Globalization That Was (\u003ci\u003eWalid Sadek\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e3 Homogeneity or Individuation? A Long View of the Critical Paradox of Contemporary Art in a Stateless Nation (\u003ci\u003ePeter Lord\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e4 Museums in the Colonial Horizon of Modernity: Fred Wilson's \u003ci\u003eMining the Museum\u003c\/i\u003e (1992) (\u003ci\u003eWalter Mignolo\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e5 Africus Johannesburg Biennale 1995: Butisi Tart? (\u003ci\u003eNatasha Becker\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2: Formations.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e6 Post-Crisis: Scenes of Cultural Change in Buenos Aires (\u003ci\u003eAndrea Giunta\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e7 Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 to 2000 (\u003ci\u003eZoya Kocur\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e8 \u003ci\u003eKa Muhe'e, He i'a Hololua\u003c\/i\u003e: Kanaka Maoli Art and the Challenge of the Global Market (\u003ci\u003eHerman Pi’ikea Clark\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e9 Aboriginal Cosmopolitans: A Prehistory of Western Desert Painting (\u003ci\u003eIan McLean\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e10 Working to Learn Together: Failure as Tactic (\u003ci\u003eJudith Rodenbeck\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3: Means and Forces of Production.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e11 The Two Economies of World Art (\u003ci\u003eMalcolm Bull\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e12 The Spectacle and Its Others: Labor, Conflict, and Art in the Age of Global Capital (\u003ci\u003eAngela Dimitrakaki\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e13 Cultural Mercantilism: Modernism's Means of Production: The Gutai Group as Case Study (\u003ci\u003eMing Tiampo\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e14 Audiovisionaries of the Network Planet (\u003ci\u003eSean Cubitt\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4: Identifications.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e15 Contemporary Asian Art and the West (\u003ci\u003eDavid Clarke\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e16 World Pictures: Globalization and Visual Culture (\u003ci\u003eW. J. T. Mitchell\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e17 Leaves of Grass and Real Allegory: A Case Study of International Rebellion (\u003ci\u003eAlbert Boime\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e18 Collaboration in Art and Society: A Global Pursuit of Democratic Dialogue (\u003ci\u003eNikos Papastergiadis\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5: Forms.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e19 Globalization Questions and Contemporary Art's Answers: Art in Palestine (\u003ci\u003eKhaled Hourani\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e20 Political Islam and the Time of Contemporary Art (\u003ci\u003eAmna Malik\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e21 Displaced Models: Techniques and Tactics of Reproduction across the Genres and Institutions of Western Art from Duchamp to Doujak (\u003ci\u003eLewis Johnson\u003c\/i\u003e0.\u003c\/p\u003e \u003cp\u003e22 White Man Got No Dreaming: Indigenous Art, Apartheid and the Emergence of \"Global Style\" Painting in Australia (\u003ci\u003eJeanette Hoorn\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e23 The Discourse of (L)imitation: A Case Study with Hole-Digging in 1960s Japan (\u003ci\u003eReiko Tomii\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 6: Reproduction.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e24 Art and Postcolonial Society (\u003ci\u003eRasheed Araeen\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e25 Why Art History is Global (\u003ci\u003eJames Elkins\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e26 The Agency of the Historian in the Construction of National Identity in Colombian Architecture (\u003ci\u003eFelipe Hernández\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e27 Aboriginal Art and Australian Modernism: An Althusserian Critique (\u003ci\u003eDarren Jorgensen\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e28 Gesturing No(w)here (\u003ci\u003eNermin Saybasili\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 7: Organization.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e29 The Emergence of Powerhouse Dealers in Contemporary Art (\u003ci\u003eDerrick Chong\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e30 The Art Market in Transition, the Global Economic Crisis, and the Rise of Asia (\u003ci\u003eIain Robertson\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e31 Global Contemporary? The Global Horizon of Art Events (\u003ci\u003eCharlotte Bydler\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e32 \"Institutionalized Globalization,\" Contemporary Art, and the Corporate Gulag in Chile (\u003ci\u003eDavid Craven\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e33 Culture, Neoliberal Development, and the Future of Progressive Politics in Southeastern Europe (\u003ci\u003eZhivka Valiavicharska\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003eSelect Bibliography.\u003c\/p\u003e \u003cp\u003eIllustration Credits.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Art treatments \u0026amp; subjects [\u003ca title=\"See our other books on Art treatments \u0026amp; subjects\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Art%20treatments%20\u0026amp;%20subjects%20%5BAG%5D%22\"\u003eAG\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52437788197144,"sku":"9781405179515","price":92.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781405179515.jpg?v=1784940496","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/globalization-and-contemporary-art-hardback-9781405179515","provider":"Freshly Printed Books","version":"1.0","type":"link"}