{"product_id":"global-cinema-networks-hardback-9780813592732","title":"Global Cinema Networks (Hardback) 9780813592732","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eGlobal Cinema Networks\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eElena Gorfinkel (Edited by), Tami Williams (Edited by), Elena Gorfinkel (Contributions by), Dudley Andrew (Contributions by), Adrian Martin (Contributions by), John David Rhodes (Contributions by), James Tweedie (Contributions by), Laurent Guido (Contributions by), Karl Schoonover (Contributions by), Frank Ukadike (Contributions by), Patricia White (Contributions by), Luisela Alvaray (Contributions by), Peter Y. Paik (Contributions by), Gilberto M Blasini (Contributions by), Jian Xu (Contributions by), Tami Williams (Contributions by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780813592732\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 17 August 2018\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e284 pages, 49 b-w photographs\u003cbr\u003e22.9 x 15.2 x 2.1 cm, 0.029 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e“Assembling an impressive group of internationally recognized scholars, this ambitious volume offers a sustained engagement with cultural infrastructures like film festivals, visual motifs of the global, with a capaciousness that stretches global cinema across a century.” \u003c\/div\u003e - Nitin Govil (author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\n\u003ci\u003eGlobal Cinema Networks\u003c\/i\u003e investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.  \u003c\/div\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003eTable of Contents\u003cbr\u003e\u003cbr\u003e Chapter 1: Introduction: Global Cinemas in a Time of Networks\u003cbr\u003e Elena Gorfinkel, King’\u003cbr\u003es College London (U.K.)\u003cbr\u003e\u003cbr\u003e Part 1: Cartographies, Geopolitics, Aesthetics\u003cbr\u003e\u003cbr\u003e Chapter 2: Beyond and Beneath the Map of World Cinema\u003cbr\u003e Dudley Andrew, Yale University\u003cbr\u003e\u003cbr\u003e Chapter 3: Frame\u003cbr\u003e Adrian Martin, Monash University (Australia)\u003cbr\u003e\u003cbr\u003e Chapter 4: Abstraction and the Geopolitical: Lessons from Antonioni’\u003cbr\u003es Trip to China\u003cbr\u003e John David Rhodes, University of Cambridge\u003cbr\u003e\u003cbr\u003e Chapter 5: The City of Bits and Urban Rule: Media Archaeology, Urban Space, and Contemporary Chinese Documentary\u003cbr\u003e James Tweedie, University of Washington\u003cbr\u003e\u003cbr\u003e Part 2: Global Ideality, History, Representation\u003cbr\u003e\u003cbr\u003e Chapter 6: Toward an Archeology of Global Rhythms: Melodie der Welt (Melody of the World, 1929) and its Reception in France\u003cbr\u003e Laurent Guido, University of Lille (France)\u003cbr\u003e\u003cbr\u003e Chapter 7: When Cinema was Humanism\u003cbr\u003e Karl Schoonover, University of Warwick\u003cbr\u003e\u003cbr\u003e Chapter 8: African Cinema: Digital Media and Expanding Frames of Representation\u003cbr\u003e N. Frank Ukadike, Tulane University, New Orleans\u003cbr\u003e\u003cbr\u003e Chapter 9: Changing Circumstances: Global Flows of Lesbian Cinema\u003cbr\u003e Patricia White, Swarthmore College\u003cbr\u003e\u003cbr\u003e Part 3: Kinships, Identifications, Genres\u003cbr\u003e\u003cbr\u003e Chapter 10: Hermano and La hora cero: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema\u003cbr\u003e Luisela Alvaray, DePaul University\u003cbr\u003e\u003cbr\u003e Chapter 11: Between Love and the Moral Law: The Fatal Mother in Park Chan-wook’\u003cbr\u003es Sympathy for Lady Vengeance\u003cbr\u003e Peter Y. Paik, Yonsei University (Korea)\u003cbr\u003e\u003cbr\u003e Chapter 12: The Queer Mexican Cinema of JuliÁ\u003cbr\u003en HernÁ\u003cbr\u003endez\u003cbr\u003e Gilberto M. Blasini, University of Wisconsin–\u003cbr\u003eMilwaukee\u003cbr\u003e\u003cbr\u003e Chapter 13: The Gangster Film as World Cinema\u003cbr\u003e Jian Xu, University of Wisconsin–\u003cbr\u003eMilwaukee\u003cbr\u003e\u003cbr\u003e Chapter 14: Epilogue: 24 Frames: Regarding the Past and Future of Global Cinema\u003cbr\u003e Tami Williams, University of Wisconsin–\u003cbr\u003eMilwaukee\u003c\/div\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Rutgers University Press","offers":[{"title":"Brand New","offer_id":52563723813144,"sku":"9780813592732","price":123.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/global-cinema-networks-hardback-9780813592732","provider":"Freshly Printed Books","version":"1.0","type":"link"}