{"product_id":"furious-flower-seeding-the-future-of-african-american-poetry-paperback-softback-9780810141544","title":"Furious Flower; Seeding the Future of African American Poetry (Paperback \/ softback) 9780810141544","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eFurious Flower\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eSeeding the Future of African American Poetry\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eJoanne V. Gabbin (Author), Lauren K. Alleyne (Edited by), Rita Dove (Foreword by), John Bracey (Contributions by), Iain Haley Pollock (Contributions by), Gregory Pardlo (Contributions by), Aaron Van Jordan (Contributions by), Glenis Redmond (Contributions by), Fred Joiner (Contributions by), Frank X. Walker (Contributions by), F. Douglas Brown (Contributions by), E. Ethelbert Miller (Contributions by), Erica Hunt (Contributions by), Duriel E. Harris (Contributions by), Douglas Manuel (Contributions by), Douglas Kearney (Contributions by), Dante Micheaux (Contributions by), Jericho Brown (Contributions by), Jacqueline Jones LaMon (Contributions by), Janice Harrington (Contributions by), Hayes Davis (Contributions by), Clemonce Heard (Contributions by), DeMaris B. Hill (Contributions by), Cynthia Manick (Contributions by), Curtis Crisler (Contributions by), Cortney Lamar Charleston (Contributions by), Cornelius Eady (Contributions by), CM Burroughs (Contributions by), John Murillo (Contributions by), Tara Betts (Contributions by), t'ai freedom ford (Contributions by), Shayla Lawson (Contributions by), Sherese Francis (Contributions by), Shauna M. Morgan (Contributions by), Samantha Thornhill (Contributions by), Safiya Sinclair (Contributions by), Safia Elhillo (Contributions by), Remica Bingham-Risher (Contributions by), Reginald Dwayne Betts (Contributions by), Randall Horton (Contributions by), Raina León (Contributions by), Philiip B. Williams (Contributions by), Donika Kelly (Contributions by), Dominique Christina (Contributions by), Dexter L. Booth (Contributions by), Destiny O. Birdson (Contributions by), Derrick Weston Brown (Contributions by), DéLana R. A. Dameron (Contributions by), David Mills (Contributions by), Darlene Anita Scott (Contributions by), Metta Sáma (Contributions by), Sharan Strange (Contributions by), Candice Wiley (Contributions by), Bianca Lynne Spriggs (Contributions by), Ana-Maurine Lara (Contributions by), Amber Flora Thomas (Contributions by), Amaud Jamaul Johnson (Contributions by), Amanda Johnston (Contributions by), Ama Codjoe (Contributions by), Alan W. King (Contributions by), Abdul Ali (Contributions by), Kwame Dawes (Contributions by), Yalie Kamara (Contributions by), Xandria Phillips (Contributions by), Tyehimba Jess (Contributions by), Tracy K. Smith (Contributions by), Tony Medina (Contributions by), Toi Derricotte (Contributions by), Tiana Clark (Contributions by), Thylias Moss (Contributions by), Teri Ellen Cross Davis (Contributions by), Taylor Johnson (Contributions by), Cedric Tillman (Contributions by), Camille Dungy (Contributions by), Bettina Judd (Contributions by), avery r young (Contributions by), Chanda Feldman (Contributions by), Joshua B. Bennett (Contributions by), JP Howard (Contributions by), Julian Randall (Contributions by), Justin Philip Reed (Contributions by), Kamilah Aisha Moon (Contributions by), Keith S. Wilson (Contributions by), Kevin Simmonds (Contributions by), Khadijah Queen (Contributions by), Korey Williams (Contributions by), Krista Franklin (Contributions by), L. Lamar Wilson (Contributions by), Lauren Russell (Contributions by), Lillian-Yvonne Bertram (Contributions by), Lynne Procope (Contributions by), Lyrae Van Clief-Stefanon (Contributions by), Major Jackson (Contributions by), Marcus Jackson (Contributions by), Mariahadessa Ekere Tallie (Contributions by), Matthew Shenoda (Contributions by), Mahtem Shiferraw (Contributions by), Mendi Lewis Obadike (Contributions by), Meta DuEwa Jones (Contributions by), Michael Collins (Contributions by), Nabila Lovelace (Contributions by), Nandie Comer (Contributions by), Natasha Marin (Contributions by), Natasha Oladokun (Contributions by), Nate Marshall (Contributions by), Nagueyalti Warren (Contributions by), Nicole Sealey (Contributions by), Nkosi Nkululeko (Contributions by), Opal Moore (Contributions by), Evie Shockley (Contributions by), Ladan Osman (Contributions by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780810141544\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 16 December 2019\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e380 pages, 2 black \u0026amp; white images running in text\u003cbr\u003e22.3 x 15.2 x 3 cm, 0.632 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003ci\u003eFurious Flower: Seeding the Future of African American Poetry\u003c\/i\u003e is an anthology of poems by more than a hundred award-winning poets, including Jericho Brown, Tracy K. Smith, and Justin Philip Reed, combined with themed essays on poetics from celebrated scholars such as Kwame Dawes, Evie Shockley, and Meta DuEwa Jones.\u003cbr\u003e\u003cbr\u003eThe Furious Flower Poetry Center is the nation\u0026amp;rsquo;s first academic center for Black poetry. In this eponymous collection, editors Joanne V. Gabbin and Lauren K. Alleyne bring together many of the paramount voices in Black poetry and poetics active today, composing an electrifying mosaic of voices, generations, and aesthetics that reveals the Black narrative in the work of twentieth- and twenty-first-century writers. Intellectually enlightening and powerfully enlivening, \u003ci\u003eFurious Flower\u003c\/i\u003e explores and celebrates the idea of the Black poetic voice, to ask, \"What's next for Black poetic expression?\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cul\u003e\n\u003cli\u003eForeword By Rita Dove\u003c\/li\u003e\n\u003cli\u003eAcknowledgements\u003c\/li\u003e\n\u003cli\u003eIntroduction By Joanne V. Gabbin and Lauren K. Alleyne\u003c\/li\u003e\n\u003cli\u003e1. Collective Power by John H. Bracey\u003c\/li\u003e\n\u003cli\u003eSelected Poems\u003c\/li\u003e\n\u003cli\u003eReginald Dwayne Betts\u003c\/li\u003e\n\u003cli\u003eMother\u003c\/li\u003e\n\u003cli\u003eAbdul Ali\u003c\/li\u003e\n\u003cli\u003eI Don'\u003cbr\u003et Think for a Second That We Won'\u003cbr\u003et Survive This\u003c\/li\u003e\n\u003cli\u003eRemica Bingham-Risher\u003c\/li\u003e\n\u003cli\u003eFish Fry\u003c\/li\u003e\n\u003cli\u003eJoshua B. Bennett\u003c\/li\u003e\n\u003cli\u003ePRAISE SONG FOR THE TABLE IN THE CAFETERIA WHERE ALL THE BLACK BOYS SAT TOGETHER DURING A BLOCK, LAUGHING TOO LOUDLY\u003c\/li\u003e\n\u003cli\u003ePREFACE TO A TWENTY-VOLUME REGICIDE NOTE\u003c\/li\u003e\n\u003cli\u003eDestiny O. Birdsong\u003c\/li\u003e\n\u003cli\u003efor home\u003c\/li\u003e\n\u003cli\u003eF. Douglas Brown\u003c\/li\u003e\n\u003cli\u003eRe-Portrait Your Name, Douglas\u003c\/li\u003e\n\u003cli\u003eJericho Brown\u003c\/li\u003e\n\u003cli\u003eThe Card Tables\u003c\/li\u003e\n\u003cli\u003eCurtis L. Crisler\u003c\/li\u003e\n\u003cli\u003eBoxing Arethas\u003c\/li\u003e\n\u003cli\u003eTeri Ellen Cross Davis\u003c\/li\u003e\n\u003cli\u003eKnuckle Head\u003c\/li\u003e\n\u003cli\u003eSafia Elhillo\u003c\/li\u003e\n\u003cli\u003eself-portrait with no flag\u003c\/li\u003e\n\u003cli\u003eAlexis Pauline Gumbs\u003c\/li\u003e\n\u003cli\u003e90 poems I didn'\u003cbr\u003et write for you for Jasmine Richards\u003c\/li\u003e\n\u003cli\u003eDuriel E. Harris\u003c\/li\u003e\n\u003cli\u003eMaking\u003c\/li\u003e\n\u003cli\u003eDaMaris B. Hill\u003c\/li\u003e\n\u003cli\u003eMiz Lucille\u003c\/li\u003e\n\u003cli\u003eDarrel Alejandro Holnes\u003c\/li\u003e\n\u003cli\u003eBread Pudding Grandmamma\u003c\/li\u003e\n\u003cli\u003eJP Howard\u003c\/li\u003e\n\u003cli\u003ePraise Poem for my Leo Self\u003c\/li\u003e\n\u003cli\u003eAmanda Johnston\u003c\/li\u003e\n\u003cli\u003eGender Reveal\u003c\/li\u003e\n\u003cli\u003eFred Joiner\u003c\/li\u003e\n\u003cli\u003eTo the Builders\u003c\/li\u003e\n\u003cli\u003eYalie Kamara\u003c\/li\u003e\n\u003cli\u003eA Haiku Love Letter for Gabby Douglas\u003c\/li\u003e\n\u003cli\u003eDonika Kelly\u003c\/li\u003e\n\u003cli\u003eCARTOGRAPHY AS AN ACT OF REMEMBERING\u003c\/li\u003e\n\u003cli\u003eJacqueline Jones LaMon\u003c\/li\u003e\n\u003cli\u003eWE PUT SO MUCH FAITH IN THE POWER OF DOORS\u003c\/li\u003e\n\u003cli\u003eRickey Laurentiis\u003c\/li\u003e\n\u003cli\u003eConditions for a Southern Gothic\u003c\/li\u003e\n\u003cli\u003eNate Marshall\u003c\/li\u003e\n\u003cli\u003ewhich art? what fact?\u003c\/li\u003e\n\u003cli\u003eKamilah Aisha Moon\u003c\/li\u003e\n\u003cli\u003eINITIATION\u003c\/li\u003e\n\u003cli\u003eKhadijah Queen\u003c\/li\u003e\n\u003cli\u003eActivism is hot just ask Jason Momoa\u003c\/li\u003e\n\u003cli\u003eAnastacia-Reneé\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eprayer for the unseen\u003c\/li\u003e\n\u003cli\u003eMahtem Shiferraw\u003c\/li\u003e\n\u003cli\u003eTHE SILENCES\u003c\/li\u003e\n\u003cli\u003eClint Smith\u003c\/li\u003e\n\u003cli\u003ewhat the cicada said to the black boy\u003c\/li\u003e\n\u003cli\u003eSamantha Thornhill\u003c\/li\u003e\n\u003cli\u003eBring Back \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2. Black Aesthetics by Evie Shockley\u003c\/li\u003e\n\u003cli\u003eSelected Poems\u003c\/li\u003e\n\u003cli\u003eReginald Dwayne Betts\u003c\/li\u003e\n\u003cli\u003eNight\u003c\/li\u003e\n\u003cli\u003eTara Betts\u003c\/li\u003e\n\u003cli\u003eAnother Clearing of the Land: Epitaph for Hadiyah Pendleton\u003c\/li\u003e\n\u003cli\u003eDerrick Weston Brown\u003c\/li\u003e\n\u003cli\u003eThe Root\u003c\/li\u003e\n\u003cli\u003eCM Burroughs\u003c\/li\u003e\n\u003cli\u003eOur People I\u003c\/li\u003e\n\u003cli\u003eOur People II\u003c\/li\u003e\n\u003cli\u003eTiana Clark\u003c\/li\u003e\n\u003cli\u003eBBHMM\u003c\/li\u003e\n\u003cli\u003eMichael Collins\u003c\/li\u003e\n\u003cli\u003eDecline and Fall\u003c\/li\u003e\n\u003cli\u003eNandi Comer\u003c\/li\u003e\n\u003cli\u003eAmerican Family: A Syndrome Early Death Syndrome (EDS)\u003c\/li\u003e\n\u003cli\u003eMary-Alice Daniel\u003c\/li\u003e\n\u003cli\u003eREVIVALISM 101\u003c\/li\u003e\n\u003cli\u003et'\u003cbr\u003eai freedom ford\u003c\/li\u003e\n\u003cli\u003e#notorious\u003c\/li\u003e\n\u003cli\u003eAricka Foreman\u003c\/li\u003e\n\u003cli\u003eWhen the Therapist Asks You to Recount, You Have to Say It\u003c\/li\u003e\n\u003cli\u003eDuriel E. Harris\u003c\/li\u003e\n\u003cli\u003eTEN LITTLE NIGGA (K)NOTS AND THEN THERE WERE NONE\u003c\/li\u003e\n\u003cli\u003eTEN LITTLE ANGELS LET'\u003cbr\u003eS COUNT THEM ALL AGAIN!\u003c\/li\u003e\n\u003cli\u003eClemonce Heard\u003c\/li\u003e\n\u003cli\u003eBOOGIE NIGHTS (GOT TO KEEP ON DANCING)\u003c\/li\u003e\n\u003cli\u003eTaylor Johnson\u003c\/li\u003e\n\u003cli\u003eAeration\u003c\/li\u003e\n\u003cli\u003eIf not memory\u003c\/li\u003e\n\u003cli\u003eRaina J. Leó\u003cbr\u003en\u003c\/li\u003e\n\u003cli\u003ewhat we lose in the fire a blown tire makes us see\u003c\/li\u003e\n\u003cli\u003eDante Micheaux\u003c\/li\u003e\n\u003cli\u003eDew-Drier\u003c\/li\u003e\n\u003cli\u003eOpal Moore\u003c\/li\u003e\n\u003cli\u003eGirl with the golden contacts at the Wal Mart\u003c\/li\u003e\n\u003cli\u003eJohn Murillo\u003c\/li\u003e\n\u003cli\u003eVariation on a Theme by Elizabeth Bishop\u003c\/li\u003e\n\u003cli\u003eNatasha Oladokun\u003c\/li\u003e\n\u003cli\u003e“\u003cbr\u003eLet My Anger Be the Celebration We Were Never Supposed to Have”\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIain Haley Pollock\u003c\/li\u003e\n\u003cli\u003eWE, THE RUBBER MEN\u003c\/li\u003e\n\u003cli\u003eLynne Procope\u003c\/li\u003e\n\u003cli\u003eAmerican Religion\u003c\/li\u003e\n\u003cli\u003eGlenis Redmond\u003c\/li\u003e\n\u003cli\u003eI Wish You Black Sons\u003c\/li\u003e\n\u003cli\u003eValencia Robin\u003c\/li\u003e\n\u003cli\u003eCathedral\u003c\/li\u003e\n\u003cli\u003eMetta Sá\u003cbr\u003ema\u003c\/li\u003e\n\u003cli\u003eRealism: a poetics\u003c\/li\u003e\n\u003cli\u003eNicole Sealey\u003c\/li\u003e\n\u003cli\u003eCandelabra with Heads\u003c\/li\u003e\n\u003cli\u003eDanez Smith\u003c\/li\u003e\n\u003cli\u003eFor the Dead Homie\u003c\/li\u003e\n\u003cli\u003eMariahadessa Ekere Tallie\u003c\/li\u003e\n\u003cli\u003eGlobal Warming Blues\u003c\/li\u003e\n\u003cli\u003eMarcus Wicker\u003c\/li\u003e\n\u003cli\u003eArs Poetica\u003c\/li\u003e\n\u003cli\u003eKeith S. Wilson\u003c\/li\u003e\n\u003cli\u003eASTERISM\u003c\/li\u003e\n\u003cli\u003eL. Lamar Wilson\u003c\/li\u003e\n\u003cli\u003eResurrection Sunday\u003c\/li\u003e\n\u003cli\u003eavery r. young\u003c\/li\u003e\n\u003cli\u003e1982\u003c\/li\u003e\n\u003cli\u003emiddle of an episode of soul train\u003c\/li\u003e\n\u003cli\u003euncle shot find(s) out dat aint a brudda sangin\u003c\/li\u003e\n\u003cli\u003eI Can'\u003cbr\u003et Go For That\u003c\/li\u003e\n\u003cli\u003e(No Can Do)\u003c\/li\u003e\n\u003cli\u003e3. Pan African Poetics by Kwame Dawes\u003c\/li\u003e\n\u003cli\u003eSelected Poems\u003c\/li\u003e\n\u003cli\u003eJoshua B. Bennett\u003c\/li\u003e\n\u003cli\u003eX\u003c\/li\u003e\n\u003cli\u003eLillian-Yvonne Bertram\u003c\/li\u003e\n\u003cli\u003emy brother asks me what it'\u003cbr\u003es like to live in Utah and not be white\u003c\/li\u003e\n\u003cli\u003eReginald Dwayne Betts\u003c\/li\u003e\n\u003cli\u003eWhen I Think of Tamir Rice While Driving\u003c\/li\u003e\n\u003cli\u003eTara Betts\u003c\/li\u003e\n\u003cli\u003eAfter Andy Warhol'\u003cbr\u003es “\u003cbr\u003eLittle Race Riot”\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhite Privilege\u003c\/li\u003e\n\u003cli\u003eDestiny O. Birdsong\u003c\/li\u003e\n\u003cli\u003eRecovery\u003c\/li\u003e\n\u003cli\u003eFOUND ART\u003c\/li\u003e\n\u003cli\u003eDestiny O. Birdsong\u003c\/li\u003e\n\u003cli\u003eDexter L. Booth\u003c\/li\u003e\n\u003cli\u003ePreacher Crow'\u003cbr\u003es Sermon on the Ark of Bones\u003c\/li\u003e\n\u003cli\u003eDerrick Weston Brown\u003c\/li\u003e\n\u003cli\u003eMelinated Merman aka Aquabruh Wants to Holler at You\u003c\/li\u003e\n\u003cli\u003eDerrick Weston Brown\u003c\/li\u003e\n\u003cli\u003eTHANKS\u003c\/li\u003e\n\u003cli\u003eF. Douglas Brown\u003c\/li\u003e\n\u003cli\u003eBrown to Browne :: Douglass to Tubman Remix for Mahogany Browne\u003c\/li\u003e\n\u003cli\u003eRe-Portrait of an Icon\u003c\/li\u003e\n\u003cli\u003eJericho Brown\u003c\/li\u003e\n\u003cli\u003eThe Long Way\u003c\/li\u003e\n\u003cli\u003eCortney Lamar Charleston\u003c\/li\u003e\n\u003cli\u003eDEVOTION (“\u003cbr\u003eI AM ON THE BATTLEFIELD FOR MY LORD”\u003cbr\u003e)\u003c\/li\u003e\n\u003cli\u003eAma Codjoe\u003c\/li\u003e\n\u003cli\u003eGarden of the Gods\u003c\/li\u003e\n\u003cli\u003eNandi Comer\u003c\/li\u003e\n\u003cli\u003eAnarcha Appears Again And Again\u003c\/li\u003e\n\u003cli\u003eDé\u003cbr\u003eLana R.A. Dameron\u003c\/li\u003e\n\u003cli\u003eSay, Divine\u003c\/li\u003e\n\u003cli\u003eMy Resistance is Black\u003c\/li\u003e\n\u003cli\u003eHayes Davis\u003c\/li\u003e\n\u003cli\u003eJim on the Raft after His “\u003cbr\u003eDream”\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMitchell L. H. Douglas\u003c\/li\u003e\n\u003cli\u003ePERSIMMONS\u003c\/li\u003e\n\u003cli\u003eSafia Elhillo\u003c\/li\u003e\n\u003cli\u003eapplication for asylum\u003c\/li\u003e\n\u003cli\u003eSherese Francis\u003c\/li\u003e\n\u003cli\u003eVoyage of Kianda (from Angola to the Caribbean)\u003c\/li\u003e\n\u003cli\u003e(Art Formerly Known As The Sable Venus Speaks Back)\u003c\/li\u003e\n\u003cli\u003eChanda Feldman\u003c\/li\u003e\n\u003cli\u003eTO THE OLD SQUARE\u003c\/li\u003e\n\u003cli\u003eDaMaris B. Hill\u003c\/li\u003e\n\u003cli\u003eA Reckoning: Assata in 1980\u003c\/li\u003e\n\u003cli\u003eFred Joiner\u003c\/li\u003e\n\u003cli\u003eConsume\/d\u003c\/li\u003e\n\u003cli\u003eLadan Osman\u003c\/li\u003e\n\u003cli\u003eParable for Refugees\u003c\/li\u003e\n\u003cli\u003eXandria Phillips\u003c\/li\u003e\n\u003cli\u003eA FRUIT WE NEVER TASTED\u003c\/li\u003e\n\u003cli\u003eLauren Russell\u003c\/li\u003e\n\u003cli\u003eDescent Excerpt\u003c\/li\u003e\n\u003cli\u003eCharif Shanahan\u003c\/li\u003e\n\u003cli\u003eGNAWA BOY, MARRAKESH, 1968\u003c\/li\u003e\n\u003cli\u003eBianca Lynne Spriggs\u003c\/li\u003e\n\u003cli\u003eThe View from Down Here\u003c\/li\u003e\n\u003cli\u003eCedric Tillman\u003c\/li\u003e\n\u003cli\u003eCankerworms (for South Sudan)\u003c\/li\u003e\n\u003cli\u003e \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e4. Renovation by Meta DuEwa Jones\u003c\/li\u003e\n\u003cli\u003eSelected Poems\u003c\/li\u003e\n\u003cli\u003eLillian-Yvonne Bertram\u003c\/li\u003e\n\u003cli\u003ethe river it shines pure white\u003c\/li\u003e\n\u003cli\u003eCortney Lamar Charleston\u003c\/li\u003e\n\u003cli\u003eCHARLESTON\u003c\/li\u003e\n\u003cli\u003eAma Codjoe\u003c\/li\u003e\n\u003cli\u003eOf Being Sick and Tired\u003c\/li\u003e\n\u003cli\u003et'\u003cbr\u003eai freedom ford\u003c\/li\u003e\n\u003cli\u003eif someone should take your picture \u0026amp;\u003cbr\u003e make you black\u003c\/li\u003e\n\u003cli\u003eKrista Franklin\u003c\/li\u003e\n\u003cli\u003e3037, Time Capsule: Franklin\u003c\/li\u003e\n\u003cli\u003efrancine j. harris\u003c\/li\u003e\n\u003cli\u003eVersal\u003c\/li\u003e\n\u003cli\u003eMarcus Jackson\u003c\/li\u003e\n\u003cli\u003eEVEN WHEN SPILLING\u003c\/li\u003e\n\u003cli\u003eAlan W. King\u003c\/li\u003e\n\u003cli\u003eSugar Shack\u003c\/li\u003e\n\u003cli\u003eSure, You Can Ask Me About Hiphop\u003c\/li\u003e\n\u003cli\u003eAna-Maurine Lara\u003c\/li\u003e\n\u003cli\u003eEach night\u003c\/li\u003e\n\u003cli\u003eShayla Lawson\u003c\/li\u003e\n\u003cli\u003eWHITE FERRARI\u003c\/li\u003e\n\u003cli\u003eNabila Lovelace\u003c\/li\u003e\n\u003cli\u003eThe “\u003cbr\u003eS”\u003cbr\u003e in I Loves You, Porgy\u003c\/li\u003e\n\u003cli\u003eHow I Wish I Could Be As Happy As Zaytoven Playing Piano For Gucci On NPR, Tiny Desk\u003c\/li\u003e\n\u003cli\u003eCynthia Manick\u003c\/li\u003e\n\u003cli\u003eTapping at Mama'\u003cbr\u003es Knees\u003c\/li\u003e\n\u003cli\u003eDouglas Manuel\u003c\/li\u003e\n\u003cli\u003eLoud Looks\u003c\/li\u003e\n\u003cli\u003eDavid Mills\u003c\/li\u003e\n\u003cli\u003eOrnate Culmination\u003c\/li\u003e\n\u003cli\u003eIndigo Moor\u003c\/li\u003e\n\u003cli\u003eThe Langston Hop\u003c\/li\u003e\n\u003cli\u003eNkosi Nkululeko\u003c\/li\u003e\n\u003cli\u003eTwenty-Seven w\/ Voodoo Child'\u003cbr\u003e (Slight Return)\u003c\/li\u003e\n\u003cli\u003eJulian Randall\u003c\/li\u003e\n\u003cli\u003eLAMENTATION (Black Jesus Remix)\u003c\/li\u003e\n\u003cli\u003edarlene anita scott\u003c\/li\u003e\n\u003cli\u003eHOW THE BODY REMEMBERS\u003c\/li\u003e\n\u003cli\u003eKevin Simmonds\u003c\/li\u003e\n\u003cli\u003eUpright.\u003c\/li\u003e\n\u003cli\u003eExit Wound.\u003c\/li\u003e\n\u003cli\u003eCandice Wiley\u003c\/li\u003e\n\u003cli\u003eSymphony of Soul\u003c\/li\u003e\n\u003cli\u003eKorey Williams\u003c\/li\u003e\n\u003cli\u003eEvensong\u003c\/li\u003e\n\u003cli\u003e \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e5. Writing the Body by Nagueyalti Warren\u003c\/li\u003e\n\u003cli\u003eSelected Poems\u003c\/li\u003e\n\u003cli\u003eRemica Bingham-Risher\u003c\/li\u003e\n\u003cli\u003eOur child is not yet ten and we are clearing his closet\u003c\/li\u003e\n\u003cli\u003eDexter L. Booth\u003c\/li\u003e\n\u003cli\u003eAfter the last flower is trampled\u003c\/li\u003e\n\u003cli\u003eNandi Comer\u003c\/li\u003e\n\u003cli\u003eWhy I Don'\u003cbr\u003et Call On Cops\u003c\/li\u003e\n\u003cli\u003eKrista Franklin\u003c\/li\u003e\n\u003cli\u003eThe Skin That Tells\u003c\/li\u003e\n\u003cli\u003eJanice N. Harrington\u003c\/li\u003e\n\u003cli\u003eGENESIS\u003c\/li\u003e\n\u003cli\u003eRandall Horton\u003c\/li\u003e\n\u003cli\u003eON REFLECTION\u003c\/li\u003e\n\u003cli\u003eAmaud Jamaul Johnson\u003c\/li\u003e\n\u003cli\u003eFeaturing Lonette Mckee as Sister\u003c\/li\u003e\n\u003cli\u003eBettina Judd\u003c\/li\u003e\n\u003cli\u003eSee Him\u003c\/li\u003e\n\u003cli\u003eNatasha Marin\u003c\/li\u003e\n\u003cli\u003eRitual for Unbusying\u003c\/li\u003e\n\u003cli\u003eSaretta Morgan\u003c\/li\u003e\n\u003cli\u003eStructural Dilemma\u003c\/li\u003e\n\u003cli\u003eShauna M. Morgan\u003c\/li\u003e\n\u003cli\u003eRé\u003cbr\u003esumé\u003cbr\u003e Names\u003c\/li\u003e\n\u003cli\u003eNkosi Nkululeko\u003c\/li\u003e\n\u003cli\u003eI Always Wanna Fall Asleep When My Momma Does My Hair but She Won'\u003cbr\u003et Let Me\u003c\/li\u003e\n\u003cli\u003eJustin Phillip Reed\u003c\/li\u003e\n\u003cli\u003eOPEN SEASON\u003c\/li\u003e\n\u003cli\u003edarlene anita scott\u003c\/li\u003e\n\u003cli\u003eONLY FOR NOW, OR, MAAFA ON A MONDAY RIDE THROUGH THE CITY IN WHICH I DECIDED I SHOULD JUST GO ON \u0026amp;\u003cbr\u003e DIE ALONE\u003c\/li\u003e\n\u003cli\u003eSafiya Sinclair\u003c\/li\u003e\n\u003cli\u003eHands\u003c\/li\u003e\n\u003cli\u003eAmber Flora Thomas\u003c\/li\u003e\n\u003cli\u003eAubade\u003c\/li\u003e\n\u003cli\u003eBlackberries\u003c\/li\u003e\n\u003cli\u003eArisa White\u003c\/li\u003e\n\u003cli\u003eLoni, with a martini and sapphire balls,\u003c\/li\u003e\n\u003cli\u003ePhillip B. Williams\u003c\/li\u003e\n\u003cli\u003eDiscipline\u003c\/li\u003e\n\u003cli\u003e6. The Collective \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDominique Christina\u003c\/li\u003e\n\u003cli\u003eBlood In My Eye\u003c\/li\u003e\n\u003cli\u003eToi Derricotte\u003c\/li\u003e\n\u003cli\u003eHomage to my spiritual mothers\u003c\/li\u003e\n\u003cli\u003eCamille T. Dungy\u003c\/li\u003e\n\u003cli\u003eGive Me Some Wobble\u003c\/li\u003e\n\u003cli\u003eCornelius Eady\u003c\/li\u003e\n\u003cli\u003eHow I wrote “\u003cbr\u003ePapa Was A Rolling Stone”\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRoss Gay\u003c\/li\u003e\n\u003cli\u003eLet Your Engine Be Love\u003c\/li\u003e\n\u003cli\u003eTerrance Hayes\u003c\/li\u003e\n\u003cli\u003eA Poetics of Practice\u003c\/li\u003e\n\u003cli\u003eErica Hunt\u003c\/li\u003e\n\u003cli\u003eStatement on Poetry\u003c\/li\u003e\n\u003cli\u003eMajor Jackson\u003c\/li\u003e\n\u003cli\u003eMy Lyrical Self\u003c\/li\u003e\n\u003cli\u003eTyehimba Jess\u003c\/li\u003e\n\u003cli\u003eBlack Poetry\u003c\/li\u003e\n\u003cli\u003eA.Van Jordan\u003c\/li\u003e\n\u003cli\u003eTry to Care About Someone Other Than Yourself\u003c\/li\u003e\n\u003cli\u003eDouglas Kearney\u003c\/li\u003e\n\u003cli\u003ePoetics as Response to Certain Tropes as Allergens\u003c\/li\u003e\n\u003cli\u003eRuth Ellen Kocher\u003c\/li\u003e\n\u003cli\u003eAporia and the Poetics of Beauty as Non-Resolution\u003c\/li\u003e\n\u003cli\u003eTony Medina\u003c\/li\u003e\n\u003cli\u003ePersona non-Grata\u003c\/li\u003e\n\u003cli\u003eE. Ethelbert Miller\u003c\/li\u003e\n\u003cli\u003eSpace Dream Struggle\u003c\/li\u003e\n\u003cli\u003eThylias Moss\u003c\/li\u003e\n\u003cli\u003eBlack Like Everything\u003c\/li\u003e\n\u003cli\u003eMendi Lewis Obadike\u003c\/li\u003e\n\u003cli\u003eAs the Crow Flies (A Reorientation)\u003c\/li\u003e\n\u003cli\u003eGregory Pardlo\u003c\/li\u003e\n\u003cli\u003eNotes on Voice\u003c\/li\u003e\n\u003cli\u003eMatthew Shenoda\u003c\/li\u003e\n\u003cli\u003eOn Noticing\u003c\/li\u003e\n\u003cli\u003ePatricia Smith\u003c\/li\u003e\n\u003cli\u003eWe are rapidly running out of ways to write this world.\u003c\/li\u003e\n\u003cli\u003eTracy K. Smith\u003c\/li\u003e\n\u003cli\u003eAltogether Unlike Itself\u003c\/li\u003e\n\u003cli\u003ePatricia Spears Jones\u003c\/li\u003e\n\u003cli\u003eThinking in Words (for Lorenzo Thomas and June Jordan)\u003c\/li\u003e\n\u003cli\u003eSharan Strange\u003c\/li\u003e\n\u003cli\u003eA Poetics of Empathy\u003c\/li\u003e\n\u003cli\u003eLyrae Van Clief-Stefanon\u003c\/li\u003e\n\u003cli\u003eSeeing to Be\u003c\/li\u003e\n\u003cli\u003eFrank X Walker\u003c\/li\u003e\n\u003cli\u003eMemory, Research, Imagination, and the Mining of Historical Poetry\u003c\/li\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Triquarterly","offers":[{"title":"Brand New","offer_id":52555666948376,"sku":"9780810141544","price":25.45,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/furious-flower-seeding-the-future-of-african-american-poetry-paperback-softback-9780810141544","provider":"Freshly Printed Books","version":"1.0","type":"link"}