{"product_id":"fundamentals-and-applications-of-colour-engineering-hardback-9781119827184","title":"Fundamentals and Applications of Colour Engineering (Hardback) 9781119827184","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eFundamentals and Applications of Colour Engineering\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003ePhil Green (Edited by), P Green (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119827184, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 24 November 2023\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e400 pages\u003cbr\u003e24.4 x 17 x 2.5 cm, 1.021 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cb\u003eFUNDAMENTALS AND APPLICATIONS OF COLOUR  ENGINEERING\u003c\/b\u003e \u003cp\u003e\u003cb\u003eEXPERT OVERVIEW OF THE WORLD OF COLOUR ENGINEERING IN THE 21ST CENTURY, WITH NEW, UPDATED TECHNOLOGIES AND A MATLAB TOOLBOX\u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFundamentals and Applications of Colour Engineering\u003c\/i\u003e provides important coverage on topics that hold the power to extend our knowledge of colour reproduction, such as colour measurement and appearance and the methods used, with additional discussion of the technologies responsible for reproducing colour across a wide range of devices, together with the colour management systems that are used to connect devices and exchange information. \u003c\/p\u003e\n\u003cp\u003eComposed of 20 chapters, the Editor and his team of expert contributors consider the new ICC.2 architecture, an approach that introduces an evolutionary step in colour engineering, ensuring wider possibilities for technology. The text also considers the emerging applications for advanced colour management, such as processing spectral data, handling HDR images, and the capture and reproduction of material appearance. \u003c\/p\u003e\n\u003cp\u003eThe text is supported by a MATLAB toolbox of relevant functions and data. \u003ci\u003eFundamentals and Applications of Colour Engineering\u003c\/i\u003e is a useful reference for anyone involved in the reproduction of colour and a strong supplementary course potential for master???s degrees with a colour science component. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFundamentals and Applications of Colour Engineering\u003c\/i\u003e includes information on: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstruments and methods of colour measurement, colorimetry, and colour difference, and colour appearance\u003c\/li\u003e \u003cli\u003eColour spaces and colour encodings, and characterizing input devices, displays and printers\u003c\/li\u003e \u003cli\u003eColour gamut communication and imaging standards, high dynamic range imaging, and HDR\u003c\/li\u003e \u003cli\u003eSensor adjustment in colour management, open source tools for colour engineering, and colour transform evaluation\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eSupporting active learning with the inclusion of a toolbox of relevant functions and data, \u003ci\u003eFundamentals and Applications of Colour Engineering\u003c\/i\u003e is an essential resource for students in relevant programs of study, and for professionals within colour engineering and reproduction looking to maximize their skill set and keep their skills updated.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eSeries Editor's Foreword xvii\u003c\/p\u003e \u003cp\u003ePreface xix\u003c\/p\u003e \u003cp\u003eIntroductory Notes xxi\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Instruments and Methods for the Colour Measurements Required in Colour Engineering 1\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDanny Rich\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1.1 Introduction 1\u003c\/p\u003e \u003cp\u003e1.2 Visual Colorimetry 3\u003c\/p\u003e \u003cp\u003e1.3 Analogue Simulation of Visual Colorimetry 7\u003c\/p\u003e \u003cp\u003e1.4 Digital Simulation of Visual Colorimetry 12\u003c\/p\u003e \u003cp\u003e1.5 Selecting and Using Colorimeters and Spectrocolorimeters 15\u003c\/p\u003e \u003cp\u003e1.6 Geometric Requirements for Colour Measurements 18\u003c\/p\u003e \u003cp\u003e1.7 Conclusions and Expectations 22\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Colorimetry and Colour Difference 27\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2.1 Introduction 27\u003c\/p\u003e \u003cp\u003e2.2 Colorimetry 27\u003c\/p\u003e \u003cp\u003e2.3 Normalization 28\u003c\/p\u003e \u003cp\u003e2.4 Colour Matching Functions 29\u003c\/p\u003e \u003cp\u003e2.5 Illuminants 29\u003c\/p\u003e \u003cp\u003e2.6 Data for Observers and Illuminants 30\u003c\/p\u003e \u003cp\u003e2.7 Range and Interval 30\u003c\/p\u003e \u003cp\u003e2.8 Calculation of Chromaticity 31\u003c\/p\u003e \u003cp\u003e2.9 Calculation of CIE 1976 Uniform Colour Spaces 31\u003c\/p\u003e \u003cp\u003e2.10 Inversion of CIELAB Equations 34\u003c\/p\u003e \u003cp\u003e2.11 Colour Difference 34\u003c\/p\u003e \u003cp\u003e2.12 Problems with Using UCS Colour Difference 35\u003c\/p\u003e \u003cp\u003e2.13 Uniformity of the Components of Colour Difference 35\u003c\/p\u003e \u003cp\u003e2.14 Viewing Conditions 36\u003c\/p\u003e \u003cp\u003e2.15 Surface Characteristics 37\u003c\/p\u003e \u003cp\u003e2.16 Acceptability of Colour Differences 37\u003c\/p\u003e \u003cp\u003e2.17 Overcoming the Limitations of UCS Colour Difference with Advanced Colour Difference Metrics 37\u003c\/p\u003e \u003cp\u003e2.18 CIE94 37\u003c\/p\u003e \u003cp\u003e2.19 CIEDE2000 39\u003c\/p\u003e \u003cp\u003e2.20 Progress on Colour Difference Metrics since CIEDE2000 41\u003c\/p\u003e \u003cp\u003e2.21 3D Colour Difference 41\u003c\/p\u003e \u003cp\u003e2.22 Colour Difference in High Luminance Conditions 41\u003c\/p\u003e \u003cp\u003e2.23 Colour Difference Formulas Based on Colour Appearance Models 41\u003c\/p\u003e \u003cp\u003e2.24 Limitations in the Use of Advanced Colour Difference Metrics in Colour Imaging 42\u003c\/p\u003e \u003cp\u003e2.25 Basis Conditions 42\u003c\/p\u003e \u003cp\u003e2.26 Colour Difference in Complex Images 43\u003c\/p\u003e \u003cp\u003e2.27 Acceptability and Perceptibility 44\u003c\/p\u003e \u003cp\u003e2.28 Large vs Small Differences 44\u003c\/p\u003e \u003cp\u003e2.29 Deriving Colour Difference Tolerances 44\u003c\/p\u003e \u003cp\u003e2.30 Sample Preparation 45\u003c\/p\u003e \u003cp\u003e2.31 Psychophysical Experiments 45\u003c\/p\u003e \u003cp\u003e2.32 Colour Difference Judgements by Observers with a Colour Vision Deficiency 46\u003c\/p\u003e \u003cp\u003e2.33 Calculating Colour Tolerances from Experimental Data 46\u003c\/p\u003e \u003cp\u003e2.34 Calculation of Discrimination Ellipsoids and Tolerance Distributions 46\u003c\/p\u003e \u003cp\u003e2.34.1 Calculation of Parametric Constants in Weightings Functions 47\u003c\/p\u003e \u003cp\u003e2.35 Calculation of Acceptability Thresholds 48\u003c\/p\u003e \u003cp\u003e2.36 Evaluating Colour Difference Metrics 48\u003c\/p\u003e \u003cp\u003e2.37 Conclusion 48\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Fundamentals of Device Characterization 53\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3.1 Introduction 53\u003c\/p\u003e \u003cp\u003e3.2 Characterization Methods 54\u003c\/p\u003e \u003cp\u003e3.3 Numerical Models 57\u003c\/p\u003e \u003cp\u003e3.4 Look-Up Tables with Interpolation 63\u003c\/p\u003e \u003cp\u003e3.5 Evaluating Accuracy -- Training and Test Data 67\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 Characterization of Input Devices 71\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4.1 Input Channels 71\u003c\/p\u003e \u003cp\u003e4.2 Characterization Goals 72\u003c\/p\u003e \u003cp\u003e4.3 Transform Encoding 73\u003c\/p\u003e \u003cp\u003e4.4 Dynamic Range 73\u003c\/p\u003e \u003cp\u003e4.5 Input Characterization Methods 74\u003c\/p\u003e \u003cp\u003e4.5.1 Scanners 74\u003c\/p\u003e \u003cp\u003e4.6 Targets 74\u003c\/p\u003e \u003cp\u003e4.7 Modelling 74\u003c\/p\u003e \u003cp\u003e4.7.1 Digital Cameras 75\u003c\/p\u003e \u003cp\u003e4.8 Target-Based Characterization 75\u003c\/p\u003e \u003cp\u003e4.9 Targets 75\u003c\/p\u003e \u003cp\u003e4.10 Modelling 76\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 Color Processing for Digital Cameras 81\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMichael S. Brown\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5.1 Introduction 81\u003c\/p\u003e \u003cp\u003e5.2 Basics of a Camera Sensor 82\u003c\/p\u003e \u003cp\u003e5.3 The Camera Pipeline 83\u003c\/p\u003e \u003cp\u003e5.4 Multi-Frame Processing 93\u003c\/p\u003e \u003cp\u003e5.5 Towards the Neural ISP 94\u003c\/p\u003e \u003cp\u003e5.6 Concluding Remarks 95\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 Display Calibration 99\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eCatherine Meininger, Tom Lianza, and Grace Annese\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6.1 Introduction 99\u003c\/p\u003e \u003cp\u003e6.2 From CRT to Contemporary Display Technologies 99\u003c\/p\u003e \u003cp\u003e6.3 The Display Never Sleeps... Merging Television and Computer Display Standards 102\u003c\/p\u003e \u003cp\u003e6.4 The Evolution of Display Calibration Capabilities 103\u003c\/p\u003e \u003cp\u003e6.5 Measurement Set Requirements 111\u003c\/p\u003e \u003cp\u003e6.6 Calibration Validation Methodologies 113\u003c\/p\u003e \u003cp\u003e6.7 Low Blue Light Developments 114\u003c\/p\u003e \u003cp\u003e6.8 Conclusions 117\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Characterizing Hard Copy Printers 119\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7.1 Introduction 119\u003c\/p\u003e \u003cp\u003e7.2 Properties of Hard Copy Printers 120\u003c\/p\u003e \u003cp\u003e7.3 Substrates and Inks 120\u003c\/p\u003e \u003cp\u003e7.4 Colour Gamut 120\u003c\/p\u003e \u003cp\u003e7.5 Halftoning 121\u003c\/p\u003e \u003cp\u003e7.6 Mechanical Printing Systems 122\u003c\/p\u003e \u003cp\u003e7.7 Printing Conditions 122\u003c\/p\u003e \u003cp\u003e7.8 Digital Systems 122\u003c\/p\u003e \u003cp\u003e7.9 RGB Printers 122\u003c\/p\u003e \u003cp\u003e7.10 Test Charts 123\u003c\/p\u003e \u003cp\u003e7.11 Printer Models 124\u003c\/p\u003e \u003cp\u003e7.12 Block Dye Model 125\u003c\/p\u003e \u003cp\u003e7.13 Physical Models 126\u003c\/p\u003e \u003cp\u003e7.14 Numerical Models and Look-up Tables 134\u003c\/p\u003e \u003cp\u003e7.15 Inverting the Model 137\u003c\/p\u003e \u003cp\u003e7.16 Multi-Colour and Spot Colour Characterization 137\u003c\/p\u003e \u003cp\u003e7.17 Spectral Characterization 137\u003c\/p\u003e \u003cp\u003e7.18 White Ink 138\u003c\/p\u003e \u003cp\u003e7.19 Reducing the Frequency of Characterization 138\u003c\/p\u003e \u003cp\u003e7.20 Conclusions 138\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Colour Encodings 143\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8.1 Introduction 143\u003c\/p\u003e \u003cp\u003e8.2 Colour Encoding Components 143\u003c\/p\u003e \u003cp\u003e8.3 Colour Spaces 144\u003c\/p\u003e \u003cp\u003e8.4 Device and Colour Space Encodings 144\u003c\/p\u003e \u003cp\u003e8.5 Colorimetric Interpretation 144\u003c\/p\u003e \u003cp\u003e8.6 Image State 145\u003c\/p\u003e \u003cp\u003e8.7 Standard 3-Component Colour Space Encodings 146\u003c\/p\u003e \u003cp\u003e8.8 Colour Gamut 146\u003c\/p\u003e \u003cp\u003e8.8.1 Extended Colour Gamut 147\u003c\/p\u003e \u003cp\u003e8.9 Precision and Range 147\u003c\/p\u003e \u003cp\u003e8.9.1 High Dynamic Range 148\u003c\/p\u003e \u003cp\u003e8.9.2 Negative Values 149\u003c\/p\u003e \u003cp\u003e8.10 Luminance\/Chrominance Encodings 149\u003c\/p\u003e \u003cp\u003e8.11 Conversion to Colorimetry 150\u003c\/p\u003e \u003cp\u003e8.12 Implementation Issues 150\u003c\/p\u003e \u003cp\u003e8.13 File Formats 152\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Colour Gamut Communication 155\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eKiran Deshpande\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9.1 Introduction 155\u003c\/p\u003e \u003cp\u003e9.2 How to Describe Colour Gamuts 157\u003c\/p\u003e \u003cp\u003e9.3 How to Obtain a Colour Gamut of a Printing System 162\u003c\/p\u003e \u003cp\u003e9.4 How to Obtain a Colour Gamut of a Display 163\u003c\/p\u003e \u003cp\u003e9.5 How to Calculate Gamut Volume 163\u003c\/p\u003e \u003cp\u003e9.6 How to Analyse Colour Gamuts 164\u003c\/p\u003e \u003cp\u003e9.7 How to Visualize Colour Gamuts 167\u003c\/p\u003e \u003cp\u003e9.8 How to Communicate Colour Gamuts 171\u003c\/p\u003e \u003cp\u003e9.9 Summary 173\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 The ICC Colour Management Architecture 177\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10.1 Origins of the ICC 177\u003c\/p\u003e \u003cp\u003e10.2 Fundamentals of the ICC Architecture: The PCS, the ICC Profile, Transforms and the CMM 178\u003c\/p\u003e \u003cp\u003e10.3 Other CMM Operations 185\u003c\/p\u003e \u003cp\u003e10.4 Workflows 187\u003c\/p\u003e \u003cp\u003e10.5 Current Status of ICC.1 188\u003c\/p\u003e \u003cp\u003e10.6 ICC.2 189\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 iccMAX Color Management -- Philosophy, Overview, and Basics 193\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMax Derhak\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11.1 Background and Philosophy Leading to iccMAX 193\u003c\/p\u003e \u003cp\u003e11.2 Overview 194\u003c\/p\u003e \u003cp\u003e11.3 Creating Transforms 207\u003c\/p\u003e \u003cp\u003e11.4 Specification Subsets via ICSs 209\u003c\/p\u003e \u003cp\u003e11.5 Domain Specific Examples 210\u003c\/p\u003e \u003cp\u003e11.6 Getting Started with iccMAX (Where Color Engineering Comes to Play) 212\u003c\/p\u003e \u003cp\u003e11.7 Conclusion 213\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Sensor Adjustment 215\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12.1 Introduction 215\u003c\/p\u003e \u003cp\u003e12.2 Aims of Sensor Adjustment 215\u003c\/p\u003e \u003cp\u003e12.3 Luminance Adjustment 216\u003c\/p\u003e \u003cp\u003e12.4 Chromatic Adaptation 218\u003c\/p\u003e \u003cp\u003e12.5 Material-Equivalent Adjustment 220\u003c\/p\u003e \u003cp\u003e12.6 Local Adaptation 221\u003c\/p\u003e \u003cp\u003e12.7 Incomplete Adaptation 222\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 Evaluating Colour Transforms 227\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13.1 Introduction 227\u003c\/p\u003e \u003cp\u003e13.2 Accuracy 227\u003c\/p\u003e \u003cp\u003e13.3 Cost 232\u003c\/p\u003e \u003cp\u003e13.4 Subjective Preference 233\u003c\/p\u003e \u003cp\u003e\u003cb\u003e14 Appearance Beyond Colour: Gloss and Translucency Perception 239\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDavit Gigilashvili and Jean-Baptiste Thomas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14.1 Introduction 239\u003c\/p\u003e \u003cp\u003e14.2 Gloss Perception 240\u003c\/p\u003e \u003cp\u003e14.3 Translucency Perception 244\u003c\/p\u003e \u003cp\u003e14.4 Interaction among Appearance Attributes 248\u003c\/p\u003e \u003cp\u003e14.5 Impact on Colour Technologies 250\u003c\/p\u003e \u003cp\u003e14.6 Conclusion 252\u003c\/p\u003e \u003cp\u003e\u003cb\u003e15 Colour Management of Material Appearance 259\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eTanzima Habib\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15.1 Introduction 259\u003c\/p\u003e \u003cp\u003e15.2 Material Appearance Modelling 260\u003c\/p\u003e \u003cp\u003e15.3 Appearance Support in Colour Management 263\u003c\/p\u003e \u003cp\u003e15.4 A Colour Management Workflow for Material Appearance 264\u003c\/p\u003e \u003cp\u003e15.5 Conclusion 269\u003c\/p\u003e \u003cp\u003e\u003cb\u003e16 Color on the Web 271\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChris Lilley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16.1 Early History 271\u003c\/p\u003e \u003cp\u003e16.2 Color on the Legacy Web 272\u003c\/p\u003e \u003cp\u003e16.3 Wide Color Gamut (WCG) Comes to the Web 277\u003c\/p\u003e \u003cp\u003e16.4 Color on the Wide Gamut Web 281\u003c\/p\u003e \u003cp\u003e16.5 HDR Comes to the Web 286\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17 High Dynamic Range Imaging 293\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMekides Assefa Abebe\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17.1 Introduction and Background 293\u003c\/p\u003e \u003cp\u003e17.2 High Dynamic Range Imaging 296\u003c\/p\u003e \u003cp\u003e17.3 Conclusion 308\u003c\/p\u003e \u003cp\u003e\u003cb\u003e18 HDR and Wide Color Gamut Display Technologies and Considerations 311\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eTimo Kunkel and Ajit Ninan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18.1 Introduction 311\u003c\/p\u003e \u003cp\u003e18.2 Early HDR Display Systems 312\u003c\/p\u003e \u003cp\u003e18.3 Transmissive Displays 313\u003c\/p\u003e \u003cp\u003e18.4 Emissive Displays 317\u003c\/p\u003e \u003cp\u003e18.5 Projection Systems 319\u003c\/p\u003e \u003cp\u003e18.6 Reflective Displays 320\u003c\/p\u003e \u003cp\u003e18.7 Achieving Wide Color Gamuts 321\u003c\/p\u003e \u003cp\u003e18.8 Spatial Display Properties 326\u003c\/p\u003e \u003cp\u003e18.9 Temporal Display Properties 327\u003c\/p\u003e \u003cp\u003e18.10 Signaling 328\u003c\/p\u003e \u003cp\u003e18.11 Characterization and Calibration 330\u003c\/p\u003e \u003cp\u003e18.12 Ambient Effects 330\u003c\/p\u003e \u003cp\u003e18.13 Conclusion 332\u003c\/p\u003e \u003cp\u003e\u003cb\u003e19 Colour in AR and VR 335\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eMichael J. Murdoch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19.1 Introduction 335\u003c\/p\u003e \u003cp\u003e19.2 Colour Synthesis in AR and VR Displays 337\u003c\/p\u003e \u003cp\u003e19.3 Colour Appearance in AR and VR 342\u003c\/p\u003e \u003cp\u003e19.4 Colour Imaging and Graphics in AR and VR 350\u003c\/p\u003e \u003cp\u003e19.5 Conclusion 351\u003c\/p\u003e \u003cp\u003e\u003cb\u003e20 Colour Engineering Toolbox and Other Open Source Tools 355\u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePhil Green\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20.1 Colour Engineering Toolbox 2.0 355\u003c\/p\u003e \u003cp\u003e20.2 Polar Calculations 357\u003c\/p\u003e \u003cp\u003e20.3 Media-Relative and PCS Scaling 357\u003c\/p\u003e \u003cp\u003e20.4 DemoIccMax 360\u003c\/p\u003e \u003cp\u003e20.5 Color.js 360\u003c\/p\u003e \u003cp\u003e20.6 Little CMS 360\u003c\/p\u003e \u003cp\u003e20.7 Argyll 361\u003c\/p\u003e \u003cp\u003e20.8 Colour 361\u003c\/p\u003e \u003cp\u003eReferences 361\u003c\/p\u003e \u003cp\u003eIndex 363\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Electronics \u0026amp; communications engineering [\u003ca title=\"See our other books on Electronics \u0026amp; communications engineering\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Electronics%20\u0026amp;%20communications%20engineering%20%5BTJ%5D%22\"\u003eTJ\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley","offers":[{"title":"Brand New","offer_id":52165916229912,"sku":"9781119827184","price":86.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119827184.jpg?v=1781101820","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/fundamentals-and-applications-of-colour-engineering-hardback-9781119827184","provider":"Freshly Printed Books","version":"1.0","type":"link"}