{"product_id":"film-and-authorship-paperback-softback-9780813531939","title":"Film and Authorship (Paperback \/ softback) 9780813531939","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eFilm and Authorship\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eVirginia Wright Wexman (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780813531939\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 12 November 2002\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e280 pages, 2\u003cbr\u003e22.9 x 15.2 x 2 cm, 0.454 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003eDuring the 1960s, when cinema first entered the academy as a serious object of study, the primary focus was on \u003ci\u003eauteurism\u003c\/i\u003e, or on films authorship. Burgeoning cinema studies courses demonstrated how directors were the authors of work that undermined (or succeeded in spite of) all the constraints that Hollywood threw at them. New critical methods were introduced as the field matured, and studies of the author\/director, for the most part, were considered obsolete.\u003c\/p\u003e\n\u003cp\u003eVirginia Wright Wexman has pulled together some of the freshest writing available on the topic of film authorship. Spanning approaches including poststructuralism, feminism, queer theory, postcolonialism, and cultural studies, the contributors ask, what does \u003ci\u003eauteurship\u003c\/i\u003e look like today in light of all these developments? The contents of the volume are divided into three major sections: Theoretical Statements, Historical and Institutional Contexts, and Case Studies. Wexmans comprehensive introduction contextualizes the selections and summarizes the scholarly methods through which auteurism has been addressed in the past; it also provides a sketch of the history of media authorship. An extensive bibliography rounds off the volume.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003eThe auteur theory revisited \/ Andrew Sarris\u003cbr\u003e The revenge of the author \/ Colin MacCabe\u003cbr\u003e Authorship and narration in art cinema \/ David Bordwell\u003cbr\u003e The female authorial voice \/ Kaja Silverman\u003cbr\u003e A parallax view of lesbian authorship \/ Judith Mayne\u003cbr\u003e \"\u003cbr\u003eThe whole equation of pictures\"\u003cbr\u003e \/ Thomas Schatz\u003cbr\u003e The commerce of auteurism \/ Timothy Corrigan\u003cbr\u003e Transnational film authors and the state of Latin American cinema \/ Marvin D'Lugo\u003cbr\u003e \"\u003cbr\u003eOur own institutions\"\u003cbr\u003e: the geopolitics of chicano professionalism \/ Chon A. Noriega\u003cbr\u003e Cinema in search of its authors: on the notion of film authorship in legal discourse \/ Marjut Salokannel\u003cbr\u003e D.W. Griffith: historical figure, film director, and ideological shadow \/ Tom Gunning\u003cbr\u003e Cecil B. Demille and highbrow culture: authorship versus intertextuality \/ Sumiko Higashi\u003cbr\u003e Writing himself into history: Oscar Micheaux \/ Pearl Bowser, Louise Spence\u003cbr\u003e The filmmaker as poet: Stan Brakhage \/ David E. James\u003c\/div\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Rutgers University Press","offers":[{"title":"Brand New","offer_id":52676691460376,"sku":"9780813531939","price":24.25,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/film-and-authorship-paperback-softback-9780813531939","provider":"Freshly Printed Books","version":"1.0","type":"link"}