{"product_id":"federico-fellini-painting-in-film-painting-on-film-paperback-softback-9781442613270","title":"Federico Fellini; Painting in Film, Painting on Film (Paperback \/ softback) 9781442613270","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eFederico Fellini\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003ePainting in Film, Painting on Film\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eHava Aldouby (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781442613270\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 5 November 2013\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e208 pages, 32 b\u0026amp;w illustrations\u003cbr\u003e22.9 x 15.4 x 1.3 cm, 0.3 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e‘This is a well-researched, fresh, and thought-provoking book that provides new perspectives on some of Fellini’s most fascinating movies.’\u003c\/p\u003e - Christopher B. White (Italica vol 92:01:2015) \u003cp\u003e\u0026amp;#x2018;A compelling and original contribution to Fellini scholarship by demonstrating the director\u0026amp;#x2019;s astonishingly sophisticated knowledge of art history, as well as masterful manipulation of the historical and cultural hyperlinks that these works invoke.\u0026amp;#x2019;\u003c\/p\u003e - M. Thomas Van Order (Modern Language Review vol 111:03:2016) \u003cp\u003e\u0026amp;#x2018;This impressively researched book is a welcome and important contribution to film scholarship… Aldouby\u0026amp;#x2019;s assiduous and intricate analysis of intertextual meanings in Fellini\u0026amp;#x2019;s films enriches our sense of the film maker.\u0026amp;#x2019;\u003c\/p\u003e - Faye McIntyre (University of Toronto Quarterly vol 84:03:2015) \u003cp\u003e\u0026amp;#x2018;With this superb book the author has offered us a paragon of inter-arts study one which provides not only a new understanding of Fellini\u0026amp;#x2019;s creative process, but also furnishes a compelling approach to the work of other auteurs who may have devised their own unique forms of \u0026amp;#x2018;painting on film\u0026amp;#x2019;.\u0026amp;#x2019;\u003c\/p\u003e - Millicent Marcus (Journal of Italian Cinema \u0026amp; Media Studies vol 3:03:2015) \u003cp\u003e\u0026amp;#x2018;This book is by far the most serious and successful attempt to date to document and interpret pictorial intertexts in Fellini\u0026amp;#x2019;s work.\u0026amp;#x2019;\u003c\/p\u003e - Albert Sbragia (Quaderni d\u0026amp;#x2019;Italianistica vol 36:01:2015) \u003cp\u003e\u0026amp;#x2018;Aldouby\u0026amp;#x2019;s work contributes to the revitalization of the classical field of inquiry about cinema and painting, addressing both scholars in the broad domain of visual studies and cinephiles looking for fresh gaze on Fellini\u0026amp;#x2019;s oeuvre.\u0026amp;#x2019;\u003c\/p\u003e - Giacomo Tagliani (Annali d\u0026amp;#x2019;Italianistica vol 32:2014) \u003cp\u003e\u0026amp;#x2018;Superb work…. Hava Aldouby has offered us a paragon on inter-arts study, one which provides a new understanding of Fellini\u0026amp;#x2019;s creative process.\u0026amp;#x2019; \u003c\/p\u003e - Millicent Marcus (Journal of Italian Cinema and Media Studies – vol 3:03:2015)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eFederico Fellini professed a desire to create “an entire film made of immobile pictures.” In this study, Hava Aldouby uses this quotation as a launching point to analyze Fellini’s films as sequences of “pictures” that draw extensively on art history, and particularly painting, as a reservoir of visual imagery. Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years.\u003c\/p\u003e \u003cp\u003e\u003cem\u003eFederico Fellini: Painting in Film, Painting on Film\u003c\/em\u003e sheds light on the intertextual links between Fellini’s films and the works of various artists, from Velazquez to Francis Bacon, by identifying references to specific paintings in his films. Using new archival evidence from Fellini’s private library, brought to light for the first time here, Aldouby draws out Fellini’s in-depth knowledge of art history and his systematic employment of art-historical allusions.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eAcknowledgemens\u003c\/p\u003e \u003cp\u003ePreface\u003c\/p\u003e \u003cp\u003eChapter 1 - Fellini, Painting On Film\u003c\/p\u003e \u003cp\u003eChapter 2\u003cem\u003e - Giulietta degli spiriti\u003c\/em\u003e: Symbolist virgins meet Decadent \u003cem\u003efemmes-fatales\u003c\/em\u003e in Art Nouveau interiors\u003c\/p\u003e  \u003cul style='\"list-style-type:none;\"'\u003e \u003cli\u003e Symbolist strands embedded in Giulietta's childhood scene\u003cem\u003es\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003e Suzy's domain: Symbolist\u003cem\u003e femmes fatales \u003c\/em\u003eroaming \u003cem\u003eart nouveau\u003c\/em\u003e interiors\u003c\/li\u003e \u003cli\u003e \u003cem\u003eThe Master's Bedroom\u003c\/em\u003e and the Jungian Shadow\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChapter 3\u003cem\u003e - Toby Dammit\u003c\/em\u003e: Rembrandt meets VelÁzquez on Screen\u003c\/p\u003e  \u003cul style='\"list-style-type:none;\"'\u003e \u003cli\u003e The hanging carcass - Rembrandt to Fellini via Soutine and Bacon\u003c\/li\u003e \u003cli\u003e The \u003cem\u003ebambina diavolo\u003c\/em\u003e, or \"VelÁzquez on film\"\u003c\/li\u003e \u003cli\u003e Fellini, Picasso, and \u003cem\u003eLas Meninas after VelÁzquez\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003e Severed head and white ball: Fellini's Jungian universe The severed head: Symbolist intertexts\u003c\/li\u003e \u003cli\u003e \u003cem\u003eToby Dammit\u003c\/em\u003e: the creative artist as mystical initiate\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChapter 4 - \u003cem\u003eFellini-Satyricon\u003c\/em\u003e: Bruegel meets Klimt in the sewers of imperial Rome\u003c\/p\u003e  \u003cul style='\"list-style-type:none;\"'\u003e \u003cli\u003e Fellini's (re)presentation of \u003cem\u003eRomanitÀ\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003e Fellini’s \"Byzantium\" Picasso’s Minotaur meets Encolpio in Fabrizio Clerici's labyrinths\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eChapter 5 - \u003cem\u003eFellini’s Casanova\u003c\/em\u003e: Casanova meets De Chirico on BÖcklin's\u003cem\u003e Isle of the Dead\u003c\/em\u003e\u003c\/p\u003e  \u003cul style='\"list-style-type:none;\"'\u003e \u003cli\u003e Casanova, Fellini's version of the Golem\u003c\/li\u003e \u003cli\u003e Through the half-drawn curtain: Casanova, De Chirico and \u003cem\u003eThe Enigma of the Oracle\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003e The Isoletta di San Bartolo, or \u003cem\u003eIsle of the Dead\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003e A bridge over the Thames: \u003cem\u003eFellini's Casanova\u003c\/em\u003e meets Whistler’s \u003cem\u003eNocturnes\u003c\/em\u003e\n\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eConclusion - \"A new hypothesis of the truth\": Painting as vehicle of the Real in Fellini's films, 1960s-70s\u003c\/p\u003e \u003cp\u003eList of Illustrations\u003c\/p\u003e \u003cp\u003eBibliography\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Toronto Press","offers":[{"title":"Brand New","offer_id":52685565100312,"sku":"9781442613270","price":24.37,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/federico-fellini-painting-in-film-painting-on-film-paperback-softback-9781442613270","provider":"Freshly Printed Books","version":"1.0","type":"link"}