{"product_id":"ec-comics-race-shock-and-social-protest-paperback-softback-9780813566313","title":"EC Comics; Race, Shock, and Social Protest (Paperback \/ softback) 9780813566313","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eEC Comics\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eRace, Shock, and Social Protest\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eQiana Whitted (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780813566313\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 8 March 2019\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e196 pages, 24 color\u003cbr\u003e22.9 x 15.2 x 0.8 cm, 0.255 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\n\u003cdiv\u003e\"The book restores some specificity to our understanding of the way cultural norms were contested in the pages of postwar comics. It also delivers a measured appraisal of how the ostensibly shocking tactics of social protest comics secured a space in the public imagination for the modest ambitions of moral appeals for social change before the uptake of more radical civil rights discourse.\"\u003c\/div\u003e— Inks: The Journal of the Comics Studies Society\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"Recommended.\"\u003c\/div\u003e— Choice\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"Qiana Whitted's insightful book \u003ci\u003eEC Comics \u003c\/i\u003ethoughtfully weaves together carefully researched historical context, keen analysis of the discourse communities surrounding EC, and meticulous close readings of the comics, ultimately building a powerful argument for the decisive role the company and its comics played in combating social injustices of the day while advocating for a better, more inclusive society in the future.\"\u003c\/div\u003e— Susan Kirtley, author of Lynda Barry: Girlhood through the Looking Glass\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"Qiana Whitted's well-written study confirms and complicates EC's reputation as the most aesthetically ambitious and politically daring comic book company of the twentieth-century. A subtle exploration of the relationship between race, gender, and representation, it should be considered essential reading for anyone with an investment in modern popular culture.\"\u003c\/div\u003e— Ben Saunders, coeditor of Comic Book Apocalypse: The Graphic World of Jack Kirby\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\u003ca href='\"https:\/\/conskipper.com\/ec-comics-race-shock-and-social-protest-author-qiana-whitted-conskipper-interview\/\"'\u003e\"'EC Comics: Race, Shock, Social Protest' Author Qiana Whitted: The Conskipper Interview\"\u003cbr\u003e https:\/\/conskipper.com\/ec-comics-race-shock-and-social-protest-author-qiana-whitted-conskipper-interview\/\u003c\/a\u003e\u003c\/div\u003e— Conskipper\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\u003ca href='\"https:\/\/www.aaihs.org\/race-shock-and-social-protest-an-interview-with-qiana-whitted\/\"'\u003e\"Race, Shock, and Social Protest: An Interview with Qiana Whitted,\" by Julian Chambliss\u003c\/a\u003e\u003c\/div\u003e— Black Perspectives\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href='\"https:\/\/www.popmatters.com\/best-books-2019-non-fiction-2641136347.html\"'\u003e\"The Best Books of 2019: Non-Fiction\" by PopMatters Staff\u003cbr\u003e https:\/\/www.popmatters.com\/best-books-2019-non-fiction-2641136347.html\u003c\/a\u003e\u003c\/p\u003e \u003c\/div\u003e— Pop Matters\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"This is a scholarly exploration of a much maligned genre of comic, with heavy examination of the implications both inside the comics and of the outside commenters. The beautifully illustrated, comic-style cover may send some in the wrong direction if they're not ready for such a heavy reading, but if they stay with it, they will be richly rewarded.\u003c\/div\u003e— Pop Matters\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"Whitted delivers in her analysis, which takes note of the texts in such an exemplary manner, interprets the drawings, perspectives and the inkwork without neglecting the coloring, and ultimately also takes cultural and publication contexts and economic conditions into account. The result is a careful, differentiating and yet clear reading of the comics, which has seldom been taken as seriously as here.\"\u003c\/div\u003e— Comic.de\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"Whitted's book is an excellent example of how comics can serve as tools of social protest and instigate new realms of thought in both young and old readers alike. [It] is a worthwhile entry in the field of comics studies. Qiana Whitted provides sharp analysis and insight into a publisher that pushed the boundaries of what was acceptable for a young medium to do.\"\u003c\/div\u003e— The Journal of Graphic Novel and Comics\u003c\/div\u003e\n\u003cbr\u003e \u003cdiv\u003e\n\u003cdiv\u003e\"A seminal work of meticulous and original scholarship.\"\u003c\/div\u003e— Midwest Book Review\u003c\/div\u003e\n\u003cbr\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e \u003cdiv\u003e\n\u003cb\u003e2020 Eisner Award for Best Academic\/Scholarly Work\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like \u003ci\u003eTales from the Crypt\u003c\/i\u003e and for a publication that long outlived the company's other titles, \u003ci\u003eMad\u003c\/i\u003e magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called \"preachies,\" socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. \u003cbr\u003e  \u003cbr\u003e  \u003ci\u003eEC Comics\u003c\/i\u003e examines a selection of these works—sensationally-titled comics such as \"Hate!,\" \"The Guilty!,\" and \"Judgment Day!\"—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC's better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. \u003cbr\u003e  \u003cbr\u003e  The first serious critical study of EC's social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.  \u003c\/div\u003e \u003c\/div\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\u003cdiv\u003eContents\u003cbr\u003e Preface\u003cbr\u003e A) \u003cbr\u003e  \u003cbr\u003e Introduction: The Preachies\u003cbr\u003e 1: \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003ci\u003eSpelled Out Carefully in the Captions\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e How to Read an EC Magazine\u003cbr\u003e 2:  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003ci\u003eWe Pictured Him So Different, Joey!\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Optical Illusions of Blackness and Embodiment in EC\u003cbr\u003e 3:  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003ci\u003eOh God…Sob…What Have I Done…?\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Shame, Mob Rule, and the Affective Realities of EC Justice\u003cbr\u003e 4:  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003ci\u003eBattling, in the Sea of Comics\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e EC's Invisible Man and the Jim Crow Future of \"Judgment Day!\"\u003cbr\u003e B) \u003cbr\u003e  \u003cbr\u003e Conclusion: Hence We See \u003ci\u003eJustice\u003c\/i\u003e Triumph!\u003cbr\u003e Appendix\u003cbr\u003e Notes\u003cbr\u003e Bibliography \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Index\u003cbr\u003e  \u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Rutgers University Press","offers":[{"title":"Brand New","offer_id":52735313641752,"sku":"9780813566313","price":28.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/ec-comics-race-shock-and-social-protest-paperback-softback-9780813566313","provider":"Freshly Printed Books","version":"1.0","type":"link"}