{"product_id":"designing-for-print-an-in-depth-guide-to-planning-creating-and-producing-successful-design-projects-paperback-softback-9780470905975","title":"Designing for Print; An In-Depth Guide to Planning, Creating, and Producing Successful Design Projects (Paperback \/ softback) 9780470905975","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eDesigning for Print\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eAn In-Depth Guide to Planning, Creating, and Producing Successful Design Projects\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eCharles Conover (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780470905975, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 25 November 2011\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e256 pages, Photos: 158 B\u0026amp;W, 0 Color; Drawings: 186 B\u0026amp;W, 0 Color; Screen captures: 24 B\u0026amp;W, 0 Color\u003cbr\u003e27.2 x 20.6 x 1.5 cm, 0.658 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThis book is a single-source guide to planning, designing and printing successful projects using the Adobe Creative Suite. Packed with real-world design exercises, this revised edition is fully updated to align with CS. \u003cul\u003e \u003cli\u003eDozens of sidebars and step-by-step descriptions walk readers through the design process in the same order actual projects are implemented\u003c\/li\u003e \u003cli\u003eContent progresses from planning through execution\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eChapter One: \u003c\/b\u003e\u003cb\u003ePlanning Your Design\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eLayout Variations: Standard and Custom Formats 2\u003c\/p\u003e \u003cp\u003eCD Booklets 2\u003c\/p\u003e \u003cp\u003eBrochures 2\u003c\/p\u003e \u003cp\u003eCustom Formats 2\u003c\/p\u003e \u003cp\u003eBuilding Mechanicals 4\u003c\/p\u003e \u003cp\u003eDeveloping a Working Grid 6\u003c\/p\u003e \u003cp\u003eMargins and Gutters 7\u003c\/p\u003e \u003cp\u003eGrid Variations 7\u003c\/p\u003e \u003cp\u003ePlacing Elements within the Grid 8\u003c\/p\u003e \u003cp\u003eSingle Pages 8\u003c\/p\u003e \u003cp\u003eFacing Pages and Spreads 9\u003c\/p\u003e \u003cp\u003eGetting Ideas and Gathering Imagery 10\u003c\/p\u003e \u003cp\u003eSketching Out a Game Plan: Thumbnailing 12\u003c\/p\u003e \u003cp\u003eExhaust the Possibilities: Creating Design Variations 14\u003c\/p\u003e \u003cp\u003eCutting to the Chase: Designing with Die Cuts 16\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Two: \u003c\/b\u003e\u003cb\u003eDesigning with Type\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eType Fundamentals 20\u003c\/p\u003e \u003cp\u003eUnderstanding Tracking and Kerning 22\u003c\/p\u003e \u003cp\u003eKerning Display Type 22\u003c\/p\u003e \u003cp\u003eTracking Body Copy 23\u003c\/p\u003e \u003cp\u003eDistorting Type and Scaling in Proportion 24\u003c\/p\u003e \u003cp\u003eGetting Type to Fit without Distorting It 25\u003c\/p\u003e \u003cp\u003eWidows, Orphans, Ladders, and Rivers 26\u003c\/p\u003e \u003cp\u003eTreating Type with Consistency 27\u003c\/p\u003e \u003cp\u003eMany Faces, Many Moods 28\u003c\/p\u003e \u003cp\u003eClassic Typefaces 29\u003c\/p\u003e \u003cp\u003eSelecting Effective Typefaces 30\u003c\/p\u003e \u003cp\u003eChoosing Typefaces: Form and Function 32\u003c\/p\u003e \u003cp\u003eWorking with Text Boxes and Columns 34\u003c\/p\u003e \u003cp\u003eSeparate Text Columns 34\u003c\/p\u003e \u003cp\u003eMultiple-Column Text Boxes 34\u003c\/p\u003e \u003cp\u003eSmall Caps and All Caps 36\u003c\/p\u003e \u003cp\u003eSetting Small Caps in InDesign 36\u003c\/p\u003e \u003cp\u003eType and Drop Shadows 37\u003c\/p\u003e \u003cp\u003eHard-Edged Drop Shadows 37\u003c\/p\u003e \u003cp\u003eSoft Drop Shadows 37\u003c\/p\u003e \u003cp\u003eCreating Baseline Grids 38\u003c\/p\u003e \u003cp\u003eSetting Baseline Grids 38\u003c\/p\u003e \u003cp\u003eBaseline Grids and Text Boxes 39\u003c\/p\u003e \u003cp\u003eUnderstanding Baseline Grids 40\u003c\/p\u003e \u003cp\u003eLetting the Baseline Grid Serve as a Guide 41\u003c\/p\u003e \u003cp\u003eUsing Baseline Grids to Cross-Align 42\u003c\/p\u003e \u003cp\u003eType Readability 44\u003c\/p\u003e \u003cp\u003eSerif and Sans Serif Typefaces 44\u003c\/p\u003e \u003cp\u003eUpper- and Lowercase Settings 44\u003c\/p\u003e \u003cp\u003eCharacter Recognition 44\u003c\/p\u003e \u003cp\u003eKnockout Type 45\u003c\/p\u003e \u003cp\u003eCase Settings and Readability 45\u003c\/p\u003e \u003cp\u003eType Form Follows Function 45\u003c\/p\u003e \u003cp\u003eReverse Type and Image 45\u003c\/p\u003e \u003cp\u003eReadability and Column Width 46\u003c\/p\u003e \u003cp\u003eReadability: Complex Text Wraps 47\u003c\/p\u003e \u003cp\u003eMastering Text Wraps 48\u003c\/p\u003e \u003cp\u003eTaking Control: Manually Editing Text Wraps 47\u003c\/p\u003e \u003cp\u003eCreating Depth with Silhouetted Images 47\u003c\/p\u003e \u003cp\u003eSetting and Styling Captions 50\u003c\/p\u003e \u003cp\u003eShow Hidden Characters 51\u003c\/p\u003e \u003cp\u003eStyling Paragraphs 52\u003c\/p\u003e \u003cp\u003eApplying and Styling Drop Caps 53\u003c\/p\u003e \u003cp\u003eBasic Drop Cap Settings in InDesign 53\u003c\/p\u003e \u003cp\u003eControlling Indents and Insets 54\u003c\/p\u003e \u003cp\u003eUnderstanding and Setting Tabs 55\u003c\/p\u003e \u003cp\u003eDesigning and Styling Text Tables 56\u003c\/p\u003e \u003cp\u003eStyling Tables with Tint Bands 56\u003c\/p\u003e \u003cp\u003eUsing Tint Bands as Rules 57\u003c\/p\u003e \u003cp\u003eRefi ning the Chart Design 57\u003c\/p\u003e \u003cp\u003eSimple Tables in InDesign 58\u003c\/p\u003e \u003cp\u003eCreating Stylesheets 59\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Three: \u003c\/b\u003e\u003cb\u003eDesigning with Photographs\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eImage Types: One Color, Two Color 62\u003c\/p\u003e \u003cp\u003eColor Models 62\u003c\/p\u003e \u003cp\u003eThe Four-Color Process 62\u003c\/p\u003e \u003cp\u003eCMYK Process Color 62\u003c\/p\u003e \u003cp\u003eTruMatch Color System 62\u003c\/p\u003e \u003cp\u003eThe Pantone System 63\u003c\/p\u003e \u003cp\u003eSwatch Books 63\u003c\/p\u003e \u003cp\u003eMaintaining Image Integrity 64\u003c\/p\u003e \u003cp\u003eImage Distortion: Scaling 64\u003c\/p\u003e \u003cp\u003eImage Distortion: Flipping Photos 65\u003c\/p\u003e \u003cp\u003eWhat’s Wrong with this Picture? 65\u003c\/p\u003e \u003cp\u003eFormatting Images for Print 66\u003c\/p\u003e \u003cp\u003eUnderstanding Linked Images 67\u003c\/p\u003e \u003cp\u003eManipulating Images and Picture Boxes 68\u003c\/p\u003e \u003cp\u003eRotation Settings 68\u003c\/p\u003e \u003cp\u003eCustomizing Corner Styles 69\u003c\/p\u003e \u003cp\u003eImage Types: Monotones, Duotones 70\u003c\/p\u003e \u003cp\u003eCreating a Basic Duotone 71\u003c\/p\u003e \u003cp\u003eMonotones and Tritones 71\u003c\/p\u003e \u003cp\u003eDuotones and Sepia Tone Effects 71\u003c\/p\u003e \u003cp\u003eType, Image, and Readability 72\u003c\/p\u003e \u003cp\u003eType and Image: Composing Page Layouts 74\u003c\/p\u003e \u003cp\u003eVertical and Horizontal Compositions 75\u003c\/p\u003e \u003cp\u003eType and Image: Page Composition 76\u003c\/p\u003e \u003cp\u003ePerfect Imbalance: Asymmetrical Design 78\u003c\/p\u003e \u003cp\u003eUsing Holding Rules 79\u003c\/p\u003e \u003cp\u003eFocusing In: Cropping Techniques 80\u003c\/p\u003e \u003cp\u003ePicture Box Shapes 82\u003c\/p\u003e \u003cp\u003eStandard Frame Types 82\u003c\/p\u003e \u003cp\u003eCustomizing Picture Frames 83\u003c\/p\u003e \u003cp\u003eEditing Picture Box Shapes 84\u003c\/p\u003e \u003cp\u003eResizing Frames 84\u003c\/p\u003e \u003cp\u003eReshaping Frames 84\u003c\/p\u003e \u003cp\u003eComplex Shapes and Bézier Curves 85\u003c\/p\u003e \u003cp\u003eCustom Shapes: Using Pathfinder 86\u003c\/p\u003e \u003cp\u003ePathfinder Options 87\u003c\/p\u003e \u003cp\u003eThe Big Picture 88\u003c\/p\u003e \u003cp\u003eComplex Shapes: Advanced Techniques 89\u003c\/p\u003e \u003cp\u003eTabbed Windows 89\u003c\/p\u003e \u003cp\u003eSlicing Images 89\u003c\/p\u003e \u003cp\u003eImage Grids: Step and Repeat 90\u003c\/p\u003e \u003cp\u003eCompound Shapes 90\u003c\/p\u003e \u003cp\u003eComplex Shapes: Align and Distribute 91\u003c\/p\u003e \u003cp\u003eLabel Design 91\u003c\/p\u003e \u003cp\u003ePlacing Images into Text 92\u003c\/p\u003e \u003cp\u003eUsing Create Outlines 92\u003c\/p\u003e \u003cp\u003eSelecting Appropriate Typefaces 92\u003c\/p\u003e \u003cp\u003eCutting Type Outlines into an Image 93\u003c\/p\u003e \u003cp\u003eAn Image for Every Letter 93\u003c\/p\u003e \u003cp\u003eOrganizing Annotated Photo Layouts 94\u003c\/p\u003e \u003cp\u003eStyling Pointers and Annotations 96\u003c\/p\u003e \u003cp\u003eCreating Customized Annotations 97\u003c\/p\u003e \u003cp\u003eCreating Legends for Photographs 98\u003c\/p\u003e \u003cp\u003eUsing Legends with Maps 98\u003c\/p\u003e \u003cp\u003ePlacing Legends in Photos 99\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Four: \u003c\/b\u003e\u003cb\u003eAdvanced Typography\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUsing the Character and Paragraph Palettes 102\u003c\/p\u003e \u003cp\u003eVertical Type: Cheap Motels and Drive-ins 104\u003c\/p\u003e \u003cp\u003eCurves Ahead: Create Outlines 105\u003c\/p\u003e \u003cp\u003eOutlines: The Pros and Cons 105\u003c\/p\u003e \u003cp\u003eControlling Type Outlines 106\u003c\/p\u003e \u003cp\u003eThe Pen and Selection Tools 106\u003c\/p\u003e \u003cp\u003eKeepin’ It Real: Staying True to the Original Typeface 108\u003c\/p\u003e \u003cp\u003eCreating Custom Ligatures 109\u003c\/p\u003e \u003cp\u003eApplying Effects: The Good, Bad, and the Ugly 110\u003c\/p\u003e \u003cp\u003eShattering Type 112\u003c\/p\u003e \u003cp\u003eOffset Path: Inlines, Outlines, and Shadows 113\u003c\/p\u003e \u003cp\u003eCreating Stylized Drop Shadows 114\u003c\/p\u003e \u003cp\u003eKnockout Shadows 114\u003c\/p\u003e \u003cp\u003eLinear Drop Shadows 114\u003c\/p\u003e \u003cp\u003eSoft Drop Shadows Using Blends and Filters 115\u003c\/p\u003e \u003cp\u003eRefl ective Shadows 115\u003c\/p\u003e \u003cp\u003eCreating the Illusion of Transparency 116\u003c\/p\u003e \u003cp\u003eSeparating Stroke and Fills 117\u003c\/p\u003e \u003cp\u003e3D Type: Beveling Type Outlines 118\u003c\/p\u003e \u003cp\u003eComplex Beveling 119\u003c\/p\u003e \u003cp\u003eExtrude \u0026amp; Bevel Effects 119\u003c\/p\u003e \u003cp\u003eExtruding and Creating Perspective 120\u003c\/p\u003e \u003cp\u003eManually Extruding Type 120\u003c\/p\u003e \u003cp\u003e3D Effects: Extrude 120\u003c\/p\u003e \u003cp\u003eMetallic Type and Gradients 122\u003c\/p\u003e \u003cp\u003eType on a Path: Curves, Spirals, and Circles 123\u003c\/p\u003e \u003cp\u003eReceding Type into the Distance 124\u003c\/p\u003e \u003cp\u003eThe Free Distort Effect 124\u003c\/p\u003e \u003cp\u003e3D Effects 125\u003c\/p\u003e \u003cp\u003eInlaid Text: Cropping Objects into Type 126\u003c\/p\u003e \u003cp\u003eInlaying Straight Lines into Text 126\u003c\/p\u003e \u003cp\u003eInlaying Wavy Lines into Text 126\u003c\/p\u003e \u003cp\u003eCreating Concentric Shapes 127\u003c\/p\u003e \u003cp\u003eInlaying Concentric Patterns 127\u003c\/p\u003e \u003cp\u003eFilling Shapes with Body Copy 128\u003c\/p\u003e \u003cp\u003eUsing Photoshop Paths 129\u003c\/p\u003e \u003cp\u003eFilling Custom Shapes 129\u003c\/p\u003e \u003cp\u003eBubbles and Balls: Warp Effects 130\u003c\/p\u003e \u003cp\u003eCreating Logotypes: 3D Effects 132\u003c\/p\u003e \u003cp\u003eDistressed Type and Alternative Techniques 134\u003c\/p\u003e \u003cp\u003eUsing Hand-Drawn Type 134\u003c\/p\u003e \u003cp\u003eUsing 3D Objects as Letterforms 134\u003c\/p\u003e \u003cp\u003eUsing Photocopiers to Distress Type 135\u003c\/p\u003e \u003cp\u003eOld School: Rubber Stamps, Stencils, and Typewriters 135\u003c\/p\u003e \u003cp\u003eUsing Envelopes to Warp Type 136\u003c\/p\u003e \u003cp\u003eMasking Images into Type 137\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Five: \u003c\/b\u003e\u003cb\u003ePreparing Your Images\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDestination Please? Formatting Images 140\u003c\/p\u003e \u003cp\u003eSizing, Scaling, and Setting Resolution 142\u003c\/p\u003e \u003cp\u003eScanning and Scaling Images 142\u003c\/p\u003e \u003cp\u003eScaling Images for InDesign Documents 143\u003c\/p\u003e \u003cp\u003eIncreasing Resolution 143\u003c\/p\u003e \u003cp\u003eImage Prep: Cropping Images 144\u003c\/p\u003e \u003cp\u003eSpot Remover: The Clone Stamp Tool 145\u003c\/p\u003e \u003cp\u003eGetting Results: Basic Scanning Techniques 146\u003c\/p\u003e \u003cp\u003eFocusing In: Sharpening Images 147\u003c\/p\u003e \u003cp\u003eTrue Colors: Color-Correcting Images 148\u003c\/p\u003e \u003cp\u003eAdjusting Levels and Curves 149\u003c\/p\u003e \u003cp\u003eColor-Correction 101: A Primer 150\u003c\/p\u003e \u003cp\u003eDodge and Burn: Tonal Correction 152\u003c\/p\u003e \u003cp\u003eScanning Large-Scale Artwork 153\u003c\/p\u003e \u003cp\u003eGhosting Images 154\u003c\/p\u003e \u003cp\u003eImage Opacity and Type Readability 154\u003c\/p\u003e \u003cp\u003eTombstones: Opacity and Selections 155\u003c\/p\u003e \u003cp\u003eSilhouetted Images: Clipping Paths 156\u003c\/p\u003e \u003cp\u003eSilhouetting Images: The Quick Selection Tool 158\u003c\/p\u003e \u003cp\u003eSoft Edges: Feathering Images 159\u003c\/p\u003e \u003cp\u003eCreating Natural Shadows 160\u003c\/p\u003e \u003cp\u003eThe Cutting Edge: Torn Paper Effects 162\u003c\/p\u003e \u003cp\u003e3D Objects and Textures 164\u003c\/p\u003e \u003cp\u003eScanning and Designing with 3D Objects 164\u003c\/p\u003e \u003cp\u003eCreating Custom Surface Textures 164\u003c\/p\u003e \u003cp\u003eSmart Objects and Silhouetted Images 166\u003c\/p\u003e \u003cp\u003eCompositing with Smart Objects 166\u003c\/p\u003e \u003cp\u003eFade Away: Creating Vignetted Images 168\u003c\/p\u003e \u003cp\u003eManipulating Imagery Using Filters 170\u003c\/p\u003e \u003cp\u003eThe Blur Filters 170\u003c\/p\u003e \u003cp\u003eThe Color Halftone Filter 171\u003c\/p\u003e \u003cp\u003ePosterizing Images 171\u003c\/p\u003e \u003cp\u003eAdding Noise to Images 171\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Six: \u003c\/b\u003e\u003cb\u003eIllustrating Effectively\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSimple Illustration Approaches 174\u003c\/p\u003e \u003cp\u003eVisual References: Tracing and Live Paint 176\u003c\/p\u003e \u003cp\u003eTo Trace or Autotrace 176\u003c\/p\u003e \u003cp\u003eApplying Live Paint to Raster Images 176\u003c\/p\u003e \u003cp\u003eCombining Primary Shapes 178\u003c\/p\u003e \u003cp\u003eUsing Shapes to Unite and Subtract 178\u003c\/p\u003e \u003cp\u003eCreating Individual Shapes Using Divide 178\u003c\/p\u003e \u003cp\u003eComplex Shapes 179\u003c\/p\u003e \u003cp\u003eMirror, Mirror: Building Symmetrical Shapes 180\u003c\/p\u003e \u003cp\u003eFrom Line to Shape: Outline Stroke 181\u003c\/p\u003e \u003cp\u003eRefi ning and Styling Line Quality 182\u003c\/p\u003e \u003cp\u003eStylizing Lines and Digitizing Tablets 182\u003c\/p\u003e \u003cp\u003eBetween the Lines: The Live Paint Tools 183\u003c\/p\u003e \u003cp\u003eStyling Illustrations: Linear Techniques 184\u003c\/p\u003e \u003cp\u003eCreating Linear Patterns 186\u003c\/p\u003e \u003cp\u003eKeeping Perspective: Cylindrical Shapes 188\u003c\/p\u003e \u003cp\u003eBasic Transformations 188\u003c\/p\u003e \u003cp\u003eBuilding on the Process 188\u003c\/p\u003e \u003cp\u003eStyling with Blends and Gradients 189\u003c\/p\u003e \u003cp\u003eFluted Shapes 189\u003c\/p\u003e \u003cp\u003eBuilding Interlaced Shapes 190\u003c\/p\u003e \u003cp\u003eCoiled Objects: Chain Links and Slinkys 192\u003c\/p\u003e \u003cp\u003eBuilding Chain Links 192\u003c\/p\u003e \u003cp\u003eBuilding Coiled Shapes 193\u003c\/p\u003e \u003cp\u003eSlinkys and Other Variables 193\u003c\/p\u003e \u003cp\u003eNuts and Bolts: Building and Styling Technical Shapes 194\u003c\/p\u003e \u003cp\u003eBuilding the Basic Shapes 194\u003c\/p\u003e \u003cp\u003eStyling Objects: Smooth Blends 195\u003c\/p\u003e \u003cp\u003eStyling Objects: Linear Blends 195\u003c\/p\u003e \u003cp\u003eThe Revolve Effect 195\u003c\/p\u003e \u003cp\u003eVanishing Points and Two-Point Perspective 196\u003c\/p\u003e \u003cp\u003eCreating Mechanical Gears 196\u003c\/p\u003e \u003cp\u003eCreating Two-Point Perspective 197\u003c\/p\u003e \u003cp\u003eUsing 3D Effects 197\u003c\/p\u003e \u003cp\u003eUsing Blends to Build Shapes and Create Volume 198\u003c\/p\u003e \u003cp\u003eCreating Banners and Ribbons 200\u003c\/p\u003e \u003cp\u003eCorner Banners 201\u003c\/p\u003e \u003cp\u003eThe Final Touch: Backgrounds and Shadows 202\u003c\/p\u003e \u003cp\u003eCreating Drop Shadows 202\u003c\/p\u003e \u003cp\u003eSkewing Shadows 202\u003c\/p\u003e \u003cp\u003eStyling Drop Shadows 203\u003c\/p\u003e \u003cp\u003eMerging Shadows and Surface 203\u003c\/p\u003e \u003cp\u003eUsing Opacity 203\u003c\/p\u003e \u003cp\u003eUsing Custom Brushes 204\u003c\/p\u003e \u003cp\u003eBrush Basics 204\u003c\/p\u003e \u003cp\u003eType as Brush 204\u003c\/p\u003e \u003cp\u003eCreating Custom Art Brushes 204\u003c\/p\u003e \u003cp\u003eBuilding Pattern Brushes 205\u003c\/p\u003e \u003cp\u003eWarp Effects and Custom Brushes 206\u003c\/p\u003e \u003cp\u003eBuilding a Custom Art Brush 206\u003c\/p\u003e \u003cp\u003eApplying a Custom Art Brush 207\u003c\/p\u003e \u003cp\u003eDesigning Charts and Graphs 208\u003c\/p\u003e \u003cp\u003eCreating Custom Columns 209\u003c\/p\u003e \u003cp\u003eCreating Variations and Using Artboards 210\u003c\/p\u003e \u003cp\u003eGradient Mesh: Smooth Surfaces 211\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter Seven: \u003c\/b\u003e\u003cb\u003ePutting It All Together\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePrepping Images 214\u003c\/p\u003e \u003cp\u003eWhy Doesn’t the Print Match the Screen? 214\u003c\/p\u003e \u003cp\u003eMechanicals 215\u003c\/p\u003e \u003cp\u003eBuilding Prototypes 215\u003c\/p\u003e \u003cp\u003eCreating Acrobat PDF Files 215\u003c\/p\u003e \u003cp\u003ePreparing Files for Final Output 216\u003c\/p\u003e \u003cp\u003eOptimizing Images and Updating Links 216\u003c\/p\u003e \u003cp\u003ePreflighting the InDesign Document 217\u003c\/p\u003e \u003cp\u003eColor Proofing 217\u003c\/p\u003e \u003cp\u003eCollecting for Output: InDesign Packages 218\u003c\/p\u003e \u003cp\u003eCompressing Files 218\u003c\/p\u003e \u003cp\u003eFifth Colors 219\u003c\/p\u003e \u003cp\u003ePaper Stocks 219\u003c\/p\u003e \u003cp\u003ePDF Formats 219\u003c\/p\u003e \u003cp\u003eDecimal Conversion Chart 223\u003c\/p\u003e \u003cp\u003eDesign Resources 225\u003c\/p\u003e \u003cp\u003eBibliography 229\u003c\/p\u003e \u003cp\u003ePhotography and Illustration Credits 229\u003c\/p\u003e \u003cp\u003eIndex 231\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Industrial \/ commercial art \u0026amp; design [\u003ca title=\"See our other books on Industrial \/ commercial art \u0026amp; design\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Industrial%20\/%20commercial%20art%20\u0026amp;%20design%20%5BAK%5D%22\"\u003eAK\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley","offers":[{"title":"Brand New","offer_id":52278088925464,"sku":"9780470905975","price":43.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780470905975.jpg?v=1781458114","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/designing-for-print-an-in-depth-guide-to-planning-creating-and-producing-successful-design-projects-paperback-softback-9780470905975","provider":"Freshly Printed Books","version":"1.0","type":"link"}