{"product_id":"cineaste-on-film-criticism-programming-and-preservation-in-the-new-millennium-hardback-9781477313404","title":"Cineaste on Film Criticism, Programming, and Preservation in the New Millennium (Hardback) 9781477313404","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eCineaste on Film Criticism, Programming, and Preservation in the New Millennium\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eCynthia Lucia (Edited by), Rahul Hamid (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781477313404, University of Texas Press\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 27 November 2017\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e392 pages\u003cbr\u003e22.9 x 15.2 x 2.5 cm, 0.454 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003eThe collection provides a fascinating look into how film criticism, programming, preservation, and cinema itself have evolved to meet the changes wrought by the rise of the internet during the early years of the twenty-first century...\u003ci\u003eCineaste on Film Criticism, Programming, and Preservation in the New Millennium\u003c\/i\u003e should be of interest to scholars, students, and anyone seriously interested in film.\u003c\/div\u003e (Popular Culture Studies Journal)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eDigital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no “material” prototype are threatened by ever-changing servers that render them obsolete and inaccessible.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCineaste\u003c\/i\u003e, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: “Film Criticism in America Today” (2000), “International Film Criticism Today” (2005), “Film Criticism in the Age of the Internet” (2008), “Film Criticism: The Next Generation” (2013), “The Art of Repertory Film Exhibition and Digital Age Challenges” (2010), and “Film Preservation in the Digital Age” (2011). It also includes interviews with the late, celebrated \u003ci\u003eNew Yorker\u003c\/i\u003e film critic Pauline Kael and the critic John Bloom (“Joe Bob Briggs”), as well as interviews with the programmers\/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cul\u003e\n\u003cli\u003eAcknowledgments\u003c\/li\u003e\n\u003cli\u003eEditors’\u003cbr\u003e Introduction. By Cynthia Lucia and Rahul Hamid\u003c\/li\u003e\n\u003cli\u003ePart I. Film Criticism in the New Millennium \u003cul\u003e\n\u003cli\u003e1. Film Criticism in America Today: A Critical Symposium (2000). By David Ansen, Jay Carr, Godfrey Cheshire, Mike Clark, Manohla Dargis, David Denby, Morris Dickstein, Roger Ebert, David Edelstein, Graham Fuller, J. Hoberman, Stanley Kauffmann, Stuart Klawans, Todd McCarthy, Peter Rainer, Jonathan Rosenbaum, Andrew Sarris, Richard Schickel, Lisa Schwarzbaum, John Simon, David Sterritt, Peter Travers, Kenneth Turan, Armond White\u003c\/li\u003e\n\u003cli\u003e2. International Film Criticism Today: A Critical Symposium (2005). By Argentina: QuintÍ\u003cbr\u003en (Eduardo Antin)\u003cbr\u003e Australia: Adrian Martin\u003cbr\u003e Austria: Christoph Huber\u003cbr\u003e Brazil: Pedro Butcher\u003cbr\u003e China: Li Hongyu\u003cbr\u003e France: Michel Ciment\u003cbr\u003e France: Jean-Michel Frodon\u003cbr\u003e Germany: Olaf MÖ\u003cbr\u003eller\u003cbr\u003e Greece: Angelike Contis\u003cbr\u003e Hong Kong: Li Cheuk-to\u003cbr\u003e India: Meenakshi Shedde\u003cbr\u003e Italy: Tullio Kezich\u003cbr\u003e Italy: Roberto Silvestri\u003cbr\u003e Japan: Tadao Sato\u003cbr\u003e Mexico: Leonardo GarcÍ\u003cbr\u003ea Tsao\u003cbr\u003e Philippines: Noel Vera\u003cbr\u003e Russia: Lev Karakhan\u003cbr\u003e South Africa: Leon van Nierop\u003cbr\u003e Thailand: Kong Rithdee\u003cbr\u003e Tunisia: Tahar Chikhaoui\u003cbr\u003e United Kingdom: Jonathan Romney\u003cbr\u003e Uruguay: Jorge Jellinek\u003c\/li\u003e\n\u003cli\u003e3. Film Criticism in the Age of the Internet: A Critical Symposium (2008). By Zach Campbell, Robert Cashill, Mike D’\u003cbr\u003eAngelo, Steve Erickson, Andrew Grant, J. Hoberman, Kent Jones, Glenn Kenny, Robert Koehler, Kevin B. Lee, Karina Longworth, Adrian Martin, Adam Nayman, Theodoros Panayides, Jonathan Rosenbaum, Dan Sallitt, Richard Schickel, Campaspe, Girish Shambu, Michael Sicinski, Amy Taubin, Andrew Tracy, Stephanie Zacharek\u003c\/li\u003e\n\u003cli\u003e4. Film Criticism: The Next Generation: A Critical Symposium (2013). By Ben Kenigsberg, Gabe Klinger, Michael Koresky, Kiva Reardon, Andrew Tracy\u003c\/li\u003e\n\u003cli\u003e5. “\u003cbr\u003eI Still Love Going to Movies”\u003cbr\u003e: An Interview with Pauline Kael (2000). By Leonard Quart\u003c\/li\u003e\n\u003cli\u003e6. Cult Films, Commentary Tracks, and Censorious Critics: An Interview with John Bloom (2003). By Gary Crowdus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePart II. The Art of Repertory Film Exhibition and Digital-Age Challenges \u003cul\u003e\n\u003cli\u003e7. Repertory Film Programming: A Critical Symposium (2010). By John Ewing, John Gianvito, Bruce Goldstein, Haden Guest, Jim Healy, Kent Jones, Laurence Kardish, Marie Losier, Richard PeÑ\u003cbr\u003ea, James Quandt, David Schwartz, Adam Sekuler, Dylan Skolnick, Tom Vick\u003c\/li\u003e\n\u003cli\u003e8. Utopian Festivals and Cinephilic Dreams: An Interview with Peter von Bagh (2012). By Richard Porton\u003c\/li\u003e\n\u003cli\u003e9. The (Cinematic) Gospel According to Mark: An Interview with Mark Cousins (2013). By Declan McGrath\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePart III. Film Preservation in the Digital Age \u003cul\u003e\n\u003cli\u003e10. Film Preservation in the Digital Age: A Critical Symposium (2011). By Schawn Belston, Margaret Bodde, Paolo Cherchi Usai, Grover Crisp, Dennis Doros and Amy Heller, Jan-Christopher Horak, Annette Melville, Michael Pogorzelski, Katie Trainor, Daniel Wagner\u003c\/li\u003e\n\u003cli\u003e11. MOD Man: An Interview with George Feltenstein (2011). By Robert Cashill\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNotes on the Editors\u003c\/li\u003e\n\u003cli\u003eIndex\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Texas Press","offers":[{"title":"Brand New","offer_id":52589120323864,"sku":"9781477313404","price":55.59,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/cineaste-on-film-criticism-programming-and-preservation-in-the-new-millennium-hardback-9781477313404","provider":"Freshly Printed Books","version":"1.0","type":"link"}