{"product_id":"chaucer-hardback-9780631217114","title":"Chaucer (Hardback) 9780631217114","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eChaucer\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eCorinne Saunders (Edited by), C Saunders (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780631217114, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 19 October 2001\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e372 pages\u003cbr\u003e23.6 x 16 x 3.1 cm, 0.652 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"The acuteness of Corinne Saunders's analyses makes this volume considerably more than a collection of critical extracts; it manages to be at once illuminating about Chaucer, Chaucerian criticism, and twentieth-century criticism in general, its range, its concerns, its disagreements, and its radical insights.\" \u003ci\u003eMedium Aevum LXXI\/2002\u003c\/i\u003e \u003cbr\u003e \u003cp\u003e\"Saunders's \u003ci\u003eChaucer\u003c\/i\u003e is a thought-inspiring and highly recommended coursebook to use beside \u003ci\u003eThe Riverside Chaucer.\u003c\/i\u003e\" \u003ci\u003eEnglish Studies\u003c\/i\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eThis comprehensive collection of the major critical views of Chaucer's works over time engages students with the entire critical history.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eIntroduces students to the critical discourse on Chaucer's works from a historical perspective.\u003c\/li\u003e \u003cli\u003eEncourages students to make links between past and present criticism.\u003c\/li\u003e \u003cli\u003eForegrounds those modern approaches that are genuinely productive.\u003c\/li\u003e \u003cli\u003eAvoids a formulaic approach through lively editorial commentary and judicious selection of texts.\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eIntroduction. \u003cp\u003e\u003cb\u003ePart I: The Development of Chaucer Criticism:.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eChaucer's Reading and Audience: Critical Extracts.\u003c\/p\u003e \u003cp\u003e'The English and European Literary Traditions': Derek Brewer:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'Chaucer: The Teller and the Tale': Gabriel Joipovici:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'Audience': Paul Strohm:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePArt II: Dream Vision Poetry:.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDream Vision Poetry: Critical Extracts.\u003c\/p\u003e \u003cp\u003e'The Lady White and the White Tablet: \u003ci\u003eThe Book of the Duchess\u003c\/i\u003e': Judith Ferster:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e' \"The Dido Episode,\" in \u003ci\u003eThe House of Fame\u003c\/i\u003e': Wolfgang Clemen.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Chaucer's Fame and Her World: The Poem': Piero Boitani:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Park of Paradise and Garden of Love': J. A. W. Bennett:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'The Parliament of Fowls': A. C. Spearing:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'The Narrator as Translator': Donald W. Rowe:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Chaucer's Classical Legendary': Lisa J. Kiser:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: \u003ci\u003eTroilus and Criseyde:.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTroilus and Criseyde\u003c\/i\u003e: Critical Extracts.\u003c\/p\u003e \u003cp\u003eFrom 'The Ending of Troilus': E. Talbot Donaldson:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'The Heart and the Chain': John Leyerle:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'Criseyde: Woman in Medieval Society': David Aers:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Coda: The Narrator': B David Benson:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'History versus Romance': Lee Patterson.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePArt IV: \u003ci\u003eThe Canterbury Tales:.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Canterbury Tales\u003c\/i\u003e: Critical Extracts.\u003c\/p\u003e \u003cp\u003eFrom 'The Unity of the Canterbury Tales': Robert M. Jordan:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'The Esthetics of this Form': Donald R. Howard:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'An Encyclopedia of Kinds': Helen Cooper:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom ' The Night's Tale and Its Settings': V. A. Kolve:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Fabliau, Confession, Satire': W. A. Davenport:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003e'Gems of Chastity': Ian Bishop:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'Antifeminism': Jill Mann:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'The Franklin's Tale': Angela Jane Weisl:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eFrom 'Glose\/Bele Chose: The Wife of Bath and Her Glossators' and 'Eunuch Hermeneutics': Carolyn Dinshaw:.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003eReading.\u003c\/p\u003e \u003cp\u003eBibliography.\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Literature: history \u0026amp; criticism [\u003ca title=\"See our other books on Literature: history \u0026amp; criticism\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Literature:%20history%20\u0026amp;%20criticism%20%5BDS%5D%22\"\u003eDS\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52405551235352,"sku":"9780631217114","price":118.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780631217114.jpg?v=1784136507","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/chaucer-hardback-9780631217114","provider":"Freshly Printed Books","version":"1.0","type":"link"}