{"product_id":"brain-and-music-paperback-softback-9780470683392","title":"Brain and Music (Paperback \/ softback) 9780470683392","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eBrain and Music\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eStefan Koelsch (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780470683392, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 13 April 2012\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e336 pages\u003cbr\u003e24.6 x 18.9 x 1.7 cm, 0.562 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eA comprehensive survey of the latest neuroscientific research into the effects of music on the brain\u003cbr\u003e \u003cbr\u003e   \u003cul\u003e \u003cli\u003eCovers a variety of topics fundamental for music perception, including musical syntax, musical semantics, music and action, music and emotion\u003c\/li\u003e \u003cli\u003eIncludes general introductory chapters to engage a broad readership, as well as a wealth of detailed research material for experts\u003c\/li\u003e \u003cli\u003eOffers the most empirical (and most systematic) work on the topics of neural correlates of musical syntax and musical semantics\u003c\/li\u003e \u003cli\u003eIntegrates research from different domains (such as music, language, action and emotion both theoretically and empirically, to create a comprehensive theory of music psychology\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePreface ix  \u003cp\u003e\u003cb\u003ePart I Introductory Chapters 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Ear and Hearing 3\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1.1 The ear 3\u003c\/p\u003e \u003cp\u003e1.2 Auditory brainstem and thalamus 6\u003c\/p\u003e \u003cp\u003e1.3 Place and time information 8\u003c\/p\u003e \u003cp\u003e1.4 Beats, roughness, consonance and dissonance 9\u003c\/p\u003e \u003cp\u003e1.5 Acoustical equivalency of timbre and phoneme 11\u003c\/p\u003e \u003cp\u003e1.6 Auditory cortex 12\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Music-theoretical Background 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2.1 How major keys are related 17\u003c\/p\u003e \u003cp\u003e2.2 The basic in-key functions in major 20\u003c\/p\u003e \u003cp\u003e2.3 Chord inversions and Neapolitan sixth chords 21\u003c\/p\u003e \u003cp\u003e2.4 Secondary dominants and double dominants 21\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 Perception of Pitch and Harmony 23\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e3.1 Context-dependent representation of pitch 23\u003c\/p\u003e \u003cp\u003e3.2 The representation of key-relatedness 26\u003c\/p\u003e \u003cp\u003e3.3 The developing and changing sense of key 29\u003c\/p\u003e \u003cp\u003e3.4 The representation of chord-functions 30\u003c\/p\u003e \u003cp\u003e3.5 Hierarchy of harmonic stability 31\u003c\/p\u003e \u003cp\u003e3.6 Musical expectancies 35\u003c\/p\u003e \u003cp\u003e3.7 Chord sequence paradigms 36\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 From Electric Brain Activity to ERPs and ERFs 40\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e4.1 Electro-encephalography (EEG) 43\u003c\/p\u003e \u003cp\u003e4.1.1 The 10–20 system 43\u003c\/p\u003e \u003cp\u003e4.1.2 Referencing 45\u003c\/p\u003e \u003cp\u003e4.2 Obtaining event-related brain potentials (ERPs) 45\u003c\/p\u003e \u003cp\u003e4.3 Magnetoencephalography (MEG) 48\u003c\/p\u003e \u003cp\u003e4.3.1 Forward solution and inverse problem 49\u003c\/p\u003e \u003cp\u003e4.3.2 Comparison between MEG and EEG 49\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 ERP Components 51\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e5.1 Auditory P1, N1, P2 51\u003c\/p\u003e \u003cp\u003e5.2 Frequency-following response (FFR) 53\u003c\/p\u003e \u003cp\u003e5.3 Mismatch negativity 54\u003c\/p\u003e \u003cp\u003e5.3.1 MMN in neonates 57\u003c\/p\u003e \u003cp\u003e5.3.2 MMN and music 57\u003c\/p\u003e \u003cp\u003e5.4 N2b and P300 59\u003c\/p\u003e \u003cp\u003e5.5 ERP-correlates of language processing 59\u003c\/p\u003e \u003cp\u003e5.5.1 Semantic processes: N400 60\u003c\/p\u003e \u003cp\u003e5.5.2 Syntactic processes: (E)LAN and P600 63\u003c\/p\u003e \u003cp\u003e5.5.3 Prosodic processes: Closure Positive Shift 67\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 A Brief Historical Account of ERP Studies of Music Processing 70\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e6.1 The beginnings: Studies with melodic stimuli 70\u003c\/p\u003e \u003cp\u003e6.2 Studies with chords 74\u003c\/p\u003e \u003cp\u003e6.3 MMN studies 75\u003c\/p\u003e \u003cp\u003e6.4 Processing of musical meaning 76\u003c\/p\u003e \u003cp\u003e6.5 Processing of musical phrase boundaries 77\u003c\/p\u003e \u003cp\u003e6.6 Music and action 77\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 Functional Neuroimaging Methods: fMRI and PET 79\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7.1 Analysis of fMRI data 81\u003c\/p\u003e \u003cp\u003e7.2 Sparse temporal sampling in fMRI 84\u003c\/p\u003e \u003cp\u003e7.3 Interleaved silent steady state fMRI 85\u003c\/p\u003e \u003cp\u003e7.4 ‘Activation’ vs. ‘activity change’ 85\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Towards a New Theory of Music Psychology 87\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Music Perception: A Generative Framework 89\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Musical Syntax 98\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e9.1 What is musical syntax? 98\u003c\/p\u003e \u003cp\u003e9.2 Cognitive processes 102\u003c\/p\u003e \u003cp\u003e9.3 The early right anterior negativity (ERAN) 109\u003c\/p\u003e \u003cp\u003e9.3.1 The problem of confounding acoustics and possible solutions 113\u003c\/p\u003e \u003cp\u003e9.3.2 Effects of task-relevance 120\u003c\/p\u003e \u003cp\u003e9.3.3 Polyphonic stimuli 121\u003c\/p\u003e \u003cp\u003e9.3.4 Latency of the ERAN 127\u003c\/p\u003e \u003cp\u003e9.3.5 Melodies 127\u003c\/p\u003e \u003cp\u003e9.3.6 Lateralization of the ERAN 129\u003c\/p\u003e \u003cp\u003e9.4 Neuroanatomical correlates 131\u003c\/p\u003e \u003cp\u003e9.5 Processing of acoustic vs. music-syntactic irregularities 133\u003c\/p\u003e \u003cp\u003e9.6 Interactions between music- and language-syntactic processing 138\u003c\/p\u003e \u003cp\u003e9.6.1 The Syntactic Equivalence Hypothesis 145\u003c\/p\u003e \u003cp\u003e9.7 Attention and automaticity 147\u003c\/p\u003e \u003cp\u003e9.8 Effects of musical training 149\u003c\/p\u003e \u003cp\u003e9.9 Development 151\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 Musical Semantics 156\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e10.1 What is musical semantics? 156\u003c\/p\u003e \u003cp\u003e10.2 Extra-musical meaning 158\u003c\/p\u003e \u003cp\u003e10.2.1 Iconic musical meaning 158\u003c\/p\u003e \u003cp\u003e10.2.2 Indexical musical meaning 159\u003c\/p\u003e \u003cp\u003eExcursion: Decoding of intentions during musinc listening 161\u003c\/p\u003e \u003cp\u003e10.2.3 Symbolic musical meaning 162\u003c\/p\u003e \u003cp\u003e10.3 Extra-musical meaning and the N400 163\u003c\/p\u003e \u003cp\u003e10.4 Intra-musical meaning 170\u003c\/p\u003e \u003cp\u003eExcursion: Posterior temporal cortex and processing of meaning 166\u003c\/p\u003e \u003cp\u003e10.4.1 Intra-musical meaning and the N5 171\u003c\/p\u003e \u003cp\u003e10.5 Musicogenic meaning 177\u003c\/p\u003e \u003cp\u003e10.5.1 Physical 177\u003c\/p\u003e \u003cp\u003e10.5.2 Emotional 179\u003c\/p\u003e \u003cp\u003e10.5.3 Personal 180\u003c\/p\u003e \u003cp\u003e10.6 Musical semantics 181\u003c\/p\u003e \u003cp\u003e10.6.1 Neural correlates 181\u003c\/p\u003e \u003cp\u003e10.6.2 Propositional semantics 182\u003c\/p\u003e \u003cp\u003e10.6.3 Communication vs. expression 182\u003c\/p\u003e \u003cp\u003e10.6.4 Meaning emerging from large-scale relations 183\u003c\/p\u003e \u003cp\u003e10.6.5 Further theoretical accounts 184\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 Music and Action 186\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e11.1 Perception–action mediation 186\u003c\/p\u003e \u003cp\u003e11.2 ERP correlates of music production 189\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Emotion 203\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12.1 What are ‘musical emotions’? 204\u003c\/p\u003e \u003cp\u003e12.2 Emotional responses to music – underlying mechanisms 207\u003c\/p\u003e \u003cp\u003e12.3 From social contact to spirituality – The Seven Cs 208\u003c\/p\u003e \u003cp\u003e12.4 Emotional responses to music – underlying principles 212\u003c\/p\u003e \u003cp\u003e12.5 Musical expectancies and emotional responses 216\u003c\/p\u003e \u003cp\u003e12.5.1 The tension-arch 218\u003c\/p\u003e \u003cp\u003e12.6 Limbic and paralimbic correlates of music-evoked emotions 219\u003c\/p\u003e \u003cp\u003e12.6.1 Major–minor and happy–sad music 225\u003c\/p\u003e \u003cp\u003e12.6.2 Music-evoked dopaminergic neural activity 226\u003c\/p\u003e \u003cp\u003e12.6.3 Music and the hippocampus 227\u003c\/p\u003e \u003cp\u003e12.6.4 Parahippocampal gyrus 231\u003c\/p\u003e \u003cp\u003e12.6.5 A network comprising hippocampus, parahippocampal gyrus, and temporal poles 232\u003c\/p\u003e \u003cp\u003e12.6.6 Effects of music on insular and anterior cingulate cortex activity 232\u003c\/p\u003e \u003cp\u003e12.7 Electrophysiological effects of music-evoked emotions 233\u003c\/p\u003e \u003cp\u003e12.8 Time course of emotion 234\u003c\/p\u003e \u003cp\u003e12.9 Salutary effects of music making 235\u003c\/p\u003e \u003cp\u003e\u003cb\u003e13 Concluding Remarks and Summary 241\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e13.1 Music and language 241\u003c\/p\u003e \u003cp\u003e13.2 The music-language continuum 244\u003c\/p\u003e \u003cp\u003e13.3 Summary of the theory 249\u003c\/p\u003e \u003cp\u003e13.4 Summary of open questions 258\u003c\/p\u003e \u003cp\u003eReferences 267\u003c\/p\u003e \u003cp\u003eIndex 303\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Psychology [\u003ca title=\"See our other books on Psychology\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Psychology%20%5BJM%5D%22\"\u003eJM\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52475091878168,"sku":"9780470683392","price":31.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780470683392.jpg?v=1785804735","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/brain-and-music-paperback-softback-9780470683392","provider":"Freshly Printed Books","version":"1.0","type":"link"}