{"product_id":"black-venus-2010-they-called-her-hottentot-hardback-9781439902042","title":"Black Venus 2010; They Called Her \"Hottentot\" (Hardback) 9781439902042","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eBlack Venus 2010\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eThey Called Her \"Hottentot\"\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eDeborah Willis (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781439902042\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 8 January 2010\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e256 pages\u003cbr\u003e25.4 x 17.8 x 2.5 cm, 0.674 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eAnalyzing contemporaneous and contemporary works that re-imagine the\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cdiv\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eAcknowledgments \u003cbr\u003ePrologue: The Venus Hottentot (1825) \u003ci\u003eElizabeth Alexander\u003c\/i\u003e \u003cbr\u003eIntroduction: The Notion of Venus \u003ci\u003eDeborah Willis\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePART I: Sarah Baartman in Context\u003c\/b\u003e \u003cbr\u003e1. The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality \u003ci\u003eSander Gilman\u003c\/i\u003e \u003cbr\u003e2. Another Means of Understanding the Gaze: Sarah Bartmann in the Development of Nineteenth-Century French National Identity \u003ci\u003eRobin Mitchell\u003c\/i\u003e \u003cbr\u003e3. Which Bodies Matter? Feminism, Post-Structuralism, Race, and the Curious Theoretical Odyssey of the “Hottentot Venus” \u003ci\u003eZine Magubane\u003c\/i\u003e \u003cbr\u003e4. Exhibit A: Private Life without a Narrative \u003ci\u003eJ. Yolande Daniels\u003c\/i\u003e \u003cbr\u003e5. crucifix \u003ci\u003eHolly Bass\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePART II: Sarah Baartman’s Legacy in Art and Art History\u003c\/b\u003e \u003cbr\u003e6. Historic Retrievals: Confronting Visual Evidence and the Imaging of Truth \u003ci\u003eLisa Gail Collins\u003c\/i\u003e \u003cbr\u003e7. Reclaiming Venus: The Presence of Sarah Bartmann in Contemporary Art \u003ci\u003eDebra S. Singer\u003c\/i\u003e \u003cbr\u003e8. Playing with Venus: Black Women Artists and the Venus Trope in Contemporary Visual Art \u003ci\u003eKianga K. Ford\u003c\/i\u003e \u003cbr\u003e9. Talk of the Town \u003ci\u003eManthia Diawara\u003c\/i\u003e \u003cbr\u003e10. The “Hottentot Venus” in Canada: Modernism, Censorship, and the Racial Limits of Female Sexuality \u003ci\u003eCharmaine Nelson\u003c\/i\u003e \u003cbr\u003e11. A.K.A. Saartjie: The “Hottentot Venus” in Context (Some Recollections and a Dialogue), 1998\/2004 \u003ci\u003eKellie Jones\u003c\/i\u003e \u003cbr\u003e12. little sarah \u003ci\u003eLinda Susan Jackson\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePART III: Sarah Baartman and Black Women as Public Spectacle\u003c\/b\u003e \u003cbr\u003e13. The Greatest Show on Earth: For Saartjie Baartman, Joice Heth, Anarcha of Alabama, Truuginini, and Us All \u003ci\u003eNikky Finney\u003c\/i\u003e \u003cbr\u003e14. The Imperial Gaze: Venus Hottentot, Human Display, and World’s Fairs \u003ci\u003eMichele Wallace\u003c\/i\u003e \u003cbr\u003e15. Cinderella Tours Europe \u003ci\u003eCheryl Finley\u003c\/i\u003e \u003cbr\u003e16. Mirror Sisters: Aunt Jemima as the Antonym\/Extension of Saartjie Bartmann \u003ci\u003eMichael D. Harris\u003c\/i\u003e \u003cbr\u003e17. My Wife as Venus \u003ci\u003eE. Ethelbert Miller\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePART IV: Iconic Women in the Twentieth Century\/b\u0026gt; \u003cbr\u003e18. agape \u003ci\u003eHolly Bass\u003c\/i\u003e \u003cbr\u003e19. Black\/Female\/Bodies Carnivalized in Spectacle and Space \u003ci\u003eCarole Boyce Davies\u003c\/i\u003e \u003cbr\u003e20. Sighting the “Real” Josephine Baker: Methods and Issues of Black Star Studies \u003ci\u003eTerri Francis\u003c\/i\u003e \u003cbr\u003e21. The Hoodrat Theory \u003ci\u003eWilliam Jelani Cobb\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cp\u003eEpilogue: I’ve Come to Take You Home (Tribute to Sarah Bartmann Written in Holland, June 1998) \u003cbr\u003eBibliography \u003cbr\u003eContributors \u003cbr\u003eIndex\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Temple University Press","offers":[{"title":"Brand New","offer_id":52584859533592,"sku":"9781439902042","price":54.59,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/black-venus-2010-they-called-her-hottentot-hardback-9781439902042","provider":"Freshly Printed Books","version":"1.0","type":"link"}