{"product_id":"american-fragments-the-political-aesthetic-of-unfinished-forms-in-the-early-republic-hardback-9780812253795","title":"American Fragments; The Political Aesthetic of Unfinished Forms in the Early Republic (Hardback) 9780812253795","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eAmerican Fragments\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eThe Political Aesthetic of Unfinished Forms in the Early Republic\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eDaniel Diez Couch (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780812253795\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 3 May 2022\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e288 pages, 8 bw\u003cbr\u003e22.9 x 15.2 x 1.5 cm, 0.666 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\"There's a lot to admire here, including Couch's ability to say something new about topics like the connections between aesthetics and liberal individualism, which may have otherwise seemed exhausted...\u003ci\u003eAmerican Fragments\u003c\/i\u003e positions itself less as an intervention and more as a contribution, a missing piece that makes the conversation about early US aesthetics more complete.\" (Eighteenth-Century Studies) \"How is it possible that no one before now has written a literary history of the 'fragment' in early US literature, or one which focuses on this form as important to a more broadly targeted literary history? The fact that such a question can even form itself in a reader's mind is usually a concrete sign of an author's success. In the present case, that success rests on the combination of the argument's novelty and the obviousness of its importance to the field...Before this book's publication, the 'fragment' may not have looked like a form essential to early American literary history; afterward, it most certainly does.\" (Early American Literature) \"In \u003ci\u003eAmerican Fragments, \u003c\/i\u003eDaniel Diez Couch urges us to examine the role that the fragment played both for readers and writers between 1787 and 1813...Couch's work reminds us that there is meaning in the partial, intentionally incomplete silences of these fragments. Early American scholars will find this well-written analysis a thought-provoking addition to our understanding of this tumultuous and transitional period.\" (Eighteenth-Century Fiction) \"The book is excellent. If \u003ci\u003eAmerican \u003c\/i\u003e\u003ci\u003eFragments\u003c\/i\u003e could be said to have any shortcomings, it is that Couch almost undersells how important this work is for introducing possibilities for studying other genres of literature that fall outside of the novel, poem, or play...Written during a moment when our society is also fractured along various lines, \u003ci\u003eAmerican Fragments\u003c\/i\u003e offers ways of reading fragmentation anew, as something partial but generative, symbolizing the potential for representation for those socially and politically marginalized for being assumed incomplete.\" (Journal of the Early Republic) \"[F]irst-rate scholarship...\u003ci\u003eAmerican Fragments \u003c\/i\u003edemands a rethinking of the literary field in the early national period, a rethinking that— among other things—would completely change the way many of us teach....Couch's book testifies to both the creativity and energy of our moment...Books like \u003ci\u003eAmerican Fragments\u003c\/i\u003e help imagine a future that includes more voices, more nuanced understandings of literary history.\" (American Literary History) \"In a field that has for decades glanced only fleetingly at the formal category of the fragment without focusing its critical attention, \u003ci\u003eAmerican Fragments\u003c\/i\u003e is both a flash of illumination and a corrective lens. It restores to us, through the early republic's minor forms, some of the freedom—and the historical contingency—that has been obscured by the myth of the national plot.\" (Matthew Garrett, Wesleyan University)\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eIn the years between the independence of the colonies from Britain and the start of the Jacksonian age, American readers consumed an enormous number of literary texts called \"fragments.\" \u003ci\u003eAmerican Fragments\u003c\/i\u003e recovers this archive of the romantic period to raise a set of pressing questions about the relationship between aesthetic and national realities: What kind of artistic creation was a fragment?, And how and why did deliberately unfinished writing emerge alongside a country that was itself still unfinished?\u003cbr\u003e Through discussions of eighteenth-century transatlantic aesthetics, the Revolutionary War, seduction novels, religious culture, and the construction of authorship, Daniel Diez Couch argues that the literary fragment was used as a means of representing individuals who did not fit neatly into the social fabric of the nation: beggars, prostitutes, veterans, and other ostracized figures. These individuals did not have a secure place in designs for the country's future, yet writers wielded the artistic form of the fragment as an apparatus for surveying their disputed positionality. Time and again, fragments asked what kind of identity marginalized individuals had, and how fictionalized versions of their life stories influenced the sociopolitical circumstances of the emergent nation. In their most progressive moments, the writers of fragments depicted their subjects as being \"in process,\" opting for a fluid version of the self instead of the bounded and coherent one typically hailed as the liberal individual.\u003cbr\u003e Traversing aesthetics, political philosophy, material culture, and history, \u003ci\u003eAmerican Fragments\u003c\/i\u003e gives new life to a literary form that at once played a significant role in the print ecology of the early republic, and that endures in the works of modernist and postmodernist writers and artists.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eContents\u003cbr\u003e Introduction. Thinking in Parts in American Literature\u003cbr\u003e Chapter 1. Eighteenth-Century Philosophies of the Fragment\u003cbr\u003e Chapter 2. Wounded Bodies and the Typographies of War\u003cbr\u003e Chapter 3. Ruinous Designs and the Novel of Seduction\u003cbr\u003e Chapter 4. Biblical Economy and the Miracle of the Loaves and Fish\u003cbr\u003e Chapter 5. Authentic Authorship and the Composition of Sick Fragments\u003cbr\u003e Epilogue. Fragments in the Nineteenth Century\u003cbr\u003e Notes\u003cbr\u003e Bibliography\u003cbr\u003e Index\u003cbr\u003e Acknowledgments\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Brand New","offer_id":52559246360856,"sku":"9780812253795","price":44.46,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/american-fragments-the-political-aesthetic-of-unfinished-forms-in-the-early-republic-hardback-9780812253795","provider":"Freshly Printed Books","version":"1.0","type":"link"}