{"product_id":"african-cinema-manifesto-and-practice-for-cultural-decolonization-volume-2-fespaco-formation-evolution-challenges-hardback-9780253066244","title":"African Cinema: Manifesto and Practice for Cultural Decolonization; Volume 2: FESPACO—Formation, Evolution, Challenges (Hardback) 9780253066244","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eAfrican Cinema: Manifesto and Practice for Cultural Decolonization\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eVolume 2: FESPACO—Formation, Evolution, Challenges\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eMichael T. Martin (Edited by), Gaston Jean-Marie Kaboré (Edited by), Allison J. Brown (With), Cole Nelson (With), Ardiouma Soma (Preface by), Lindiwe Dovey (Contributions by), Sambolgo Bangre (Contributions by), Dorothee Wenner (Contributions by), Manthia Diawara (Contributions by), M. Africanus Aveh (Contributions by), Mbye Cham (Contributions by), Ousmane Sembene (Contributions by), Wole Soyinka (Contributions by), Aboubakar Sanogo (Contributions by), Teresa Hoefert de Turegano (Contributions by), Claire Andrade-Watkins (Contributions by), Beti Ellerson (Contributions by), Férid Boughedir (Contributions by), Claire Diao (Contributions by), Michel Amarger (Contributions by), Mustapha Ouedgraogo (Contributions by), Colin Dupré (Contributions by), Sheila Petty (Contributions by), Imruh Bakari (Contributions by), June Givanni (Contributions by), Mahir Saul (Contributions by), Olivier Barlet (Contributions by), Rémi Abega (Contributions by), Rod Stoneman (Contributions by), Michael T. Martin (Contributions by), Joseph E. Roskos (With)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780253066244\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 29 August 2023\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e660 pages, 76 color photos, 17 b\u0026amp;w photos\u003cbr\u003e22.9 x 15.2 x 4 cm, 1.048 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\"\u003ci\u003eAfrican Cinema: Manifesto and Practice for Cultural Decolonization\u003c\/i\u003e combines theory and praxis as a means to explore the social, cultural, political, economic and gendered dynamics of African cinemas within a global context, all of which are determining factors in how African filmmaking practitioners and stakeholders negotiate their place as directors, producers, organizers, activists, scholars, distributors, cultural readers. The collection is an important addition to African Cinema Studies in particular, and the library of Film Studies in general.\"—Beti Ellerson, Founder and Director, Centre for the Study and Research of African Women in Cinema\u003cbr\u003e \"Setting out, \u003ci\u003eAfrican Cinema\u003c\/i\u003e positioned itself at the intersection of a theory and practice of cultural self-apprehension, with all the contradictions that come with that position. In this three-volume compendium, Martin, Kaboré and their various collaborators have provided a comprehensive, almost exhaustive, account eventuating in a third, element—history. A more comprehensive account will be hard to find anywhere else.\"—Akin Adesokan, Indiana University\u003cbr\u003e \"This is a long-awaited volume of detailed, and analytical information and commentary that maps the development of the cinema of a large continent and the background ideas that have influenced its formation.\"—June Givanni, Director of the June Givanni Pan African Cinema Archive (JGPACA)\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eChallenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.\u003c\/b\u003e\u003cbr\u003e Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film \u0026amp; Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. \u003cbr\u003e This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eDedication\u003cbr\u003e Acknowledgments\u003cbr\u003e Preface, by Ardiouma Soma\u003cbr\u003e African Cinema and the Diasporic: Introductory Considerations, by Michael T. Martin and Gaston Jean-Marie Kaboré\u003cbr\u003e \u003cb\u003ePart I: Sites and Contexts of Exhibition\u003cbr\u003e \u003c\/b\u003eAfrican Film Festivals in Africa: Curating \"African Audiences\" for \"African Films\", by Lindiwe Dovey\u003cbr\u003e On Tracking World Cinema: African Cinema at Film Festivals, by Manthia Diawara\u003cbr\u003e African Women on the Film Festival Landscape: Organizing, Showcasing, Promoting, Networking, by Beti Ellerson\u003cbr\u003e African Cinema in the Tempest of Minor Festivals, by Sambolgo Bangre\u003cbr\u003e Postcolonial Film Collaboration and Festival Politics, by Dorothee Wenner\u003cbr\u003e \u003cb\u003ePart II: FESPACO: An Evolving Cinematic and Cultural Formation\u003cbr\u003e \u003c\/b\u003eAfrican Cinema and Festival: FESPACO, by Manthia Diawara\u003cbr\u003e FESPACO: Promoting African Film Development and Scholarship, by M. Africanus Aveh\u003cbr\u003e FESPACO and Cultural Valorization, by Mahir Saul\u003cbr\u003e African Cinema: Between the \"Old\" and the \"New\", by Mbye Cham\u003cbr\u003e Statement at Ouagadougou (1979), by Ousmane Sembene\u003cbr\u003e A Name Is More Than the Tyranny of Taste, by Wole Soyinka\u003cbr\u003e Cine-Agora Africana: Meditating on the Fiftieth Anniversary of FESPACO, by Aboubakar Sanogo\u003cbr\u003e Cultural Politics of Production and Francophone West African Cinema: FESPACO 1999, by Teresa Hoefert de Turegano\u003cbr\u003e A Mirage in the Desert? African Women Directors at FESPACO, by Claire Andrade-Watkins\u003cbr\u003e \u003ci\u003eCabascabo\u003c\/i\u003e, the Film That Lastingly Established FESPACO: An Interview with Alimata Salambere, by Olivier Barlet\u003cbr\u003e The Long Take: Gaston Kaboré on FEPACI \u0026amp; FESPACO, by Michael T. Martin\u003cbr\u003e Pressing Revelations: Notes on Time at FESPACO, by Rod Stoneman\u003cbr\u003e Fifty Years of Women's Engagement at FESPACO, by Beti Ellerson\u003cbr\u003e \u003ci\u003eThiaroye\u003c\/i\u003e or \u003ci\u003eYeelen\u003c\/i\u003e? The Two Ways of African Cinemas, by Férid Boughedir\u003cbr\u003e Long Live Cinema! Long Live FESPACO.: \u003ci\u003eA Luta Continua\u003c\/i\u003e!, by Claire Diao\u003cbr\u003e Rethinking FESPACO As an Echo, by Michel Amarger\u003cbr\u003e Going to the Cinema in Burkina Faso, by Mustapha Ouedgraogo\u003cbr\u003e FESPACO Film Festival, by Colin Dupré\u003cbr\u003e FESPACO and Its Many Afterlives, by Sheila Petty\u003cbr\u003e \u003cb\u003ePart III: Conditionalities and Challenges\u003cbr\u003e \u003c\/b\u003eTowards Reframing FESPACO, by Imruh Bakari\u003cbr\u003e FESPACO Past and Future: Voices from the Archive, by June Givanni\u003cbr\u003e The Opening of South Africa and the Future of African Film, by Mahir Saul\u003cbr\u003e FESPACO 2019: Moving Toward Resurrection, by Olivier Barlet\u003cbr\u003e Fifty Years of Memories for Shaping the Future!, by Rémi Abega\u003cbr\u003e \u003cb\u003ePart IV: Commentaries: Filmmakers, Film Scholars, and Media Professionals\u003cbr\u003e Part V: Documents\u003cbr\u003e \u003c\/b\u003eResolution on the Pan-African Film Festival of Ouagadougou (1972)\u003cbr\u003e Regulations of the Carthage Film Festival (1970s)\u003cbr\u003e Regulations of the Pan-African Film Festival of Ouagadougou (1980)\u003cbr\u003e Regulations for the Official Juries of the 26th Edition of FESPACO (2019)\u003cbr\u003e FESPACO Award Winners (1972-2019)\u003cbr\u003e FESPACO 50th Anniversary Symposium (2019)\u003cbr\u003e Manifesto of Ouagadougou (2017)\u003cbr\u003e FESPACO Poster Gallery (1969-2019)\u003cbr\u003e Organizing Themes of the FESPACO Festival (1973-2019)\u003cbr\u003e Major Events of FESPACO (1969-2016)\u003cbr\u003e The African Film Library of Ouagadougou\u003cbr\u003e Dossier 1: Paul Robeson Award Initiative (PRAI)\u003cbr\u003e Dossier 2: The Higher Institute of Image and Sound \/ Studio School (ISIS-SE)\u003cbr\u003e Dossier 3: Imagine Film Training Institute\u003cbr\u003e Power to the Imagination (2020), by Rod Stoneman\u003cbr\u003e Founding Myths and Storytelling: The African Modern (2011), by Michael T. Martin\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003c\/font\u003e","brand":"Indiana University Press","offers":[{"title":"Brand New","offer_id":52525595590936,"sku":"9780253066244","price":50.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/freshlyprintedbooks.co.uk\/products\/african-cinema-manifesto-and-practice-for-cultural-decolonization-volume-2-fespaco-formation-evolution-challenges-hardback-9780253066244","provider":"Freshly Printed Books","version":"1.0","type":"link"}