{"product_id":"aesthetics-and-the-philosophy-of-art-the-analytic-tradition-an-anthology-hardback-9781405105811","title":"Aesthetics and the Philosophy of Art; The Analytic Tradition: An Anthology (Hardback) 9781405105811","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eAesthetics and the Philosophy of Art\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003eThe Analytic Tradition: An Anthology\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003ePeter Lamarque (Edited by), P Lamarque (Author), Stein Haugom Olsen (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781405105811, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 1 September 2003\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e588 pages\u003cbr\u003e25 x 17.6 x 3.7 cm, 1.219 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\"To my knowledge, Lamarque and Olsen's anthology is the most comprehensive and judiciously put-together collection of its kind to date. It includes all of the authors one can think of on anyone’s list of the major contributors to the late twentieth-century analytic tradition in aesthetics and philosophy of art. It is both deep and broad. If you are going to a desert island, and baggage space is limited, this is definitely the collection on the subject you want to take with you. The period covered by Lamarque and Olsen's anthology is one of the richest in the history of the discipline: a veritable golden age of philosophical speculation on art and the aesthetic that, I am glad to say, is not over yet, and to which this volume will be a major contribution.\"\u003cbr\u003e—\u003cb\u003ePeter Kivy, Rutgers University\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\"A sparkling compilation of essential readings, balancing classics in analytic aesthetics with recent developments, all skilfully arranged to capture every reader's interests. An incomparable achievement.\"\u003cbr\u003e—\u003cb\u003eDominic McIver Lopes, University of British Columbia\u003c\/b\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eThis anthology provides comprehensive coverage of the major contributions of analytic philosophy to aesthetics and the philosophy of art, from the earliest beginnings in the 1950's to the present time.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTraces the contributions of the analytic tradition to aesthetics and the philosophy of art, from the 1950’s to the present time.\u003c\/li\u003e \u003cli\u003eDesigned as a comprehensive guide to the field, it presents the most often-cited papers that students and researchers encounter.\u003c\/li\u003e \u003cli\u003eAddresses a wide range of topics, including identifying art, ontology, intention and interpretation, values of art, aesthetic properties, fictionality, and the aesthetics of nature.\u003c\/li\u003e \u003cli\u003eExplores particular art forms, including pictorial art, literature, music, and the popular arts.\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePreface. \u003cp\u003eAcknowledgments.\u003c\/p\u003e \u003cp\u003eGeneral Introduction. \u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Identifying Art.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e1. The Role of Theory in Aesthetics (Morris Weitz).\u003c\/p\u003e \u003cp\u003e2. What Makes a Situation Aesthetic (J. O. Urmson).\u003c\/p\u003e \u003cp\u003e3. The Artworld (Arthur C. Danto).\u003c\/p\u003e \u003cp\u003e4. Defining Art Historically (Jerrold Levinson).\u003c\/p\u003e \u003cp\u003e5. The New Institutional Theory of Art (George Dickie).\u003c\/p\u003e \u003cp\u003e6. An Aesthetic Definition of Art (Monroe C. Beardsley).\u003c\/p\u003e \u003cp\u003e7. Weitz’s Anti-Essentialism (Stephen Davies)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Ontology of Art\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e8. The Ontological Peculiarity of Works of Art (Joseph Margolis).\u003c\/p\u003e \u003cp\u003e9. What a Musical Work Is (Jerrold Levinson).\u003c\/p\u003e \u003cp\u003e10. Platonism in Music: A Kind of Defence (Peter Kivy).\u003c\/p\u003e \u003cp\u003e11. Art Works as Action Types (Gregory Currie)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Aesthetic Properties\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e12. Aesthetic Concepts (Frank Sibley).\u003c\/p\u003e \u003cp\u003e13. Categories of Art (Kendall L. Walton).\u003c\/p\u003e \u003cp\u003e14. The Possibility of Aesthetic Realism (Philip Pettit)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Intention and Interpretation\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e15. The ‘Meaning’ of a Literary Work (Stein Haugom Olsen).\u003c\/p\u003e \u003cp\u003e16. Intentions and Interpretations: A Fallacy Revived (Monroe C. Beardsley).\u003c\/p\u003e \u003cp\u003e17. Intention and Interpretation in Literature (Jerrold Levinson).\u003c\/p\u003e \u003cp\u003e18. The Constructivist’s Dilemma (Robert Stecker)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V: Values of Art\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e19. Aesthetic Appraisal and Works of Art (P. F. Strawson).\u003c\/p\u003e \u003cp\u003e20. Particularity, Art and Evaluation (Frank Sibley).\u003c\/p\u003e \u003cp\u003e21. From \u003ci\u003eThe Test of Time\u003c\/i\u003e (Anthony Savile).\u003c\/p\u003e \u003cp\u003e22. From Values of Art (Malcolm Budd).\u003c\/p\u003e \u003cp\u003e23. Tragedy and Moral Value (Peter Lamarque).\u003c\/p\u003e \u003cp\u003e24. The Ethical Criticism of Art (Berys Gaut)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI: Fictionality\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e25. How Can We Be Moved By the Fate of Anna Karenina (Colin Radford).\u003c\/p\u003e \u003cp\u003e26. Fearing Fictions (Kendall L. Walton).\u003c\/p\u003e \u003cp\u003e27. The Logical Status of Fictional Discourse (John Searle).\u003c\/p\u003e \u003cp\u003e28. How Can We Fear and Pity Fictions (Peter Lamarque).\u003c\/p\u003e \u003cp\u003e29. On the Cognitive Triviality of Art (Jerome Stolnitz)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII: Pictorial Art\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e30. Are Representations Symbols (Kendall L. Walton).\u003c\/p\u003e \u003cp\u003e31. Photography and Representation (Roger Scruton).\u003c\/p\u003e \u003cp\u003e32. Originals, Copies, and Aesthetic Value (Jack W. Meiland).\u003c\/p\u003e \u003cp\u003e33. How Pictures Look (Malcolm Budd).\u003c\/p\u003e \u003cp\u003e34. On Pictorial Representation (Richard Wollheim)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII: Literature\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e35. Style and Personality in the Literary Work (Jenefer M. Robinson).\u003c\/p\u003e \u003cp\u003e36. Literary Aesthetics and Literary Practice (Stein Haugom Olsen).\u003c\/p\u003e \u003cp\u003e37. The Death of the Author: An Analytical Autopsy (Peter Lamarque)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX: Music.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e38. Understanding Music (Roger Scruton).\u003c\/p\u003e \u003cp\u003e39. The Profundity of Music (Peter Kivy).\u003c\/p\u003e \u003cp\u003e40. Expression and Arousal of Emotion in Music (Jenefer M. Robinson)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart X: Popular Art\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e41. The Power of Movies (Noël Carroll).\u003c\/p\u003e \u003cp\u003e42. Prolegomena to Any Aesthetics of Rock Music (Bruce Baugh).\u003c\/p\u003e \u003cp\u003e43. Rock versus Classical Music (Stephen Davies)\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XI: Aesthetics of Nature\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003eIntroduction.\u003c\/p\u003e \u003cp\u003e44. Contemporary Aesthetics and the Neglect of Natural Beauty (R. W. Hepburn).\u003c\/p\u003e \u003cp\u003e45. Appreciation and the Natural Environment (Allen Carlson).\u003c\/p\u003e \u003cp\u003e46. The Aesthetic Appreciation of Nature (Malcolm Budd).\u003c\/p\u003e \u003cp\u003eIndex\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Philosophy [\u003ca title=\"See our other books on Philosophy\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Philosophy%20%5BHP%5D%22\"\u003eHP\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52433847386392,"sku":"9781405105811","price":125.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781405105811.jpg?v=1784855539","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/aesthetics-and-the-philosophy-of-art-the-analytic-tradition-an-anthology-hardback-9781405105811","provider":"Freshly Printed Books","version":"1.0","type":"link"}