{"product_id":"a-new-companion-to-the-gothic-paperback-softback-9781119062509","title":"A New Companion to The Gothic (Paperback \/ softback) 9781119062509","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA New Companion to The Gothic\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eDavid Punter (Edited by), D Punter (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119062509, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 4 September 2015\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e576 pages\u003cbr\u003e24.1 x 16.8 x 3.3 cm, 0.953 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cem\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eFrom reviews of the previous edition:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e“It offers a range of strategies for understanding the genre, and is an excellent resource for students, teachers, and scholars of the Gothic.” \u003cb\u003e\u003ci\u003eGothic Studies\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e“[Its] obvious value ... is its wealth of critical approaches – from good, old-fashioned ‘history of ideas’ readings to the most sophisticated of recent theory.” \u003cb\u003e\u003ci\u003eRomanticism on the Net\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e“The book does not offer a house view of what Gothic is, but instead faithfully reproduces the status of current debates on the relevant genres. Many essays provide useful summaries of criticism or of primary texts; others offer new critical insights.” \u003cb\u003e\u003ci\u003eTimes Higher Education\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e“The individual essays are narrow enough to describe discrete topics but useful to newcomer and scholar alike … Punter's volume is sure to be a standard reference for some time to come for undergraduates and scholars.” \u003cb\u003e\u003ci\u003eChoice\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e“Anyone lucky enough to have this volume sitting on their shelves has instant access to the recent thinking of a long list of scholars who have led the way in Gothic studies. The book is a veritable Baedeker's guide that ranges from the historical Goths of the third century to Stephen King in the twentieth century; that explores dimensions of Gothic through painting and cinema, as well as written texts; that roams across Europe and America as well as the British Isles. Punter himself contributes a concise but stimulating introduction.” \u003cb\u003e\u003ci\u003eStudies in Hogg and His World\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eThe thoroughly expanded and updated \u003ci\u003eNew Companion to the Gothic\u003c\/i\u003e, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eMany of the original essays have been revised to reflect current debates\u003c\/li\u003e \u003cli\u003eOffers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned\u003c\/li\u003e \u003cli\u003eFeatures important and original essays by leading scholars in the field\u003c\/li\u003e \u003cli\u003eThe editor is widely recognized as the founder of modern criticism of the Gothic\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eNotes on Contributors x\u003c\/p\u003e \u003cp\u003eAcknowledgments xvii\u003c\/p\u003e \u003cp\u003eIntroduction: The Ghost of a History 1\u003cbr\u003e \u003ci\u003eDavid Punter\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I. Gothic Backgrounds 11\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 In Gothic Darkly: Heterotopia, History, Culture 13\u003cbr\u003e \u003ci\u003eFred Botting\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 The Goths in History and Pre-Gothic Gothic 25\u003cbr\u003e \u003ci\u003eRobin Sowerby\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Gothic Shakespeare 38\u003cbr\u003e \u003ci\u003eDale Townshend\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 European Gothic 64\u003cbr\u003e \u003ci\u003eNeil Cornwell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 The Gothic Ballad 77\u003cbr\u003e \u003ci\u003eDouglass H. Thomson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II. The Original Gothic 91\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e6 Ann Radcliffe and Matthew Lewis 93\u003cbr\u003e \u003ci\u003eRobert Miles\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Mary Shelley, Author of Frankenstein 110\u003cbr\u003e \u003ci\u003eNora Crook\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Walter Scott, James Hogg, and Scottish Gothic 123\u003cbr\u003e \u003ci\u003eIan Duncan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Irish Gothic: C. R. Maturin and J. S. LeFanu 135\u003cbr\u003e \u003ci\u003eVictor Sage\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 The Political Culture of Gothic Drama 148\u003cbr\u003e \u003ci\u003eDavid Worrall\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III. Nineteenth- and Twentieth-Century Transformations 161\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e11 Nineteenth-Century American Gothic 163\u003cbr\u003e \u003ci\u003eAllan Lloyd Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 The Ghost Story 176\u003cbr\u003e \u003ci\u003eJulia Briggs\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Gothic in the 1890s 186\u003cbr\u003e \u003ci\u003eGlennis Byron\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 Fictional Vampires in the Nineteenth and Twentieth Centuries 197\u003cbr\u003e \u003ci\u003eWilliam Hughes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Horror Fiction: In Search of a Definition 211\u003cbr\u003e \u003ci\u003eClive Bloom\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Love Bites: Contemporary Women’s Vampire Fictions 224\u003cbr\u003e \u003ci\u003eGina Wisker\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Gothic Film 239\u003cbr\u003e \u003ci\u003eHeidi Kaye\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Shape and Shadow: On Poetry and the Uncanny 252\u003cbr\u003e \u003ci\u003eDavid Punter\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV. Gothic Theory and Genre 265\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 Gothic Criticism 267\u003cbr\u003e \u003ci\u003eChris Baldick and Robert Mighall\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 The Gothic Sublime 288\u003cbr\u003e \u003ci\u003eVijay Mishra\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Psychoanalysis and the Gothic 307\u003cbr\u003e \u003ci\u003eMichelle A. Massé\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Comic Gothic 321\u003cbr\u003e \u003ci\u003eAvril Horner and Sue Zlosnik\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Gothic and the Graphic Novel 335\u003cbr\u003e \u003ci\u003eJulia Round\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Goth Culture 350\u003cbr\u003e \u003ci\u003eCatherine Spooner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V. The Globalization of Gothic 367\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e25 Global Gothic 369\u003cbr\u003e \u003ci\u003eGlennis Byron\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Australian Gothic 379\u003cbr\u003e \u003ci\u003eKen Gelder\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 New Zealand Gothic 393\u003cbr\u003e \u003ci\u003eIan Conrich\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Canadian Gothic 409\u003cbr\u003e \u003ci\u003eCynthia Sugars\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 Asian Gothic 428\u003cbr\u003e \u003ci\u003eKatarzyna Ancuta\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Japanese Gothic 442\u003cbr\u003e \u003ci\u003eCharles Shirō Inouye\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI. The Continuing Debate 455\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e31 Can You Forgive Her? The Gothic Heroine and Her Critics 457\u003cbr\u003e \u003ci\u003eKate Ferguson Ellis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Picture This: Stephen King’s Queer Gothic 469\u003cbr\u003e \u003ci\u003eSteven Bruhm\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Seeing Things: Gothic and the Madness of Interpretation 481\u003cbr\u003e \u003ci\u003eScott Brewster\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 The Gothic Ghost of the Counterfeit and the Progress of Abjection 496\u003cbr\u003e \u003ci\u003eJerrold E. Hogle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 The Magical Realism of the Contemporary Gothic 510\u003cbr\u003e \u003ci\u003eLucie Armitt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Welcome the Coming, Speed the Parting Guest: Hospitality and the Gothic 523\u003cbr\u003e \u003ci\u003eJoanne Watkiss Index 535\u003c\/i\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Language: reference \u0026amp; general [\u003ca title=\"See our other books on Language: reference \u0026amp; general\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Language:%20reference%20\u0026amp;%20general%20%5BCB%5D%22\"\u003eCB\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52470096822552,"sku":"9781119062509","price":31.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119062509.jpg?v=1785633114","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-new-companion-to-the-gothic-paperback-softback-9781119062509","provider":"Freshly Printed Books","version":"1.0","type":"link"}