{"product_id":"a-history-of-roman-art-paperback-softback-9781119653288","title":"A History of Roman Art (Paperback \/ softback) 9781119653288","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA History of Roman Art\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eSteven L. Tuck (Author)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119653288, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 25 March 2021\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e448 pages\u003cbr\u003e27.2 x 21.6 x 2.5 cm, 1.202 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cb\u003eA HISTORY OF ROMAN ART\u003c\/b\u003e  \u003cp\u003e\u003cb\u003eThe new edition of the leading textbook on Roman art, updated  with new images and expanded geographic and cultural scope\u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eA History of Roman Art\u003c\/i\u003e is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world. \u003c\/p\u003e\n\u003cp\u003eNow in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProvides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations \u003c\/li\u003e \u003cli\u003eIncludes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestions\u003c\/li\u003e \u003cli\u003eOffers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapter\u003c\/li\u003e \u003cli\u003eIncludes a companion website containing PowerPoint slides and additional instructor resources\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003ci\u003eA History of Roman Art, Second Edition\u003c\/i\u003e is an ideal primary or secondary text for courses on Roman art and archaeology, Roman art and architecture, Greek and Roman art, and general Roman civilization, history, and culture.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eList of Illustrations xiv\u003c\/p\u003e \u003cp\u003ePreface to the Second Edition xxiv\u003c\/p\u003e \u003cp\u003ePreface to the First Edition xxv\u003c\/p\u003e \u003cp\u003eNote to Students xxvii\u003c\/p\u003e \u003cp\u003eAcknowledgments xxix\u003c\/p\u003e \u003cp\u003eWalk Through Tour xxx\u003c\/p\u003e \u003cp\u003eTimeline xxxii\u003c\/p\u003e \u003cp\u003eAbout the Website xxxvii\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1 Introduction To Roman Art History 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTimeline 1\u003c\/p\u003e \u003cp\u003eCultural Property Controversies 2\u003c\/p\u003e \u003cp\u003eDating Dilemmas in Roman Art History 3\u003c\/p\u003e \u003cp\u003eRestoration Issues in Roman Art History 4\u003c\/p\u003e \u003cp\u003eThe Role of Elites in Public Art and Architecture 4\u003c\/p\u003e \u003cp\u003eItalic versus Classical Styles and Forms I: Temples 5\u003c\/p\u003e \u003cp\u003eItalic versus Classical Styles and Forms II: Portraiture 7\u003c\/p\u003e \u003cp\u003eFemale Portraiture and Embedded Values 9\u003c\/p\u003e \u003cp\u003eRomans Judging Roman Art: Values and Class 11\u003c\/p\u003e \u003cp\u003eArt, Context, and Social Status I: The Tomb of Vestorius Priscus 12\u003c\/p\u003e \u003cp\u003eArt, Context, and Social Status II: The Roman House 14\u003c\/p\u003e \u003cp\u003eNarrative Moment 16\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 17\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2 Regal Period, 753–509 BCE 18\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Etruscans and the Question of Etruscan Dominance\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 18\u003c\/p\u003e \u003cp\u003eIntroduction to the World of Early Rome and Italy 19\u003c\/p\u003e \u003cp\u003eThe Etruscans 21\u003c\/p\u003e \u003cp\u003eEtruscan architecture and city planning 21\u003c\/p\u003e \u003cp\u003eEtruscan Orientalizing art 23\u003c\/p\u003e \u003cp\u003eEtruscan sculpture and portraiture 25\u003c\/p\u003e \u003cp\u003eArt in Latium, the Region Around Rome 27\u003c\/p\u003e \u003cp\u003eArchaic Rome: City Planning and Architecture 29\u003c\/p\u003e \u003cp\u003eTemple of Jupiter Optimus Maximus 34\u003c\/p\u003e \u003cp\u003eMurlo (Poggio Civitate) 36\u003c\/p\u003e \u003cp\u003eEtruscan Tomb Paintings 41\u003c\/p\u003e \u003cp\u003eGreco‐Italic Archaic Architecture: A Doric Temple at Pompeii 45\u003c\/p\u003e \u003cp\u003eConclusion 46\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 46\u003c\/p\u003e \u003cp\u003e\u003cb\u003e3 The Early Republic, 509–211 BCE 48\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Spread of Roman Power and Forms\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 48\u003c\/p\u003e \u003cp\u003eIntroduction to Early Roman Republican Art 49\u003c\/p\u003e \u003cp\u003eA brief historical survey of the Early Republic 50\u003c\/p\u003e \u003cp\u003eGreek wall painting: Tomb of the Diver, Paestum 50\u003c\/p\u003e \u003cp\u003eEtruscan tomb painting of the fifth century BCE 52\u003c\/p\u003e \u003cp\u003eEtruscan terracotta plaque, Pyrgi 54\u003c\/p\u003e \u003cp\u003eLucanian Tomb Painting, Paestum 56\u003c\/p\u003e \u003cp\u003eEtruscan tomb painting of the fourth century BCE 60\u003c\/p\u003e \u003cp\u003eRoman tomb painting of the Early Republic 64\u003c\/p\u003e \u003cp\u003eEtruscan and Central Italian Bronze Sculpture 67\u003c\/p\u003e \u003cp\u003eTerracotta Votive Sculpture 71\u003c\/p\u003e \u003cp\u003eRoman Architecture and Urban Planning 73\u003c\/p\u003e \u003cp\u003eOstia: Rome’s first colony and planned community 74\u003c\/p\u003e \u003cp\u003eMaritime colonies at Cosa and Paestum, 273 BCE 75\u003c\/p\u003e \u003cp\u003eConclusion 79\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 79\u003c\/p\u003e \u003cp\u003e\u003cb\u003e4 The Later Republic, 211–31 BCE 81\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Origins of a Hellenistic Roman Culture\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 81\u003c\/p\u003e \u003cp\u003eIntroduction 82\u003c\/p\u003e \u003cp\u003eArchitecture and Urban Planning 82\u003c\/p\u003e \u003cp\u003eArchitecture 84\u003c\/p\u003e \u003cp\u003eGreek urban planning and sanctuary design 88\u003c\/p\u003e \u003cp\u003eRoman Wall Painting in the Late Republic 100\u003c\/p\u003e \u003cp\u003eFirst Style wall painting, 200–80 BCE 100\u003c\/p\u003e \u003cp\u003eSecond Style wall painting, 80–15 BCE 104\u003c\/p\u003e \u003cp\u003eLate Republican Sculpture 116\u003c\/p\u003e \u003cp\u003eConclusion 122\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 122\u003c\/p\u003e \u003cp\u003e\u003cb\u003e5 The Age of Augustus, 31 BCE–14 CE 124\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Art of Empire\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 124\u003c\/p\u003e \u003cp\u003eAugustus 125\u003c\/p\u003e \u003cp\u003eThe Portraits of Augustus 126\u003c\/p\u003e \u003cp\u003eAugustus and the City of Rome 130\u003c\/p\u003e \u003cp\u003eThe Campus Martius 130\u003c\/p\u003e \u003cp\u003eForum Augustum 135\u003c\/p\u003e \u003cp\u003eThe Palatine Hill 140\u003c\/p\u003e \u003cp\u003eThird Style Wall Painting 144\u003c\/p\u003e \u003cp\u003eThird Style painting at Oplontis 145\u003c\/p\u003e \u003cp\u003eThe Emulation of Augustan Art 146\u003c\/p\u003e \u003cp\u003eTraditional Italic Style in the Age of Augustus 149\u003c\/p\u003e \u003cp\u003eConcrete Architecture 154\u003c\/p\u003e \u003cp\u003eGlass and Gems 155\u003c\/p\u003e \u003cp\u003eConclusion 156\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 157\u003c\/p\u003e \u003cp\u003e\u003cb\u003e6 The Julio-Claudians, 14–68 CE 159\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Rise of Roman Dynastic Art\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 159\u003c\/p\u003e \u003cp\u003eIntroduction 160\u003c\/p\u003e \u003cp\u003eTiberius, 14–37 ce, and Caligula, 37–41 CE 160\u003c\/p\u003e \u003cp\u003ePortraiture 161\u003c\/p\u003e \u003cp\u003eDynastic monuments 161\u003c\/p\u003e \u003cp\u003ePalace architecture and mythological sculpture 165\u003c\/p\u003e \u003cp\u003eClaudius, 41–54 CE 171\u003c\/p\u003e \u003cp\u003ePortraiture 171\u003c\/p\u003e \u003cp\u003eDynastic monuments 172\u003c\/p\u003e \u003cp\u003eHistorical reliefs 174\u003c\/p\u003e \u003cp\u003eArchitecture 176\u003c\/p\u003e \u003cp\u003eNero, 54–68 CE 177\u003c\/p\u003e \u003cp\u003ePortraiture of Nero 178\u003c\/p\u003e \u003cp\u003ePortraiture of Julio‐Claudian women 179\u003c\/p\u003e \u003cp\u003ePalace architecture 180\u003c\/p\u003e \u003cp\u003eNon‐Mythological Wall Painting, Pompeii 185\u003c\/p\u003e \u003cp\u003ePublic Buildings and Interior Decoration, Pompeii 186\u003c\/p\u003e \u003cp\u003eDecorative Metal, Gems, and Glass 190\u003c\/p\u003e \u003cp\u003eConclusion 195\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 195\u003c\/p\u003e \u003cp\u003e\u003cb\u003e7 The Flavians, 69–96 CE 197\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eCivil War, Disaster, and Response\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 197\u003c\/p\u003e \u003cp\u003eCivil War of 68–69 CE 198\u003c\/p\u003e \u003cp\u003eVespasian and Titus, 69–81 CE 199\u003c\/p\u003e \u003cp\u003ePortraiture 200\u003c\/p\u003e \u003cp\u003eArchitecture 200\u003c\/p\u003e \u003cp\u003ePompeii and Herculaneum 205\u003c\/p\u003e \u003cp\u003eHerculaneum 206\u003c\/p\u003e \u003cp\u003ePompeii 209\u003c\/p\u003e \u003cp\u003eDomitian, 81–96 CE 215\u003c\/p\u003e \u003cp\u003ePortraiture 217\u003c\/p\u003e \u003cp\u003eHistorical reliefs 218\u003c\/p\u003e \u003cp\u003eArchitecture 226\u003c\/p\u003e \u003cp\u003eDecorative Metal and Glass 232\u003c\/p\u003e \u003cp\u003eConclusion 233\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 233\u003c\/p\u003e \u003cp\u003e\u003cb\u003e8 Trajan and Hadrian, 98–138 CE 235\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eEmperors from the Provinces\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 235\u003c\/p\u003e \u003cp\u003eNerva, 96–98 CE 236\u003c\/p\u003e \u003cp\u003eTrajan, 98–117 ce, and Hadrian, 117–138 CE 237\u003c\/p\u003e \u003cp\u003ePortraiture of Trajan and Hadrian 238\u003c\/p\u003e \u003cp\u003ePortraiture of empresses 239\u003c\/p\u003e \u003cp\u003eArchitecture 239\u003c\/p\u003e \u003cp\u003eSculpture 249\u003c\/p\u003e \u003cp\u003eHistorical reliefs 249\u003c\/p\u003e \u003cp\u003eFunerary sculpture 262\u003c\/p\u003e \u003cp\u003eMythological sculpture 263\u003c\/p\u003e \u003cp\u003eMosaics 266\u003c\/p\u003e \u003cp\u003eLamps 270\u003c\/p\u003e \u003cp\u003eConclusion 271\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 271\u003c\/p\u003e \u003cp\u003e\u003cb\u003e9 Antonine Emperors, 138–192 CE 272\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eFrom an Empire of Gold to One of Rust\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 272\u003c\/p\u003e \u003cp\u003eIntroduction 273\u003c\/p\u003e \u003cp\u003eAntonine Portraiture 274\u003c\/p\u003e \u003cp\u003ePortraits of emperors and empresses 274\u003c\/p\u003e \u003cp\u003eNon‐imperial portraiture 276\u003c\/p\u003e \u003cp\u003eCommodus portraiture 277\u003c\/p\u003e \u003cp\u003eArchitectural Sculpture 280\u003c\/p\u003e \u003cp\u003eRelief sculpture honoring Hadrian and Antoninus Pius 280\u003c\/p\u003e \u003cp\u003eReliefs from victory monuments of Marcus Aurelius 283\u003c\/p\u003e \u003cp\u003eArchitecture 284\u003c\/p\u003e \u003cp\u003eWall Painting and Mosaics 287\u003c\/p\u003e \u003cp\u003eSarcophagi 292\u003c\/p\u003e \u003cp\u003eMythological sarcophagi 292\u003c\/p\u003e \u003cp\u003eBiographical sarcophagi 294\u003c\/p\u003e \u003cp\u003eChildren’s sarcophagi 297\u003c\/p\u003e \u003cp\u003eFayum Mummy Portraits 297\u003c\/p\u003e \u003cp\u003eCarved Gems 301\u003c\/p\u003e \u003cp\u003eConclusion 301\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 301\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10 Civil War and Severan Dynasty, 193–235 CE 303\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eCalm before the Storm\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 303\u003c\/p\u003e \u003cp\u003eIntroduction 304\u003c\/p\u003e \u003cp\u003eTrends and Developments in Severan Art 304\u003c\/p\u003e \u003cp\u003ePortraiture 305\u003c\/p\u003e \u003cp\u003ePortraiture of Julia Domna 306\u003c\/p\u003e \u003cp\u003eBaths of Caracalla: Architecture and Sculpture in Rome 309\u003c\/p\u003e \u003cp\u003eHistorical Reliefs 314\u003c\/p\u003e \u003cp\u003eMosaic Art under the Severans 317\u003c\/p\u003e \u003cp\u003eSarcophagi 319\u003c\/p\u003e \u003cp\u003e\u003ci\u003eForma Urbis Romae \u003c\/i\u003e322\u003c\/p\u003e \u003cp\u003eRoman Temples at Baalbek 325\u003c\/p\u003e \u003cp\u003eSeveran Building Program at Lepcis Magna 330\u003c\/p\u003e \u003cp\u003eGems 333\u003c\/p\u003e \u003cp\u003eTerracotta 334\u003c\/p\u003e \u003cp\u003eConclusion 334\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 335\u003c\/p\u003e \u003cp\u003e\u003cb\u003e11 The Third Century and The Tetrarchy, 235–306 CE 336\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eCrisis and Renewal\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 336\u003c\/p\u003e \u003cp\u003eThird‐Century Emperors and the Tetrarchy 337\u003c\/p\u003e \u003cp\u003ePhilip the Arab, 244–249 CE 337\u003c\/p\u003e \u003cp\u003eDecius, 249–251 CE 337\u003c\/p\u003e \u003cp\u003eValerian, 253–260 CE 340\u003c\/p\u003e \u003cp\u003eAurelian, 270–275 CE 340\u003c\/p\u003e \u003cp\u003eDiocletian, 284–305 CE 341\u003c\/p\u003e \u003cp\u003eThe Tetrarchy 343\u003c\/p\u003e \u003cp\u003eCoin Portraits of the Third Century CE 344\u003c\/p\u003e \u003cp\u003eHistorical Reliefs 346\u003c\/p\u003e \u003cp\u003eDecennalia Monument, Forum Romanum, Rome, 303 CE 347\u003c\/p\u003e \u003cp\u003eArch of Galerius, Thessalonica, 303 CE 348\u003c\/p\u003e \u003cp\u003eSarcophagi 350\u003c\/p\u003e \u003cp\u003eImperial Architecture 355\u003c\/p\u003e \u003cp\u003eBaths of Diocletian 355\u003c\/p\u003e \u003cp\u003eArchitecture and mosaics: Villa at Piazza Armerina, Sicily 357\u003c\/p\u003e \u003cp\u003eMosaics from the City of Antioch‐on‐the‐Orontes in the Roman East 361\u003c\/p\u003e \u003cp\u003eGlass and Gems 365\u003c\/p\u003e \u003cp\u003eConclusion 369\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 369\u003c\/p\u003e \u003cp\u003e\u003cb\u003e12 Constantine, 306–337 CE 371\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eChristian Empire and the Decline of the West\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eTimeline 371\u003c\/p\u003e \u003cp\u003eConstantine, the First Christian Emperor 372\u003c\/p\u003e \u003cp\u003ePortraiture 373\u003c\/p\u003e \u003cp\u003eArchitecture at Trier: Building a Provincial Capital 374\u003c\/p\u003e \u003cp\u003eArchitecture and Sculpture at Rome: Augmenting the Imperial Capital and Creating a Dynasty 377\u003c\/p\u003e \u003cp\u003eBasilica Nova 377\u003c\/p\u003e \u003cp\u003eArch of Constantine 378\u003c\/p\u003e \u003cp\u003eConstantinian church and tomb architecture in Rome 383\u003c\/p\u003e \u003cp\u003eSilver Vessels in the Fourth Century CE 387\u003c\/p\u003e \u003cp\u003eMosaics 390\u003c\/p\u003e \u003cp\u003eConclusion 393\u003c\/p\u003e \u003cp\u003eEpilogue: The Fall of Rome and the Rise of New Romes 394\u003c\/p\u003e \u003cp\u003eSuggestions for Further Reading 399\u003c\/p\u003e \u003cp\u003eGlossary 400\u003c\/p\u003e \u003cp\u003eGuide to Further Reading 403\u003c\/p\u003e \u003cp\u003eIndex 406\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: History [\u003ca title=\"See our other books on History\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22History%20%5BHB%5D%22\"\u003eHB\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52462987510040,"sku":"9781119653288","price":42.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119653288.jpg?v=1785544405","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-history-of-roman-art-paperback-softback-9781119653288","provider":"Freshly Printed Books","version":"1.0","type":"link"}