{"product_id":"a-handbook-to-classical-reception-in-eastern-and-central-europe-hardback-9781118832714","title":"A Handbook to Classical Reception in Eastern and Central Europe (Hardback) 9781118832714","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA Handbook to Classical Reception in Eastern and Central Europe\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eZara Martirosova Torlone (Edited by), ZM Torlone (Author), Dana LaCourse Munteanu (Edited by), Dorota Dutsch (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781118832714, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 28 March 2017\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e632 pages\u003cbr\u003e24.6 x 17.3 x 3 cm, 1.225 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cul\u003e \u003cli\u003e\n\u003ci\u003eA Handbook to Classical Reception in Eastern and Central Europe\u003c\/i\u003e is the first comprehensive English]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally.\u003c\/li\u003e \u003cli\u003eThe first English-language collection of  research and scholarship on Greco-Roman heritage in Eastern and Central Europe \u003c\/li\u003e \u003cli\u003eWritten and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise \u003c\/li\u003e \u003cli\u003eEssays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas \u003c\/li\u003e \u003cli\u003eDiscusses the reception of many aspects of Greco-Roman heritage, such as prose\/philosophy, poetry, material culture\u003c\/li\u003e \u003cli\u003eOffers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eList of Illustrations x\u003c\/p\u003e \u003cp\u003eNotes on Contributors xii\u003c\/p\u003e \u003cp\u003eAcknowledgments xix\u003c\/p\u003e \u003cp\u003eIntroduction 1\u003cbr\u003e \u003ci\u003eZara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Croatia 13\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eNeven Jovanovic \u003c\/i\u003é\u003c\/p\u003e \u003cp\u003e1 Classical Reception in Croatia: An Introduction 15\u003cbr\u003e \u003ci\u003eNeven Jovanovic \u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Pula and Split: The Early Modern Tale(s) of Two Ancient Cities 21\u003cbr\u003e \u003ci\u003eJasenka Gudelj\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Croatian Neo‐Latin Literature and Its Uses 35\u003cbr\u003e \u003ci\u003eNeven Jovanovic\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 The First Dalmatian Humanists and the Classics: A Manuscript Perspective 46\u003cbr\u003e \u003ci\u003eLuka Špoljaric\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 The Swan Song of the Latin Homer 57\u003cbr\u003e \u003ci\u003ePetra Šoštaric\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Slovenia 67\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eMarko Marinc\u003c\/i\u003ě\u003ci\u003eic\u003c\/i\u003ě\u003c\/p\u003e \u003cp\u003e6 Classical Reception in Slovenia: An Introduction 69\u003cbr\u003e \u003ci\u003eMarko Marinc\u003c\/i\u003e\u003ci\u003ě\u003c\/i\u003e\u003ci\u003eic\u003c\/i\u003e\u003ci\u003ě\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Collecting Roman Inscriptions Beyond the Alps: Augustinus Tyfernus 74\u003cbr\u003e \u003ci\u003eMarjeta Šašel Kos\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Sta. Maria sopra Siwa: Inventing a Slavic Venus 88\u003cbr\u003e \u003ci\u003eMarko Marinci\u003c\/i\u003e\u003ci\u003ě \u003c\/i\u003e\u003ci\u003ec\u003c\/i\u003e\u003ci\u003ě\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Images from Slovenian Dramatic and Theatrical Interpretations of Ancient Drama 99\u003cbr\u003e \u003ci\u003eAndreja N. Inkret\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Czech Republic 113\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eJan Bažant\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Classical Reception in the Czech Republic: An Introduction 115\u003cbr\u003e \u003ci\u003eJan Bažant\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Classical Antiquity in Czech Literature between the National Revival and the Avant‐Garde 121\u003cbr\u003e \u003ci\u003eDaniela C\u003c\/i\u003ě\u003ci\u003eadkova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 The Classical Tradition and Nationalism: The Art and Architecture of Prague, 1860–1900 133\u003cbr\u003e \u003ci\u003eJan Bažant\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 The Case of the \u003ci\u003eOresteia\u003c\/i\u003e: Classical Drama on the Czech Stage, 1889–2012 146\u003cbr\u003e \u003ci\u003eAlena Sarkissian\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Poland 159\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eDorota Dutsch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 Classical Reception in Poland: An Introduction 161\u003cbr\u003e \u003ci\u003eDorota Dutsch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 From Fictitious Letters to Celestial Revolutions: Copernicus and the Classics 166\u003cbr\u003e \u003ci\u003eDorota Dutsch and Francois Zdanowicz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e16 Respublica \u003c\/i\u003eand the Language of Freedom: The Polish Experiment 179\u003cbr\u003e \u003ci\u003eAnna Grzesk\u003c\/i\u003e\u003ci\u003é \u003c\/i\u003e\u003ci\u003eowiak\u003c\/i\u003e\u003ci\u003e‐\u003c\/i\u003e\u003ci\u003eKrwawicz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Two Essays on Classical Reception in Poland 190\u003cbr\u003e \u003ci\u003eJerzy Axer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Parallels between Greece and Poland in Juliusz Słowacki’s Oeuvre 207\u003cbr\u003e \u003ci\u003eMaria Kalinowska\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Hungary 223\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eFarkas Gabor Kiss\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Classical Reception in Hungary: An Introduction 225\u003cbr\u003e \u003ci\u003eFarkas Gabor Kiss\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Classical Reception in Sixteenth‐Century Hungarian Drama 233\u003cbr\u003e \u003ci\u003eAgnes Juhasz\u003c\/i\u003e\u003ci\u003e‐\u003c\/i\u003e\u003ci\u003eOrmsby\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 \u003ci\u003eTruditur dies die: \u003c\/i\u003eReading Horace as a Political Attitude in Nineteenth‐ and Twentieth‐Century Hungary 245\u003cbr\u003e \u003ci\u003eAbel Tamas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 The Shepherdess and the Myrmillo: The Sculptor Istvan Ferenczy and the Reception of Classical Antiquity in Hungary 260\u003cbr\u003e \u003ci\u003eNora Veszpremi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI Romania 277\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eDana LaCourse Munteanu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Classical Reception in Romania: An Introduction 279\u003cbr\u003e \u003ci\u003eRadu Ardevan, Florin Berindeanu, and Ioan Piso\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Loving Vergil, Hating Rome: Coşbuc as Translator and Poet 287\u003cbr\u003e \u003ci\u003eCarmen Fenechiu and Dana LaCourse Munteanu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Noica’s Becoming within Being and Meno’s Paradox 300\u003cbr\u003e \u003ci\u003eOctavian Gabor\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Reception of the Tropaeum Traiani: Former Paths and Future Directions 312\u003cbr\u003e \u003ci\u003eAllison L.C. Emmerson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII Bosnia\u003c\/b\u003e\u003cb\u003e‐\u003c\/b\u003e\u003cb\u003eHerzegovina, Serbia, and Montenegro 327 \u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNada Zec\u003c\/i\u003ě\u003ci\u003eevic\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Classical Reception in Bosnia‐Herzegovina, Serbia, and Montenegro: An Introduction 329\u003cbr\u003e \u003ci\u003eNada Zece\u003c\/i\u003e\u003ci\u003ě \u003c\/i\u003e\u003ci\u003evic\u003c\/i\u003e\u003ci\u003é \u003c\/i\u003e\u003ci\u003eand Nenad Ristovic\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Classical Antiquity in the Franciscan Historiography of Bosnia (Eighteenth Century) 336\u003cbr\u003e \u003ci\u003eNada Zec\u003c\/i\u003e\u003ci\u003ě\u003c\/i\u003e\u003ci\u003eevic\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 Innovative Impact of the Classical Tradition on Early Modern Serbian Literature 347\u003cbr\u003e \u003ci\u003eNenad Ristovic \u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Classical Heritage in Serbian Lyric Poetry of the Twentieth Century: Jovan Dučić, Miloš Crnjanski, and Ivan V. Lalić 360\u003cbr\u003e \u003ci\u003eAna Petkovic\u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 The Ancient Sources of Njegoš’s Poetics 373\u003cbr\u003e \u003ci\u003eDarko Todorovic \u003c\/i\u003e\u003ci\u003é\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII Bulgaria 387\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eYoana Sirakova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Classical Reception in Bulgaria: An Introduction 389\u003cbr\u003e \u003ci\u003eYoana Sirakova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Bulgarian Lands in Antiquity: A Melting Pot of Thracian, Greek, and Roman Culture 396\u003cbr\u003e \u003ci\u003eMirena Slavova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 In the Labyrinth of Allusions: Ancient Figures in Bulgarian Prose Fiction 411\u003cbr\u003e \u003ci\u003eVioleta Gerjikova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 “Bulgarian” Orpheus between the National and the Foreign, between Antiquity and Postmodernism 423\u003cbr\u003e \u003ci\u003eYoana Sirakova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Staging of Ancient Tragedies in Bulgaria and Their Influence on the Process of Translation and Creative Reception 437\u003cbr\u003e \u003ci\u003eDorothea Tabakova\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX Russia 449\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eJudith E. Kalb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 Classical Reception in Russia: An Introduction 451\u003cbr\u003e \u003ci\u003eJudith E. Kalb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 “Men in Cases”: The Perception of Classical Schools in Prerevolutionary Russia 457\u003cbr\u003e \u003ci\u003eGrigory Starikovsky\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Homer in Russia 469\u003cbr\u003e \u003ci\u003eJudith E. Kalb\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Vergil in Russia: Milestones of Identity 480\u003cbr\u003e \u003ci\u003eZara Martirosova Torlone\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41 Russian Encounters with Classical Antiquities: Archaeology, Museums, and National Identity in the Tsarist Empire 493\u003cbr\u003e \u003ci\u003eCaspar Meyer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart X Armenia and Georgia 507\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eZara Martirosova Torlone\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42 Armenian Culture and Classical Antiquity 509\u003cbr\u003e \u003ci\u003eArmen Kazaryan and Gohar Muradyan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 Medieval Greek–Armenian Literary Relations 516\u003cbr\u003e \u003ci\u003eGohar Muradyan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 The “Classical” Trend of the Armenian Architectural School of Ani: The Greco‐Roman Model and the Conversion of Medieval Art 528\u003cbr\u003e \u003ci\u003eArmen Kazaryan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 Classical Reception in Georgia: An Introduction 541\u003cbr\u003e \u003ci\u003eKetevan Gurchiani\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e46 Greek Tragedy on the Georgian Stage in the Twentieth Century 548\u003cbr\u003e \u003ci\u003eKetevan Gurchiani\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 560\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: History [\u003ca title=\"See our other books on History\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22History%20%5BHB%5D%22\"\u003eHB\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52421374279960,"sku":"9781118832714","price":120.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781118832714.jpg?v=1784593250","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-handbook-to-classical-reception-in-eastern-and-central-europe-hardback-9781118832714","provider":"Freshly Printed Books","version":"1.0","type":"link"}