{"product_id":"a-companion-to-spanish-cinema-paperback-softback-9781119170136","title":"A Companion to Spanish Cinema (Paperback \/ softback) 9781119170136","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA Companion to Spanish Cinema\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eJo Labanyi (Edited by), Tatjana Pavlović (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119170136, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003ePaperback \/ softback, published 18 December 2015\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e672 pages\u003cbr\u003e24.4 x 17 x 2.8 cm, 1.134 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003ci\u003eA Companion to Spanish Cinema\u003c\/i\u003e is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.\u003cbr\u003e \u003cbr\u003e   \u003cul\u003e \u003cli\u003ePresents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives \u003c\/li\u003e \u003cli\u003eOffers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field\u003c\/li\u003e \u003cli\u003eCombines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films\u003c\/li\u003e \u003cli\u003eExplores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema\u003c\/li\u003e \u003cli\u003eCanonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors\u003c\/li\u003e \u003cli\u003ePresents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eAcknowledgments viii\u003c\/p\u003e \u003cp\u003eList of Figures ix\u003c\/p\u003e \u003cp\u003eList of Contributors xviii\u003c\/p\u003e \u003cp\u003e1 Introduction 1\u003cbr\u003e \u003ci\u003eJo Labanyi and Tatjana Pavlović\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Reframing the National 13\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2 Transnational Frameworks 15\u003cbr\u003e \u003ci\u003eGerard Dapena, Marvin D’Lugo, and Alberto Elena\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia 50\u003cbr\u003e \u003ci\u003eBrad Epps\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia 81\u003cbr\u003e \u003ci\u003eJosé Colmeiro and Joseba Gabilondo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II The Construction of the Auteur 111\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e5 Auteurism and the Construction of the Canon 113\u003cbr\u003e \u003ci\u003eMarvin D’Lugo and Paul Julian Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Strategic Auteurism 152\u003cbr\u003e \u003ci\u003eAntonio Lázaro-Reboll, Steven Marsh, Susan Martin-Márquez, and Santos Zunzunegui\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Genre 191\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7 Comedy and Musicals 193\u003cbr\u003e \u003ci\u003eSteven Marsh, Chris Perriam, Eva Woods Peiró, and Santos Zunzunegui\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Melodrama and Historical Film 224\u003cbr\u003e \u003ci\u003eJo Labanyi, Annabel Martín, and Vicente Rodríguez Ortega\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Film Noir, the Thriller, and Horror 259\u003cbr\u003e \u003ci\u003eJo Labanyi, Antonio Lázaro-Reboll, and Vicente Rodríguez Ortega\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Stars as Cultural Icons 291\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e10 The Construction of the Star System 293\u003cbr\u003e \u003ci\u003eKathleen M. Vernon and Eva Woods Peiró\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Stars, Modernity, and Celebrity Culture 319\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eTatjana Pavlović, Chris Perriam, and Nuria Triana Toribio\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Image and Sound 343\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12 Photography, Production Design, and Editing 345\u003cbr\u003e \u003ci\u003eVicente Sánchez-Biosca\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Soundtrack 370\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eRomán Gubern and Kathleen M. Vernon\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI The Film Apparatus: Production, Infrastructure, and Audiences 389\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14 Censorship, Film Studios, and Production Companies 391\u003cbr\u003e \u003ci\u003eJosetxo Cerdán, Román Gubern, Jo Labanyi, Steven Marsh, Tatjana Pavlović, and Nuria Triana Toribio\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Film Clubs, Festivals, Archives, and Magazines 434\u003cbr\u003e \u003ci\u003eFerran Alberich, Román Gubern, and Vicente Sánchez-Biosca\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Audiences 464\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eManuel Palacio and Kathleen M. Vernon\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII Relations with Other Media 487\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e17 Cinema, Popular Entertainment, Literature, and Television 489\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eSally Faulkner, Vicente Sánchez-Biosca, and Paul Julian Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII Beyond the Fiction Film 519\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e18 Newsreels, Documentary, Experimental Film, Shorts, and Animation 521\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eJosetxo Cerdán and Vicente Sánchez-Biosca\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX Reading Films through Theory 543\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 Isabel Coixet’s Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic) 545\u003cbr\u003e \u003ci\u003eSusan Martin-Márquez\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Becoming a Queer (M)Other in\/and\/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar’s Todo sobre mi madre 563\u003cbr\u003e \u003ci\u003eJulián Daniel Gutiérrez-Albilla\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta 581\u003cb\u003e\u003cbr\u003e \u003c\/b\u003e\u003ci\u003eBrad Epps\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 597\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Society \u0026amp; culture: general [\u003ca title=\"See our other books on Society \u0026amp; culture: general\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Society%20\u0026amp;%20culture:%20general%20%5BJF%5D%22\"\u003eJF\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52509125607704,"sku":"9781119170136","price":36.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119170136.jpg?v=1786492976","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-companion-to-spanish-cinema-paperback-softback-9781119170136","provider":"Freshly Printed Books","version":"1.0","type":"link"}