{"product_id":"a-companion-to-islamic-art-and-architecture-2-volume-set-2-volume-set-hardback-9781119068662","title":"A Companion to Islamic Art and Architecture, 2 Volume Set; 2 Volume Set (Hardback) 9781119068662","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA Companion to Islamic Art and Architecture, 2 Volume Set\u003c\/font\u003e\u003cbr\u003e\r\n\u003cfont size=\"5\"\u003e2 Volume Set\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cfont size=\"4\"\u003eFinbarr Barry Flood (Edited by), Gulru Necipoglu (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119068662, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 29 August 2017\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e1456 pages\u003cbr\u003e32.5 x 21.8 x 12.7 cm, 3.289 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThe two-volume \u003ci\u003eCompanion to Islamic Art and Architecture\u003c\/i\u003e bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field.\u003cbr\u003e \u003cul\u003e \u003cli\u003eThis two-volume \u003ci\u003eCompanion\u003c\/i\u003e showcases more than 50  specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur\u003c\/li\u003e \u003cli\u003eEssays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span\u003c\/li\u003e \u003cli\u003eThe \u003ci\u003eCompanion\u003c\/i\u003e represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions \u003c\/li\u003e \u003cli\u003eThe volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question\u003c\/li\u003e \u003cli\u003eThe volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)\u003c\/li\u003e \u003c\/ul\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003cb\u003eVolume I. From the Prophet to the Mongols\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA. Introduction to the Two Volumes of A Companion to Islamic Art and Architecture\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1. Frameworks of Islamic Art and Architecture: Concepts, Approaches and Historiographies\u003cbr\u003e \u003ci\u003eFinbarr B. Flood and Gülru Necipoğlu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eB. The Early Caliphates, Umayyads, and end of Late Antiquity (650-750)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e2. The Material Culture of pre- and early Islamic Arabia\u003cbr\u003e \u003ci\u003eBarbara Finster\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3. The Formation of Religious and Caliphal Identity in the Umayyad Period: The Evidence of the Coinage\u003cbr\u003e \u003ci\u003eLuke Treadwell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4. The Early Qur’an and the Sacred Art of Late Antiquity\u003cbr\u003e \u003ci\u003eAlain George\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5. Sacred Spaces in Early Islam\u003cbr\u003e \u003ci\u003eMattia Guidetti\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eC. Abbasids and the Universal Caliphate (750-900)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e6. The Origins of Islamic Urbanism: The Royal City in the Umayyad and Abbasid Periods\u003cbr\u003e \u003ci\u003eAlastair Northedge\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7. Samarra and Abbasid Ornament\u003cbr\u003e \u003ci\u003eMarcus Milwright\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8. China among Equals: The China-Abbasid Ceramics Trade\u003cbr\u003e \u003ci\u003eHsueh-man Shen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eD. Fragmentation and the Rival Caliphates of Cordoba, Cairo, and Baghdad (900- 1050)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e9. The Three Caliphates, a Comparative Approach\u003cbr\u003e \u003ci\u003eGlaire D. Anderson and Jennifer Pruitt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10. Early Islam on the East African Coast\u003cbr\u003e \u003ci\u003eMark Horton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11. Textiles and Identity\u003cbr\u003e \u003ci\u003eJochen Sokoly\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eE. “City States” and the Later Baghdad Caliphate (1050-1250)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12. The Resurgence of the Baghdad Caliphate\u003cbr\u003e \u003ci\u003eYasser Tabbaa\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13. Turko-Persian Empires between Anatolia and India\u003cbr\u003e \u003ci\u003eHoward Crane and Lorenz Korn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14. Bridging Seas of Sand and Water: The Berber Dynasties of the Islamic Far West\u003cbr\u003e \u003ci\u003eAbigail Balbale\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15. Sicily and the Staging of Multiculturalism\u003cbr\u003e \u003ci\u003eLev Kapitaikin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16. Transculturation in the Eastern Mediterranean\u003cbr\u003e \u003ci\u003eScott Redford and Eva Hoffman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17. Patronage and the Idea of an Urban Bourgeoisie\u003cbr\u003e \u003ci\u003eAnna Contadini\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18. The Social and Economic Life of Metalwork\u003cbr\u003e \u003ci\u003eJames Allan and Ruba Kana’an\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19. Ceramics and Circulation\u003cbr\u003e \u003ci\u003eOliver Watson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20. Figural Ornament in Medieval Islamic Art\u003cbr\u003e \u003ci\u003eOya Pancaroğlu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21. Medieval Islamic Amulets, Talismans and Magic\u003cbr\u003e \u003ci\u003eVenetia Porter, Liana Saif, and Emilie Savage-Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22. The Discovery and Rediscovery of the Medieval Islamic Object\u003cbr\u003e \u003ci\u003eAvinoam Shalem\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVolume II: From the Mongols to Modernism\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eA. “Global” Empires and the World-System (1250-1450)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e23. Architecture and Court Cultures of the Fourteenth Century\u003cbr\u003e \u003ci\u003eBernard O’Kane\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24. Islamic Architecture and Ornament in China\u003cbr\u003e \u003ci\u003eNancy S. Steinhardt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25. Chinese and Turko-Mongol Elements in Ilkhanid and Timurid Arts\u003cbr\u003e Part 1\u003cbr\u003e \u003ci\u003eYuka Kadoi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003ePart 2.\u003cbr\u003e \u003ci\u003eTomoko Masuya\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26. Persianate Arts of the Book in Iran and Central Asia\u003cbr\u003e \u003ci\u003eDavid J. Roxburgh\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27. Diversification of Qur’an Manuscripts from Spain to China\u003cbr\u003e \u003ci\u003ePriscilla Soucek\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28. Locating the Alhambra: A Fourteenth-Century “Islamic” Palace and its “Western” Contexts\u003cbr\u003e \u003ci\u003eCynthia Robinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29. Architectural Patronage and the Rise of the Ottomans\u003cbr\u003e \u003ci\u003eZeynep Yurekli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30. Islam beyond Empires: Mosques and Islamic Landscapes in India and the Indian Ocean\u003cbr\u003e \u003ci\u003eElizabeth Lambourn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31. The Deccani Sultanates and their Interregional Connections\u003cbr\u003e \u003ci\u003ePhillip B. Wagoner and Laura Weinstein\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eB. Early Modern Empires and their Neighbors (1450-1700)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e32. In Search of the Timurid Roots of Mughal Architecture\u003cbr\u003e \u003ci\u003eLisa Golombek and Ebba Koch\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33. Istanbul, Isfahan, and Delhi: Imperial Designs and Urban Experiences in the Early Modern Era\u003cbr\u003e \u003ci\u003eSussan Babaie and Çiğdem Kafescioğlu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34. Painting, from Royal to Urban Patronage\u003cbr\u003e \u003ci\u003eChristiane Gruber and Emine Fetvacı\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35. Objects of Consumption: Mediterranean Interconnections of the Ottomans and Mamluks\u003cbr\u003e \u003ci\u003eTülay Artan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36. Safavid Arts and Diplomacy in the Age of the Renaissance and Reformation\u003cbr\u003e Part 1\u003cbr\u003e \u003ci\u003eMassumeh Farhad\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003ePart 2\u003cbr\u003e \u003ci\u003eMarianna Shreve Simpson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37. Carpets, Textiles, and Trade in the Early Modern Islamic World\u003cbr\u003e \u003ci\u003eWalter B. Denny\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38. Trade, Politics, and Sufi Synthesis in the Formation of Southeast Asian Islamic Architecture\u003cbr\u003e \u003ci\u003eImran bin Tajudeen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39. Mudejar Americano: Iberian Aesthetic Transmission in the New World\u003cbr\u003e \u003ci\u003eThomas F.B. Cummins and María Judith Feliciano\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eC. Modernity, Empire, Colony and Nation (1700-1950)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e40. Beyond the Taj Mahal: Late Mughal Visual Culture\u003cbr\u003e \u003ci\u003eChanchal Dadlani and Yuthika Sharma\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41. Kings and Traditions in Différance: Antiquity Revisited in Post-Safavid Iran\u003cbr\u003e \u003ci\u003eTalinn Grigor\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42. Public Sphere in the Eastern Mediterranean\u003cbr\u003e \u003ci\u003eShirine Hamadeh\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43. “Jeux de miroir”: Architecture in Istanbul and Cairo from Empire to Modernism\u003cbr\u003e \u003ci\u003eNebahat Avcıoğlu and Mercedes Volait\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44. Islamic Art in the Islamic Lands: Museums and Architectural Revivalism\u003cbr\u003e \u003ci\u003eWendy Shaw\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45. Islamic Art in the West: Categories of Collecting\u003cbr\u003e \u003ci\u003eStephen Vernoit\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e46. Islamic Arts and the Crisis of Representation in Modern Europe\u003cbr\u003e \u003ci\u003eRémi Labrusse\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eD. Islam, Art, and the Contemporary (1950-Present)\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e47. Resonance and Circulation: The Category “Islamic Art and Architecture”\u003cbr\u003e \u003ci\u003eHeghnar Watenpaugh\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e48. Dubai, Anyplace: Histories of Architecture in the Contemporary Middle East\u003cbr\u003e \u003ci\u003eKishwar Rizvi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e49. Translations of Architecture in West Asia during the Twentieth Century\u003cbr\u003e \u003ci\u003eEsra Akcan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e50. Calligraphic Abstraction\u003cbr\u003e \u003ci\u003eIftikhar Dadi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e51. Articulating the Contemporary\u003cbr\u003e \u003ci\u003eAnneka Lenssen and Sarah Rogers\u003c\/i\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: History of art \/ art \u0026amp; design styles [\u003ca title=\"See our other books on History of art \/ art \u0026amp; design styles\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22History%20of%20art%20\/%20art%20\u0026amp;%20design%20styles%20%5BAC%5D%22\"\u003eAC\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52502953197848,"sku":"9781119068662","price":233.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119068662.jpg?v=1786320892","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-companion-to-islamic-art-and-architecture-2-volume-set-2-volume-set-hardback-9781119068662","provider":"Freshly Printed Books","version":"1.0","type":"link"}