{"product_id":"a-companion-to-contemporary-art-in-a-global-framework-hardback-9781119841784","title":"A Companion to Contemporary Art in a Global Framework (Hardback) 9781119841784","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA Companion to Contemporary Art in a Global Framework\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003eJane Chin Davidson (Edited by), JC Davidson (Author), Amelia Jones (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9781119841784, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 10 November 2023\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e592 pages\u003cbr\u003e25.4 x 17.8 x 4 cm, 1.276 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003ci\u003eA Companion to Contemporary Art in a Global Framework\u003c\/i\u003e explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions.\u003c\/p\u003e \u003cp\u003eOrganized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Companion to Contemporary Art in a Global Framework\u003c\/i\u003e is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.\u003c\/p\u003e\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003eList of Illustrations ix\u003c\/p\u003e \u003cp\u003eSeries Editor's Preface xv\u003c\/p\u003e \u003cp\u003eAbout the Editors xvii\u003c\/p\u003e \u003cp\u003eNotes on Contributors xix\u003c\/p\u003e \u003cp\u003eEditors' Acknowledgments xxvii\u003c\/p\u003e \u003cp\u003eIntroduction: The Eurocentrism of Contemporary Art, Staging the Project 1\u003cbr\u003e\u003ci\u003eJane Chin Davidson and Amelia Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Decades 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1980-1990 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement 19\u003cbr\u003e\u003ci\u003eSenga Nengudi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Seeing Beyond East\/West Divides: Contemporary Art in and Around 1980s China 23\u003cbr\u003e\u003ci\u003eJenny Lin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e1990-2000 35\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e3 Is There a Line that Connects All Things? Artist Statement 37\u003cbr\u003e\u003ci\u003eSutapa Biswas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Why Contemporary Art Is Post-Soviet 41\u003cbr\u003e\u003ci\u003eAngela Harutyunyan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2000-2010 55\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e5 Art and Politics: Artist Statement 57\u003cbr\u003e\u003ci\u003eTania Bruguera\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Maori and Pacific Art at the Turn of a New Millennium 61\u003cbr\u003e\u003ci\u003eNina Tonga and Caroline Vercoe\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003e2010-2020 75\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e7 Art for Abolition: Artist Statement 77\u003cbr\u003e\u003ci\u003ePatrisse Cullors\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Situating African Diasporic Art 79\u003cbr\u003e\u003ci\u003eNana Adusei-Poku\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Themes\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eInstitutions\/Ontology 87\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e9 COLONIALISM \"The Whole World in his Hands\": A Decolonial Approach to European Concepts of Art 89\u003cbr\u003e\u003ci\u003eClaire Farago\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 PEDAGOGY The Blank Canvas and Other Myths 105\u003cbr\u003e\u003ci\u003eAl-An deSouza\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 CRAFT Craft and the Making of \"Global\" Contemporary Art 119\u003cbr\u003e\u003ci\u003ePamela N. Corey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 PERFORMANCE Dreams and Visions in the Interval 133\u003cbr\u003e\u003ci\u003eMlondolozi Zondi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 EMBODIMENT\/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) 149\u003cbr\u003e\u003ci\u003eNatalie Loveless\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePolitics\/Public Sphere 167\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e14 REVOLUTION Revolution is a Circle 169\u003cbr\u003e\u003ci\u003eTatiana Flores\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 ART AND ITS MARKETPLACES It Was a Small World, After All 183\u003cbr\u003e\u003ci\u003eSuzanne Hudson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran 199\u003cbr\u003e\u003ci\u003eTalinn Grigor\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway Car 213\u003cbr\u003e\u003ci\u003eRaqs Media Collective\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene 227\u003cbr\u003e\u003ci\u003eLisa E. Bloom\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIdentity\/Subjectivity 239\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence 241\u003cbr\u003e\u003ci\u003eTimotéo I. Montoya II\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 DIASPORA Transnational Collectivities of Solidarity and Affect 255\u003cbr\u003e\u003ci\u003eCeren Özpinar\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 GENDER\/SEXUALITY Performing the Intersection: Camp and the \"Cat Lady\" 267\u003cbr\u003e\u003ci\u003eJane Chin Davidson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 RACE\/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante 281\u003cbr\u003e\u003ci\u003eJessi DiTillio and Cherise Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 DISABILITY Disability Justice, Community, and Performance 295\u003cbr\u003e\u003ci\u003eShayda Kafai and Jennette Ramirez\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eMethods\/Theories 309\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e24 POSTCOLONIAL\/DECOLONIAL Post-\/Anti-\/Neo-\/De- Colonial Theories and Visual Analysis 311\u003cbr\u003e\u003ci\u003eAlpesh Kantilal Patel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 MARXISM\/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) 327\u003cbr\u003e\u003ci\u003eOu Ning\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 CRITICAL RACE THEORY \"The Blast Work\": Situating Critical Race Theory in Contemporary Art and Curatorial Practice 343\u003cbr\u003e\u003ci\u003eKelli Morgan in Dialogue with Amelia Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 POSTSTRUCTURALISM\/POSTMODERNISM\/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism 359\u003cbr\u003e\u003ci\u003eApril Baca\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 GENDER\/SEX THEORY Feminist\/Queer\/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page 377\u003cbr\u003e\u003ci\u003eAce Lehner and Amelia Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 PERFORMANCE THEORY The \"Studies Protocols\" of Performance Studies 399\u003cbr\u003e\u003ci\u003eJoshua Chambers-Letson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTechnology\/Media 417\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e30 INTERNET \"Bias Is Not a Bug. It's a Feature\": An Interview with Hito Steyerl on Representation in the Digital Age 419\u003cbr\u003e\u003ci\u003eHito Steyerl and Anuradha Vikram\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents 435\u003cbr\u003e\u003ci\u003eDerek Murray\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 ALGORITHM Algorithms in Global Art and Visual Culture 451\u003cbr\u003e\u003ci\u003eGary Kafer and Tyler Quick\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eExhibition\/Collecting\/Archive 465\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e33 MUSEUM Time, Love, and the Museum 467\u003cbr\u003e\u003ci\u003eFlorencia San Martin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 BIENNIAL\/ART FAIR Biennial as a Discursive Political System for Contemporary Art 481\u003cbr\u003e\u003ci\u003eJane Chin Davidson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison 503\u003cbr\u003e\u003ci\u003eAndy Campbell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) 517\u003cbr\u003e\u003ci\u003eGerardo Mosquera\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair 529\u003cbr\u003e\u003ci\u003eHammad Nasar\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 541\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Art treatments \u0026amp; subjects [\u003ca title=\"See our other books on Art treatments \u0026amp; subjects\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Art%20treatments%20\u0026amp;%20subjects%20%5BAG%5D%22\"\u003eAG\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52173810204952,"sku":"9781119841784","price":106.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9781119841784.jpg?v=1781172962","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-companion-to-contemporary-art-in-a-global-framework-hardback-9781119841784","provider":"Freshly Printed Books","version":"1.0","type":"link"}