{"product_id":"a-companion-to-art-theory-hardback-9780631207627","title":"A Companion to Art Theory (Hardback) 9780631207627","description":"\u003cfont face=\"Georgia\"\u003e\r\n\u003cp\u003e\u003cfont size=\"6\"\u003eA Companion to Art Theory\u003c\/font\u003e\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\n\u003cp\u003e\u003cfont size=\"4\"\u003ePaul Smith (Edited by), Carolyn Wilde (Edited by)\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e9780631207627, Wiley\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eHardback, published 5 July 2002\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e552 pages\u003cbr\u003e25.4 x 17.8 x 4.6 cm, 1.116 kg\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp align=\"justify\"\u003e\u003cstrong\u003e\u003cfont size=\"3\"\u003eThe Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.\u003c\/font\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003e\u003cp\u003e\u003ci\u003ePlates ix\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eNotes on Contributors x\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePreface xvi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Tradition and the Academy 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction: Alberti and the Formation of Modern Art Theory 3\u003cbr\u003e \u003ci\u003eCarolyn Wilde\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1 The Classical Concept of Mimesis 19\u003cbr\u003e \u003ci\u003eGöran Sörbom\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Medieval Art Theory 29\u003cbr\u003e \u003ci\u003eHugh Bredin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Neoplatonist Aesthetics 40\u003cbr\u003e \u003ci\u003eSuzanne Stern-Gillet\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Renaissance Art Theories 49\u003cbr\u003e \u003ci\u003eFrançois Quiviger\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Touch, Tactility, and the Reception of Sculpture in Early Modern Italy 61\u003cbr\u003e \u003ci\u003eGeraldine A. Johnson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 The Spiritual Exercises of Leonardo da Vinci 75\u003cbr\u003e \u003ci\u003eRobert Williams\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Academic Theory 1550–1800 88\u003cbr\u003e \u003ci\u003ePaul Duro\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Rhetorical Categories in the Academy 104\u003cbr\u003e \u003ci\u003eCaroline van Eck\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 The Picturesque and its Development 116\u003cbr\u003e \u003ci\u003eAndrew Ballantyne\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Around Modernism 125\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e10 The Aesthetics of Kant and Hegel 127\u003cbr\u003e \u003ci\u003eJason Gaiger\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 E. H. Gombrich and the Tradition of Hegel 139\u003cbr\u003e \u003ci\u003eDavid Summers\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 German Romanticism and French Aesthetic Theory 150\u003cbr\u003e \u003ci\u003eWendy S. Mercer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Expression: Natural, Personal, Pictorial 159\u003cbr\u003e \u003ci\u003eRichard Shiff\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 Reading Artists’ Words 173\u003cbr\u003e \u003ci\u003eRichard Hobbs\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Nietzsche and the Artist 183\u003cbr\u003e \u003ci\u003eMichael White\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Wittgenstein, Description, and Adrian Stokes (on Cezanne) 196\u003cbr\u003e \u003ci\u003ePaul Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Modernism and the Idea of the Avant-Garde 215\u003cbr\u003e \u003ci\u003ePaul Wood\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 On the Intention of Modern(ist) Art 229\u003cbr\u003e \u003ci\u003eFred Orton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Anti-Art and the Concept of Art 244\u003cbr\u003e \u003ci\u003ePaul N. Humble\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Marcel Duchamp’s Readymades and Anti-Aesthetic Reflex 253\u003cbr\u003e \u003ci\u003eDavid Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Critical Theory and Postmodernism 265\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e21 Marxism and Critical Art History 267\u003cbr\u003e \u003ci\u003eDavid Craven\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Walter Benjamin and Art Theory 286\u003cbr\u003e \u003ci\u003eHoward Caygill\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Bakhtin and the Visual Arts 292\u003cbr\u003e \u003ci\u003eDeborah J. Haynes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Peirce’s Visuality and the Semiotics of Art 303\u003cbr\u003e \u003ci\u003eMichael Leja\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Conceptual Art 317\u003cbr\u003e \u003ci\u003eCharles Harrison\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Barthes on Art 327\u003cbr\u003e \u003ci\u003eMargaret Iversen\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e 27 Foucault and Art 337\u003cbr\u003e \u003ci\u003eRoy Boyne\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Derrida and the Parergon 349\u003cbr\u003e \u003ci\u003eRobin Marriner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 What Consciousness Forgets: Lyotard’s Concept of the Sublime 360\u003cbr\u003e \u003ci\u003eRenée van de Vall\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Deleuze on Francis Bacon 370\u003cbr\u003e \u003ci\u003eIan Heywood\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Feminisms and Art Theory 380\u003cbr\u003e \u003ci\u003eMarsha Meskimmon\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Psycho-Phallus (Qu’est-ce que c’est?) 397\u003cbr\u003e \u003ci\u003eMignon Nixon\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Interpretation and the Institution of Art 409\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e33 The Rules of Representation 411\u003cbr\u003e \u003ci\u003eJohn Willats\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 Gombrich and Psychology 426\u003cbr\u003e \u003ci\u003eRichard Woodfield\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 Hermeneutics and Art Theory 436\u003cbr\u003e \u003ci\u003eNicholas Davey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Reciprocity and Reception Theory 448\u003cbr\u003e \u003ci\u003eMichael Ann Holly\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 The Paradox of Creative Interpretation in Art 458\u003cbr\u003e \u003ci\u003eCarl Hausman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 Interdisciplinarity and Visual Culture 467\u003cbr\u003e \u003ci\u003eCharlotte Klonk\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Against Curatorial Imperialism: Merleau-Ponty and the Historicity of Art 477\u003cbr\u003e \u003ci\u003ePaul Crowther\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 The Institutional Theory of Art: Theory and Antitheory 487\u003cbr\u003e \u003ci\u003eGarry L. Hagberg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eIndex 505\u003c\/i\u003e\u003c\/p\u003e\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cfont size=\"3\"\u003eSubject Areas: Art treatments \u0026amp; subjects [\u003ca title=\"See our other books on Art treatments \u0026amp; subjects\" href=\"https:\/\/freshlyprintedbooks.co.uk\/search?q=%22Art%20treatments%20\u0026amp;%20subjects%20%5BAG%5D%22\"\u003eAG\u003c\/a\u003e]\u003c\/font\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003c\/font\u003e","brand":"Wiley-Blackwell","offers":[{"title":"Brand New","offer_id":52509174464792,"sku":"9780631207627","price":155.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/2037\/5320\/files\/9780631207627.jpg?v=1786495980","url":"https:\/\/freshlyprintedbooks.co.uk\/products\/a-companion-to-art-theory-hardback-9780631207627","provider":"Freshly Printed Books","version":"1.0","type":"link"}